Avid NewsCutter XP User's Guide

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To repeat the procedure for subsequent synchronized tracks: 1. Disable the video track where you placed the locator. 2. Enable the top audio track. Make sure you keep the position indicator in the same location in order to line up the locators. n <strong>NewsCutter</strong> <strong>XP</strong> shows the comment only for the locator on the top track. To determine if sync is broken after an edit: t Return to the segment that contains the locators. If the locators are not lined up, the sync is broken. To adjust the sync break: 1. Measure the sync break by first moving the position indicator to the leftmost locator and clicking the Mark IN button. Then move it to the other locators and click the Mark OUT button. 2. Check the IN to OUT duration of the marked section. To restore sync: 1. Find the point at which the sync was lost. 2. Add or remove frames by using the appropriate edit function, as described in “Fixing Sync Breaks” on page 545. 550
Using Add Edit When Trimming When you are trimming with several audio tracks in sync, the Add Edit button allows you to create an edit in the silent or black areas of the synced tracks. They occur in line with the track you are trimming, and they trim all the tracks at once to maintain sync. To use the Add Edit button while trimming: 1. Move the position indicator to the edit that you want to trim. 2. Select only the additional tracks that are in sync, and click the Add Edit button in the Tool palette. The system adds a transition at the location of your position indicator in the Timeline. 3. Select the transition and trim (be sure to select all the synced tracks). As you trim, frames are also added or removed from the additional tracks. 4. When you have finished trimming, remove the add edits from the synced tracks by clicking each Add Edit transition and pressing the Delete key. 551
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Avid ® NewsCutter ® XP User’s G
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Contents Chapter 1 Chapter 2 Deskto
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Retrieving Bin Files from the Attic
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Double-Checking the Logs . . . . .
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Chapter 7 Recording Before You Begi
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Copying Clips and Sequences . . . .
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Workgroup Support . . . . . . . . .
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Using Match Frame. . . . . . . . .
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About Nesting . . . . . . . . . . .
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Using Audio Gain Automation . . . .
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Syncing with Locators . . . . . . .
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Installing an Avid Codec on Other S
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Digidesign D-Fi . . . . . . . . . .
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Tables Table 3-1 Bin Settings Optio
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Table 18-15 Default Folder and File
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Working with the Desktop For inform
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4. Select the options you want: n T
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4. Under Desktop Area, drag the sli
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Changing Project and User Names You
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Accepting Your NewsCutter XP Licens
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Opening a Project Each time you sta
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To select a user in a folder: 1. Do
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2. Type the name of your new projec
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Closing a Project When you close th
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Quitting the NewsCutter XP Applicat
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Turning Off Your Equipment c Quit N
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Connecting to the Avid Production N
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CHAPTER 3 Working with the Project
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You can also add folders to your pr
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The views for working with clips in
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• In Script view, the features of
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Creating a Folder in a Project To c
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To open a bin from the File menu: 1
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Trash icon Fast Menu button To view
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- Create a third set of gins for th
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The system saves all the selected b
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12. Select the material you want to
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About Settings Three types of setti
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Table 3-1 describes the options lis
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General Settings General settings d
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General Interface Settings The foll
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Table 3-3 Interface Settings Option
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Table 3-4 Interface Settings Option
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Table 3-5 Customizable Interface Co
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Color selection grid 5. Move the mo
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To return to the default interface:
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3. Click the Appearance tab. 4. Cli
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5. Choose a style. 6. Do one of the
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Table 3-6 Option All Settings Base
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Table 3-7 Settings Scroll List Sett
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Table 3-7 Settings Scroll List (Con
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Working with Multiple Settings You
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Selecting Among Multiple Settings W
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Using Site Settings When the system
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About the Memory Window The Memory
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While in a workspace, you can move
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8. Select or deselect the following
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2. Click to the left of the workspa
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CHAPTER 4 Using Basic Tools The Too
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Timecode indicator Logging controls
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You can use the Command palette to:
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4. Click the tab from which you wan
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4. Click a target button in the Key
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2. Choose a format from the Format
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items. You can also use the Console
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CHAPTER 5 Logging When you log with
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Logging Timecode Within an NTSC pro
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Go to Memory button Clear Memory bu
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To import shot log files into a bin
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7. Use the Up One Level button to l
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• If the file does not contain th
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8. Choose Clean from the Options me
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13. Click Yes. The converted file i
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A message box appears, indicating t
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Record/Log Mode button Mark IN butt
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After you set the mark, the icon in
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Record/Log Mode button Mark IN butt
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Using the Modify Command To modify
