Avid NewsCutter XP User's Guide

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3. Mark an IN point by doing one of the following: t t Click the Mark IN button under the monitor to mark an IN point and stop playback. Use the Mark IN key on the keyboard when marking a clip in a bin. (The Mark IN key does not stop playback.) The sawtooth icon appears on the left side of the monitor to indicate the mark IN frame. Sawtooth Icon Mark IN button Mark OUT button Clear OUT button Clear IN button 4. Continue playing, stepping (jogging), or shuttling through the material. 360
5. Mark an OUT point by doing one of the following: t t Click the Mark OUT button under the monitor to mark an OUT point. Use the Mark OUT key on the keyboard when marking a clip in a bin. The sawtooth icon appears on the right side of the monitor to indicate the mark OUT frame. Clearing a Mark and Setting a New One You can clear marks and set new ones. To clear the IN point: t Click the Clear IN button (or press the D key). To clear the OUT point: t Click the Clear OUT button (or press the F key). To clear both the IN and OUT points: t Press the Clear Both Marks key (the G key). To set a new IN point: t Click the Mark IN button when you reach a different frame. To set a new OUT point: t Click the Mark OUT button when you reach a different frame. Dragging IN and OUT Points To more easily position IN and OUT points based on visual feedback: t Press the Alt key, and drag marked IN and OUT points to visible locations. 361
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Avid ® NewsCutter ® XP User’s G
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Contents Chapter 1 Chapter 2 Deskto
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Retrieving Bin Files from the Attic
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Double-Checking the Logs . . . . .
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Chapter 7 Recording Before You Begi
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Copying Clips and Sequences . . . .
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Workgroup Support . . . . . . . . .
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Using Match Frame. . . . . . . . .
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About Nesting . . . . . . . . . . .
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Using Audio Gain Automation . . . .
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Syncing with Locators . . . . . . .
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Installing an Avid Codec on Other S
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Digidesign D-Fi . . . . . . . . . .
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Tables Table 3-1 Bin Settings Optio
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Table 18-15 Default Folder and File
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Working with the Desktop For inform
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4. Select the options you want: n T
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4. Under Desktop Area, drag the sli
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Changing Project and User Names You
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Accepting Your NewsCutter XP Licens
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Opening a Project Each time you sta
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To select a user in a folder: 1. Do
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2. Type the name of your new projec
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Closing a Project When you close th
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Quitting the NewsCutter XP Applicat
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Turning Off Your Equipment c Quit N
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Connecting to the Avid Production N
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CHAPTER 3 Working with the Project
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You can also add folders to your pr
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The views for working with clips in
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• In Script view, the features of
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Creating a Folder in a Project To c
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To open a bin from the File menu: 1
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Trash icon Fast Menu button To view
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- Create a third set of gins for th
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The system saves all the selected b
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12. Select the material you want to
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About Settings Three types of setti
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Table 3-1 describes the options lis
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General Settings General settings d
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General Interface Settings The foll
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Table 3-3 Interface Settings Option
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Table 3-4 Interface Settings Option
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Table 3-5 Customizable Interface Co
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Color selection grid 5. Move the mo
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To return to the default interface:
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3. Click the Appearance tab. 4. Cli
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5. Choose a style. 6. Do one of the
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Table 3-6 Option All Settings Base
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Table 3-7 Settings Scroll List Sett
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Table 3-7 Settings Scroll List (Con
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Working with Multiple Settings You
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Selecting Among Multiple Settings W
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Using Site Settings When the system
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About the Memory Window The Memory
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While in a workspace, you can move
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8. Select or deselect the following
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2. Click to the left of the workspa
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CHAPTER 4 Using Basic Tools The Too
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Timecode indicator Logging controls
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You can use the Command palette to:
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4. Click the tab from which you wan
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4. Click a target button in the Key
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2. Choose a format from the Format
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items. You can also use the Console
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CHAPTER 5 Logging When you log with
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Logging Timecode Within an NTSC pro
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Go to Memory button Clear Memory bu
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To import shot log files into a bin
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7. Use the Up One Level button to l
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• If the file does not contain th
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8. Choose Clean from the Options me
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13. Click Yes. The converted file i
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A message box appears, indicating t
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Record/Log Mode button Mark IN butt
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After you set the mark, the icon in
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Record/Log Mode button Mark IN butt
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Using the Modify Command To modify
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Table 5-1 Options for Modifying Bin
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10. (Option) Change the file name,
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cables, connectors, and processing
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c For more information about Genera
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Table 6-1 Record Settings (General
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Table 6-2 Record Settings (Batch Ta
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Table 6-3 describes the options ava
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Table 6-4 Record Settings (Media Fi
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Configuring Decks Deck Configuratio
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6. Click OK to close the Channel di
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The system checks the deck configur
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Table 6-5 Deck Settings Options (Co
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Table 6-6 explains the Deck Prefere
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Opening the Record Tool To open the
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n These options vary depending on y
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n If you are not seeing the source
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t t Activate a previously created b
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To target separate drives for audio
