Avid NewsCutter XP User's Guide

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Table 9-1 briefly describes the icons listed in the Set Bin Display dialog box. Table 9-1 Object Icon Object Icon Descriptions Object Description Master Clips Subclips Sequences Sources Effects Motion Effects Rendered Effects A clip that references audio and video media files formed from recorded footage or imported files A clip that references a selected portion of a master clip A clip that represents an edited program, partial or complete, that you create from other clips A clip that references the original videotape source footage for master clips A clip that references an unrendered effect that you create A file in the bin that references effect media files generated when you create motion effects A clip that references an effect media file generated when you render an effect 2. Select the object types that you want to see: master clips, subclips, sequences, and so on. 3. The option “Show clips created by user” is selected by default. Deselect this option only if you want to hide all objects except those created by the system. 4. Select the option “Show reference clips” to automatically display objects that are referenced by sequences in the bin, whether those clips were previously in the bin or not. 5. Click OK. 272
The bin displays objects according to your specifications. About Bin Views There are different display views for working with clips in a bin: Text view, Frame view, and Script view. Text View In Text view, clips are displayed in a database text format, using columns and rows, with icons representing the various objects. Column headings Object icons Fast Menu button Text View button For information on specific Text view features, see “Using Text View” on page 290. To enter Text view: t Click the Text View button (labeled T) in the lower left corner of the bin. 273
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Avid ® NewsCutter ® XP User’s G
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Contents Chapter 1 Chapter 2 Deskto
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Retrieving Bin Files from the Attic
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Double-Checking the Logs . . . . .
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Chapter 7 Recording Before You Begi
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Copying Clips and Sequences . . . .
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Workgroup Support . . . . . . . . .
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Using Match Frame. . . . . . . . .
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About Nesting . . . . . . . . . . .
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Using Audio Gain Automation . . . .
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Syncing with Locators . . . . . . .
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Installing an Avid Codec on Other S
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Digidesign D-Fi . . . . . . . . . .
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Tables Table 3-1 Bin Settings Optio
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Table 18-15 Default Folder and File
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Working with the Desktop For inform
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4. Select the options you want: n T
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4. Under Desktop Area, drag the sli
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Changing Project and User Names You
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Accepting Your NewsCutter XP Licens
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Opening a Project Each time you sta
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To select a user in a folder: 1. Do
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2. Type the name of your new projec
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Closing a Project When you close th
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Quitting the NewsCutter XP Applicat
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Turning Off Your Equipment c Quit N
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Connecting to the Avid Production N
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CHAPTER 3 Working with the Project
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You can also add folders to your pr
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The views for working with clips in
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• In Script view, the features of
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Creating a Folder in a Project To c
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To open a bin from the File menu: 1
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Trash icon Fast Menu button To view
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- Create a third set of gins for th
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The system saves all the selected b
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12. Select the material you want to
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About Settings Three types of setti
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Table 3-1 describes the options lis
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General Settings General settings d
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General Interface Settings The foll
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Table 3-3 Interface Settings Option
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Table 3-4 Interface Settings Option
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Table 3-5 Customizable Interface Co
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Color selection grid 5. Move the mo
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To return to the default interface:
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3. Click the Appearance tab. 4. Cli
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5. Choose a style. 6. Do one of the
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Table 3-6 Option All Settings Base
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Table 3-7 Settings Scroll List Sett
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Table 3-7 Settings Scroll List (Con
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Working with Multiple Settings You
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Selecting Among Multiple Settings W
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Using Site Settings When the system
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About the Memory Window The Memory
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While in a workspace, you can move
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8. Select or deselect the following
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2. Click to the left of the workspa
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CHAPTER 4 Using Basic Tools The Too
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Timecode indicator Logging controls
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You can use the Command palette to:
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4. Click the tab from which you wan
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4. Click a target button in the Key
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2. Choose a format from the Format
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items. You can also use the Console
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CHAPTER 5 Logging When you log with
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Logging Timecode Within an NTSC pro
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Go to Memory button Clear Memory bu
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To import shot log files into a bin