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Table 5-1 Options for Modifying Bin
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10. (Option) Change the file name,
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cables, connectors, and processing
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c For more information about Genera
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Table 6-1 Record Settings (General
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Table 6-2 Record Settings (Batch Ta
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Table 6-3 describes the options ava
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Table 6-4 Record Settings (Media Fi
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Configuring Decks Deck Configuratio
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6. Click OK to close the Channel di
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The system checks the deck configur
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Table 6-5 Deck Settings Options (Co
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Table 6-6 explains the Deck Prefere
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Opening the Record Tool To open the
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n These options vary depending on y
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n If you are not seeing the source
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t t Activate a previously created b
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To target separate drives for audio
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2. Double-click Record. The Record
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Recording Across Timecode Breaks Fo
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• Audio media files written when
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Table 6-7 Adjustable Audio Project
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To open the Audio tool, do one of t
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Resizing the Audio Tool To resize t
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n Line levels record very loud when
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Reset Peak button 2. Click the Rese
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of storage locations so you store y
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This sets your chosen video and aud
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CHAPTER 7 Recording When you record
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Adding Clip Names and Comments On-t
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Recording from One Point to Another
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that you type does not appear on th
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To record on-the-fly: 1. Click the
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Autorecording Autorecording can sav
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7. Deselect Fast Cue, and set the p
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New Tape Name button List of tapes
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To record with time-of-day timecode
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Recording to the Timeline You can r
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For example, if you want to record
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Batch Recording Clips To batch reco
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n To t t t Click “Skip this clip
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Saving Two Versions of a Sequence W
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Controlling Decks from the Keyboard
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Returning to the Previous Place in
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• For graphics file and OMFI (Ope
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3. Select the appropriate options a
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Table 8-1 Import Settings Options (
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Table 8-1 Import Settings Options (
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n For more information about the fi
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n For a complete description of all
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Using Open Media Management (OMM) n
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3. In the Preferred Asset Manager t
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Reimporting Files c If you are work
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that were not found. See “Startin
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If you select more than one clip di
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• If you want to center the pan b
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The bin displays objects according
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Script View In Script view, the sys
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There are several ways to customize
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n To view a complete list of the bi
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Moving Clips and Sequences You can
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4. (Option) Delete the associated m
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The color appears in the Color colu
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Sifting Clips and Sequences When yo
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Selecting Media Relatives for an Ob
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Text View button Arranging Bin Colu
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Showing and Hiding Columns You can
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3. The dialog box contains column n
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Changing a Custom Column Heading Yo
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To modify the clip data directly: 1
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6. Click OK. The modification takes
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To perform a multilevel sort: t Rea
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The bin color changes, based on you
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Arranging Frames in a Bin To realig
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This text does not appear in sequen
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Preparing Digital Bars and Tone You
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Creating Leader You can use digital
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CHAPTER 10 Managing Media Files Whe
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delete, and manipulate files, you h
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Precompute clip Media file Master C
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6. Select the media files that you
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Consolidating a Master Clip Origina
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Using the Consolidate Command c Do
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Bins also contain references to som
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Related media file If more than one
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n To t t t Select “Relink offline
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n Because subclips and sequences do
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About TransferManager When editing
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Changing the Pop-up Monitor Size Yo
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Tracking Information menu Tracking
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Displaying Clip Information The Inf
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Close button Timecode pop-up menu T
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Setting the Font and Point Size for
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To load a sequence into the Source/
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Clearing Sequences from Monitors To
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n If you try to play a sequence and
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Step Backward Step Forward To step
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t Press the L key to move forward t
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c To use a Client monitor, you must
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important play and review session.
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5. Mark an OUT point by doing one o
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Mark Clip button n To n If ignore t
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n If a subset of the buttons appear
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Creating Subclips When you mark foo
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Ways to Use Locators Locators have
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3. Cue to the frame and click the A
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To mark the area between two locato
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2. Do one of the following: t t Cho
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Printing the Locators Window To pri
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Using Frame Offset Timecode to Cue
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3. Make sure you select the correct
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• Setting Up Tracks for the New S
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To rename the new sequence: n If t
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Changing the Start Timecode for Seq
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Deleting Tracks To delete a track:
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3. Click the Fast Menu button. The
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Screen display of the first edit in
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Monitoring Audio While Editing You
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New Clip Material to be overwritten
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Extracting Material The Extract fun
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• Copy graphic elements for repea
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To start a playback loop: 1. Mark I
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CHAPTER 13 Using the Timeline NewsC
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Table 13-1 describes the Timeline S
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Table 13-2 Timeline Settings Option
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Table 13-3 Timeline Fast Menu Optio
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2. Choose Save As from the pop-up m
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The Timeline scroll bar functions l
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page 417 and “Selecting One or Mo
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Black holes are segments of the seq
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Performing Segment Mode Edits There
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creating new edits. It also lifts t
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sequence, while maintaining the sam
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5. Click the Edit tab. 6. Select Ac
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n For more information on nesting t
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Monitoring Video The Video Track Mo
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Monitoring a Solo Track You can mon
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You can perform only one patch per
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Deleting Tracks To delete one or mo
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If you made other edits since you p
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CHAPTER 14 Working in Trim Mode Bas
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4. Click the Trim Mode button. By d
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Selecting Additional Transitions Se
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one or both trim sides, and the mon
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c n You You can also select two or
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Table 14-1 Key Key Functions in Sli
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Adding Black While Trimming You can
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To trim with sync-locked tracks: 1.
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CHAPTER 15 Working with Audio You e
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Accessing Audio Effect Tools You ca
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audio to help you accurately mark e
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Performing Smooth Audio Scrub You p
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Digital scrub example This entire s
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When you have found the correct fra
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Waveform sample plot n Press Ctrl+p
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• Adjust the volume, pan, or both
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n The n The t t To adjust levels fr
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Values are cumulative until you pre
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To gang and adjust multiple tracks:
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emap a track to any channel by clic
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Limitations on Adjusting Volume If
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For example, assume that you have c
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The following illustration shows th
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n To snap to the decibel lines, pre
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clip that contains a rendered audio
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The options in the Fast menu appear
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the corresponding keyframes and sav
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To use the Fast Forward and Rewind
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• Audio Loop Play button: Allows
Page 499 and 500: within the marks, either in part or
Page 501 and 502: t t t Values are cumulative until y
Page 503 and 504: Before Set EQ In/Out After Set EQ I
Page 505 and 506: Removing Audio EQ Effects To remove
Page 507 and 508: Use the EQ Range slider to move the
Page 509 and 510: The following illustration shows th
Page 511 and 512: n The NewsCutter XP system does not
Page 513 and 514: When you purchase additional plug-i
Page 515 and 516: 3. Choose a plug-in from the Plug-i
Page 517 and 518: AudioSuite Plug-in Fast Menu The Fa
Page 519 and 520: Activate Current Plug-in button Tra
Page 521 and 522: system automatically disables track
Page 523 and 524: 4. (Option) Change the preview sour
Page 525 and 526: n The NewsCutter XP system does not
Page 527 and 528: Creating the Voice-Over To capture
Page 529 and 530: Voice-over adding a new track Voice
Page 531 and 532: B-roll footage Interview footage Yo
Page 533 and 534: Fine-Tuning Audio Transitions When
Page 535 and 536: 4. Choose Dissolve from the Add pop
Page 537 and 538: To apply a dip in audio: 1. Play ba
Page 539 and 540: 7. Click OK. The audio is mixed dow
Page 541 and 542: CHAPTER 16 Syncing Methods NewsCutt
Page 543 and 544: 3. Select an option, based on the f
Page 545 and 546: • In Trim mode, you can sync lock
Page 547 and 548: Using Sync Lock The sync lock featu
Page 549: Move the black segment by using Ext
Page 553 and 554: • Calibrate and adjust audio outp
Page 555 and 556: 3. Choose from the Sample Rate menu
Page 557 and 558: c You should leave this output leve
Page 559 and 560: Preparing Record Tapes The two basi
Page 561 and 562: Assemble-edit option 3. Select “A
Page 563 and 564: • Cueing a record deck from the D
Page 565 and 566: 3. Select the options that you want
Page 567 and 568: 6. Select Remote in the deck contro
Page 569 and 570: Using EDL Manager EDL Manager is a
Page 571 and 572: • Using OMM to Export Clips • C
Page 573 and 574: preserve the multiple-track informa
Page 575 and 576: c Before using the review comments
Page 577 and 578: To open a Review & Approval file by
Page 579 and 580: n Make sure the Record Track Monito
Page 581 and 582: 2. Select a clip or sequence in one
Page 583 and 584: sure Use Enabled Tracks is selected
Page 585 and 586: When NewsCutter XP exports to Media
Page 587 and 588: ProEncode creates a QuickTime refer
Page 589 and 590: n You can also access AvidLinks by
Page 591 and 592: 4. Choose one of the following opti
Page 593 and 594: To export in DV Stream format: 1. S
Page 595 and 596: Table 18-2 Export Settings Dialog B
Page 597 and 598: Exporting a Clip with OMM and the D
Page 599 and 600: 7. Type a name in the Setting Name
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c with OMFI, you can transfer among
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8. (Option) Change the file name. I
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Exporting AAF Compositions Only New
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The file is exported and appears at
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9. Click Save. The file is exported
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n For more information, see “Prep
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10. Click Save. c The file is expor
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Table 18-6 Export Settings Dialog B
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QuickTime Movie (Same as Source) Qu
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Table 18-7 QuickTime Movie Export O
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To access the QuickTime codecs: 1.