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7. Use the Up One Level button to l
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• If the file does not contain th
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8. Choose Clean from the Options me
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13. Click Yes. The converted file i
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A message box appears, indicating t
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Record/Log Mode button Mark IN butt
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After you set the mark, the icon in
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Record/Log Mode button Mark IN butt
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Using the Modify Command To modify
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Table 5-1 Options for Modifying Bin
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10. (Option) Change the file name,
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cables, connectors, and processing
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c For more information about Genera
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Table 6-1 Record Settings (General
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Table 6-2 Record Settings (Batch Ta
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Table 6-3 describes the options ava
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Table 6-4 Record Settings (Media Fi
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Configuring Decks Deck Configuratio
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6. Click OK to close the Channel di
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The system checks the deck configur
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Table 6-5 Deck Settings Options (Co
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Table 6-6 explains the Deck Prefere
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Opening the Record Tool To open the
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n These options vary depending on y
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n If you are not seeing the source
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t t Activate a previously created b
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To target separate drives for audio
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2. Double-click Record. The Record
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Recording Across Timecode Breaks Fo
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• Audio media files written when
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Table 6-7 Adjustable Audio Project
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To open the Audio tool, do one of t
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Resizing the Audio Tool To resize t
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n Line levels record very loud when
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Reset Peak button 2. Click the Rese
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of storage locations so you store y
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This sets your chosen video and aud
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CHAPTER 7 Recording When you record
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Adding Clip Names and Comments On-t
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Recording from One Point to Another
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that you type does not appear on th
Page 221 and 222: To record on-the-fly: 1. Click the
Page 223 and 224: Autorecording Autorecording can sav
Page 225 and 226: 7. Deselect Fast Cue, and set the p
Page 227 and 228: New Tape Name button List of tapes
Page 229 and 230: To record with time-of-day timecode
Page 231 and 232: Recording to the Timeline You can r
Page 233 and 234: For example, if you want to record
Page 235 and 236: Batch Recording Clips To batch reco
Page 237 and 238: n To t t t Click “Skip this clip
Page 239 and 240: Saving Two Versions of a Sequence W
Page 241 and 242: Controlling Decks from the Keyboard
Page 243 and 244: Returning to the Previous Place in
Page 245 and 246: • For graphics file and OMFI (Ope
Page 247 and 248: 3. Select the appropriate options a
Page 249 and 250: Table 8-1 Import Settings Options (
Page 251 and 252: Table 8-1 Import Settings Options (
Page 253 and 254: Table 8-2 describes the options ava
Page 255 and 256: Table 8-3 describes the options ava
Page 257 and 258: n For more information about the fi
Page 259 and 260: n For a complete description of all
Page 261 and 262: Using Open Media Management (OMM) n
Page 263 and 264: 3. In the Preferred Asset Manager t
Page 265 and 266: Reimporting Files c If you are work
Page 267 and 268: that were not found. See “Startin
Page 269 and 270: If you select more than one clip di
Page 271: • If you want to center the pan b
Page 275 and 276: Script View In Script view, the sys
Page 277 and 278: There are several ways to customize
Page 279 and 280: n To view a complete list of the bi
Page 281 and 282: Moving Clips and Sequences You can
Page 283 and 284: 4. (Option) Delete the associated m
Page 285 and 286: The color appears in the Color colu
Page 287 and 288: Sifting Clips and Sequences When yo
Page 289 and 290: Selecting Media Relatives for an Ob
Page 291 and 292: Text View button Arranging Bin Colu
Page 293 and 294: Showing and Hiding Columns You can
Page 295 and 296: 3. The dialog box contains column n
Page 297 and 298: Changing a Custom Column Heading Yo
Page 299 and 300: To modify the clip data directly: 1
Page 301 and 302: 6. Click OK. The modification takes
Page 303 and 304: To perform a multilevel sort: t Rea
Page 305 and 306: The bin color changes, based on you
Page 307 and 308: Arranging Frames in a Bin To realig
Page 309 and 310: This text does not appear in sequen
Page 311 and 312: Preparing Digital Bars and Tone You
Page 313 and 314: Creating Leader You can use digital
Page 315 and 316: CHAPTER 10 Managing Media Files Whe
Page 317 and 318: delete, and manipulate files, you h
Page 319 and 320: Precompute clip Media file Master C
Page 321 and 322: 6. Select the media files that you
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Consolidating a Master Clip Origina
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Using the Consolidate Command c Do
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Bins also contain references to som
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Related media file If more than one
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n To t t t Select “Relink offline
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n Because subclips and sequences do
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About TransferManager When editing
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Changing the Pop-up Monitor Size Yo
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Tracking Information menu Tracking
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Displaying Clip Information The Inf
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Close button Timecode pop-up menu T
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Setting the Font and Point Size for
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To load a sequence into the Source/
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Clearing Sequences from Monitors To
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n If you try to play a sequence and
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Step Backward Step Forward To step
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t Press the L key to move forward t
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c To use a Client monitor, you must
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important play and review session.