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Apple ® Photo-JPEG Avid ABVB NuVis
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Table 18-8 Format Options Suboption
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Exporting as an AVI File To export
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8. Select the compressor you want,
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c c The file is exported and appear
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Table 18-9 AVI Settings Options (Co
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Table 18-10 AVI Video Compression D
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7. Click Settings in the Video pane
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7. Click Settings in the Video pane
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t To export the entire clip or sequ
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15. Select the destination folder f
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3. When you get to the step where t
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9. Click Save to save the current s
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Graphic Format pop-up menu Format O
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Table 18-12 Export Settings Dialog
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Table 18-13 Graphic Format Settings
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Table 18-13 Graphic Format Settings
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n For t To export the entire clip o
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n Use Enabled Tracks is selected by
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Table 18-14 Transfer Device Devices
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5. With the system at the new locat
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Transferring Media to and from a Vi
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The dialog box closes and returns y
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CHAPTER 19 Using the NRCS Tool The
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n The NRCS Settings dialog box also
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c Contact your system administrator
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Understanding the NRCS Tool The fol
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Using the Directory Panel In the Di
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3. Choose Make Shortcut. The NRCS t
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Editing Story Text You can perform
Page 683 and 684:
t Right-click the text, and choose
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Deleting a Production Cue If you wa
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To calculate the read time of a sto
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n If you select a story from the Di
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Story panel Mark IN/OUT button Read
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Adjusting the Story Timing with a T
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Time Pad cue n You must be in Edit
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A Time Pad cue appears in the story
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n Do not use the NRCS tool mail as
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To disconnect from the iNEWS server
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Plug-in Selection pop-up menu Drive
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Additional Supported Plug-Ins The f
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Digidesign D-fx The set of D-fx pl
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Threshold Sets the threshold level.
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Gain Gain allows you to boost or lo
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Master Clip Mode Parallel Processin
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Crossfade The Crossfade slider allo
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Edit the Pitch Shift parameters by
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Reference Pitch The Reference Pitch
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Bypass Bypasses the EQ. The 4-Band
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Compressor Parameters The Compresso
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to see how the shape of this curve
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Release Allows you to control how l
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allows more of the gated audio that
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Hold Allows you to specify a durati
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Wet/Dry Allows you to control the b
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Graphics (Image) Files NewsCutter X
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• XWindows: Developed by the MIT
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Table B-1 Graphics File Import Spec
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Table B-1 Graphics File Import Spec
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Animation Files NewsCutter XP suppo
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Table B-3 QuickTime File Import and
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OMFI Files OMF Interchange (OMFI) w
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f 1 f 2 Dashed lines = field 1 Soli
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If the spatial positions of the two
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APPENDIX C Avid Log Specifications
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The following is a sample heading f
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Table C-3 TAPE [Tab] Avid Log Glob
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Table C-4 Avid Log Column Headings
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Table C-5 Avid Log Data Headings (C
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Index A B C D E F G H I J K L M N O
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Audio Mixdown command (Special menu
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Bin views customizing 276 types of
Page 769 and 770:
Command palette activating commands
Page 771 and 772:
Edits adding (match-framing) 437 ba
Page 773 and 774:
Frequencies (audio), adjusting 495
Page 775 and 776:
printing 377 sorting locators 375 u
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Message-of-the-Day options 672 open
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QuickTime movies export options 618
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loading in Source/Record monitor 34
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Targa file format additional Export
Page 785 and 786:
Video compression defined 208 Video
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