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5. Mark an OUT point by doing one o
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Mark Clip button n To n If ignore t
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n If a subset of the buttons appear
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Creating Subclips When you mark foo
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Ways to Use Locators Locators have
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3. Cue to the frame and click the A
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To mark the area between two locato
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2. Do one of the following: t t Cho
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Printing the Locators Window To pri
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Using Frame Offset Timecode to Cue
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3. Make sure you select the correct
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• Setting Up Tracks for the New S
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To rename the new sequence: n If t
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Changing the Start Timecode for Seq
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Deleting Tracks To delete a track:
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3. Click the Fast Menu button. The
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Screen display of the first edit in
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Monitoring Audio While Editing You
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New Clip Material to be overwritten
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Extracting Material The Extract fun
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• Copy graphic elements for repea
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To start a playback loop: 1. Mark I
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CHAPTER 13 Using the Timeline NewsC
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Table 13-1 describes the Timeline S
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Table 13-2 Timeline Settings Option
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Table 13-3 Timeline Fast Menu Optio
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2. Choose Save As from the pop-up m
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The Timeline scroll bar functions l
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page 417 and “Selecting One or Mo
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Black holes are segments of the seq
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Performing Segment Mode Edits There
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creating new edits. It also lifts t
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sequence, while maintaining the sam
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5. Click the Edit tab. 6. Select Ac
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n For more information on nesting t
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Monitoring Video The Video Track Mo
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Monitoring a Solo Track You can mon
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You can perform only one patch per
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Deleting Tracks To delete one or mo
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If you made other edits since you p
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CHAPTER 14 Working in Trim Mode Bas
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4. Click the Trim Mode button. By d
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Selecting Additional Transitions Se
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one or both trim sides, and the mon
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c n You You can also select two or
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Table 14-1 Key Key Functions in Sli
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Adding Black While Trimming You can
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To trim with sync-locked tracks: 1.
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CHAPTER 15 Working with Audio You e
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Accessing Audio Effect Tools You ca
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audio to help you accurately mark e
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Performing Smooth Audio Scrub You p
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Digital scrub example This entire s
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When you have found the correct fra
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Waveform sample plot n Press Ctrl+p
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• Adjust the volume, pan, or both
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n The n The t t To adjust levels fr
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Values are cumulative until you pre
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To gang and adjust multiple tracks:
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emap a track to any channel by clic
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Limitations on Adjusting Volume If
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For example, assume that you have c
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The following illustration shows th
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n To snap to the decibel lines, pre
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clip that contains a rendered audio
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The options in the Fast menu appear
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the corresponding keyframes and sav
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To use the Fast Forward and Rewind
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• Audio Loop Play button: Allows
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within the marks, either in part or
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t t t Values are cumulative until y
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Before Set EQ In/Out After Set EQ I
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Removing Audio EQ Effects To remove
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Use the EQ Range slider to move the
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The following illustration shows th
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n The NewsCutter XP system does not
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When you purchase additional plug-i
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3. Choose a plug-in from the Plug-i
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AudioSuite Plug-in Fast Menu The Fa
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Activate Current Plug-in button Tra
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system automatically disables track
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4. (Option) Change the preview sour
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n The NewsCutter XP system does not
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Creating the Voice-Over To capture
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Voice-over adding a new track Voice
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B-roll footage Interview footage Yo
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Fine-Tuning Audio Transitions When
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4. Choose Dissolve from the Add pop
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To apply a dip in audio: 1. Play ba
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7. Click OK. The audio is mixed dow
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CHAPTER 16 Syncing Methods NewsCutt
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3. Select an option, based on the f
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• In Trim mode, you can sync lock
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Using Sync Lock The sync lock featu
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Move the black segment by using Ext
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Using Add Edit When Trimming When y
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• Calibrate and adjust audio outp
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3. Choose from the Sample Rate menu
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c You should leave this output leve
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Preparing Record Tapes The two basi
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Assemble-edit option 3. Select “A
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• Cueing a record deck from the D
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3. Select the options that you want
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6. Select Remote in the deck contro
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Using EDL Manager EDL Manager is a
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• Using OMM to Export Clips • C
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preserve the multiple-track informa
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c Before using the review comments
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To open a Review & Approval file by
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n Make sure the Record Track Monito
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2. Select a clip or sequence in one
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sure Use Enabled Tracks is selected
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When NewsCutter XP exports to Media
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ProEncode creates a QuickTime refer
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n You can also access AvidLinks by
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4. Choose one of the following opti
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To export in DV Stream format: 1. S
Page 595 and 596:
Table 18-2 Export Settings Dialog B
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Exporting a Clip with OMM and the D
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7. Type a name in the Setting Name
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c with OMFI, you can transfer among
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8. (Option) Change the file name. I
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Exporting AAF Compositions Only New
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The file is exported and appears at
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9. Click Save. The file is exported
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n For more information, see “Prep
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10. Click Save. c The file is expor
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Table 18-6 Export Settings Dialog B
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QuickTime Movie (Same as Source) Qu
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Table 18-7 QuickTime Movie Export O
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To access the QuickTime codecs: 1.
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Apple ® Photo-JPEG Avid ABVB NuVis
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Table 18-8 Format Options Suboption
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Exporting as an AVI File To export
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8. Select the compressor you want,
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c c The file is exported and appear
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Table 18-9 AVI Settings Options (Co
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Table 18-10 AVI Video Compression D
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7. Click Settings in the Video pane
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7. Click Settings in the Video pane
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t To export the entire clip or sequ
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15. Select the destination folder f
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3. When you get to the step where t
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9. Click Save to save the current s
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Graphic Format pop-up menu Format O
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Table 18-12 Export Settings Dialog
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Table 18-13 Graphic Format Settings
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Table 18-13 Graphic Format Settings
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n For t To export the entire clip o
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n Use Enabled Tracks is selected by
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Table 18-14 Transfer Device Devices
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5. With the system at the new locat
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Transferring Media to and from a Vi
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The dialog box closes and returns y
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CHAPTER 19 Using the NRCS Tool The
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n The NRCS Settings dialog box also
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c Contact your system administrator
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Understanding the NRCS Tool The fol
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Using the Directory Panel In the Di
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3. Choose Make Shortcut. The NRCS t
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Editing Story Text You can perform
Page 683 and 684:
t Right-click the text, and choose
Page 685 and 686:
Deleting a Production Cue If you wa
Page 687 and 688:
To calculate the read time of a sto
Page 689 and 690:
n If you select a story from the Di
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Story panel Mark IN/OUT button Read
Page 693 and 694:
Adjusting the Story Timing with a T
Page 695 and 696:
Time Pad cue n You must be in Edit
Page 697 and 698:
A Time Pad cue appears in the story
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n Do not use the NRCS tool mail as
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To disconnect from the iNEWS server
Page 703 and 704:
Plug-in Selection pop-up menu Drive
Page 705 and 706:
Additional Supported Plug-Ins The f
Page 707 and 708:
Digidesign D-fx The set of D-fx pl
Page 709 and 710:
Threshold Sets the threshold level.
Page 711 and 712:
Gain Gain allows you to boost or lo
Page 713 and 714:
Master Clip Mode Parallel Processin
Page 715 and 716:
Crossfade The Crossfade slider allo
Page 717 and 718:
Edit the Pitch Shift parameters by
Page 719 and 720:
Reference Pitch The Reference Pitch
Page 721 and 722:
Bypass Bypasses the EQ. The 4-Band
Page 723 and 724:
Compressor Parameters The Compresso
Page 725 and 726:
to see how the shape of this curve
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Release Allows you to control how l
Page 729 and 730:
allows more of the gated audio that
Page 731 and 732:
Hold Allows you to specify a durati
Page 733 and 734:
Wet/Dry Allows you to control the b
Page 735 and 736:
Graphics (Image) Files NewsCutter X
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• XWindows: Developed by the MIT
Page 739 and 740:
Table B-1 Graphics File Import Spec
Page 741 and 742:
Table B-1 Graphics File Import Spec
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Animation Files NewsCutter XP suppo
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Table B-3 QuickTime File Import and
Page 747 and 748:
OMFI Files OMF Interchange (OMFI) w
Page 749 and 750:
f 1 f 2 Dashed lines = field 1 Soli
Page 751 and 752:
If the spatial positions of the two
Page 753 and 754:
APPENDIX C Avid Log Specifications
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The following is a sample heading f
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Table C-3 TAPE [Tab] Avid Log Glob
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Table C-4 Avid Log Column Headings
Page 761 and 762:
Table C-5 Avid Log Data Headings (C
Page 763 and 764:
Index A B C D E F G H I J K L M N O
Page 765 and 766:
Audio Mixdown command (Special menu
Page 767 and 768:
Bin views customizing 276 types of
Page 769 and 770:
Command palette activating commands
Page 771 and 772:
Edits adding (match-framing) 437 ba
Page 773 and 774:
Frequencies (audio), adjusting 495
Page 775 and 776:
printing 377 sorting locators 375 u
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Message-of-the-Day options 672 open
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QuickTime movies export options 618
Page 781 and 782:
loading in Source/Record monitor 34
Page 783 and 784:
Targa file format additional Export
Page 785 and 786:
Video compression defined 208 Video
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