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2. Double-click Record. The Record
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Recording Across Timecode Breaks Fo
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• Audio media files written when
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Table 6-7 Adjustable Audio Project
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To open the Audio tool, do one of t
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Resizing the Audio Tool To resize t
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n Line levels record very loud when
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Reset Peak button 2. Click the Rese
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of storage locations so you store y
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This sets your chosen video and aud
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CHAPTER 7 Recording When you record
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Adding Clip Names and Comments On-t
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Recording from One Point to Another
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that you type does not appear on th
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To record on-the-fly: 1. Click the
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Autorecording Autorecording can sav
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7. Deselect Fast Cue, and set the p
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New Tape Name button List of tapes
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To record with time-of-day timecode
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Recording to the Timeline You can r
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For example, if you want to record
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Batch Recording Clips To batch reco
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n To t t t Click “Skip this clip
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Saving Two Versions of a Sequence W
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Controlling Decks from the Keyboard
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Returning to the Previous Place in
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• For graphics file and OMFI (Ope
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3. Select the appropriate options a
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Table 8-1 Import Settings Options (
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Table 8-1 Import Settings Options (
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n For more information about the fi
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n For a complete description of all
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Using Open Media Management (OMM) n
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3. In the Preferred Asset Manager t
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Reimporting Files c If you are work
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that were not found. See “Startin
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If you select more than one clip di
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• If you want to center the pan b
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The bin displays objects according
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Script View In Script view, the sys
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There are several ways to customize
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n To view a complete list of the bi
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Moving Clips and Sequences You can
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4. (Option) Delete the associated m
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The color appears in the Color colu
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Sifting Clips and Sequences When yo
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Selecting Media Relatives for an Ob
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Text View button Arranging Bin Colu
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Showing and Hiding Columns You can
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3. The dialog box contains column n
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Changing a Custom Column Heading Yo
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To modify the clip data directly: 1
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6. Click OK. The modification takes
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To perform a multilevel sort: t Rea
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The bin color changes, based on you
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Arranging Frames in a Bin To realig
Page 309 and 310: This text does not appear in sequen
Page 311 and 312: Preparing Digital Bars and Tone You
Page 313 and 314: Creating Leader You can use digital
Page 315 and 316: CHAPTER 10 Managing Media Files Whe
Page 317 and 318: delete, and manipulate files, you h
Page 319 and 320: Precompute clip Media file Master C
Page 321 and 322: 6. Select the media files that you
Page 323 and 324: Consolidating a Master Clip Origina
Page 325 and 326: Using the Consolidate Command c Do
Page 327 and 328: Bins also contain references to som
Page 329 and 330: Related media file If more than one
Page 331 and 332: n To t t t Select “Relink offline
Page 333 and 334: n Because subclips and sequences do
Page 335 and 336: About TransferManager When editing
Page 337 and 338: Changing the Pop-up Monitor Size Yo
Page 339 and 340: Tracking Information menu Tracking
Page 341 and 342: Displaying Clip Information The Inf
Page 343 and 344: Close button Timecode pop-up menu T
Page 345 and 346: Setting the Font and Point Size for
Page 347 and 348: To load a sequence into the Source/
Page 349 and 350: Clearing Sequences from Monitors To
Page 351 and 352: n If you try to play a sequence and
Page 353 and 354: Step Backward Step Forward To step
Page 355 and 356: t Press the L key to move forward t
Page 357 and 358: c To use a Client monitor, you must
Page 359: important play and review session.
Page 363 and 364: Mark Clip button n To n If ignore t
Page 365 and 366: n If a subset of the buttons appear
Page 367 and 368: Creating Subclips When you mark foo
Page 369 and 370: Ways to Use Locators Locators have
Page 371 and 372: 3. Cue to the frame and click the A
Page 373 and 374: To mark the area between two locato
Page 375 and 376: 2. Do one of the following: t t Cho
Page 377 and 378: Printing the Locators Window To pri
Page 379 and 380: Using Frame Offset Timecode to Cue
Page 381 and 382: 3. Make sure you select the correct
Page 383 and 384: • Setting Up Tracks for the New S
Page 385 and 386: To rename the new sequence: n If t
Page 387 and 388: Changing the Start Timecode for Seq
Page 389 and 390: Deleting Tracks To delete a track:
Page 391 and 392: 3. Click the Fast Menu button. The
Page 393 and 394: Screen display of the first edit in
Page 395 and 396: Monitoring Audio While Editing You
Page 397 and 398: New Clip Material to be overwritten
Page 399 and 400: Extracting Material The Extract fun
Page 401 and 402: • Copy graphic elements for repea
Page 403 and 404: To start a playback loop: 1. Mark I
Page 405 and 406: CHAPTER 13 Using the Timeline NewsC
Page 407 and 408: Table 13-1 describes the Timeline S
Page 409 and 410: Table 13-2 Timeline Settings Option
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Table 13-3 Timeline Fast Menu Optio
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2. Choose Save As from the pop-up m
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The Timeline scroll bar functions l
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page 417 and “Selecting One or Mo
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Black holes are segments of the seq
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Performing Segment Mode Edits There
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creating new edits. It also lifts t
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sequence, while maintaining the sam
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5. Click the Edit tab. 6. Select Ac
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n For more information on nesting t
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Monitoring Video The Video Track Mo
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Monitoring a Solo Track You can mon
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You can perform only one patch per
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Deleting Tracks To delete one or mo
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If you made other edits since you p
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CHAPTER 14 Working in Trim Mode Bas
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4. Click the Trim Mode button. By d
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Selecting Additional Transitions Se
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one or both trim sides, and the mon
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c n You You can also select two or
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Table 14-1 Key Key Functions in Sli
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Adding Black While Trimming You can
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To trim with sync-locked tracks: 1.
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CHAPTER 15 Working with Audio You e
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Accessing Audio Effect Tools You ca
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audio to help you accurately mark e
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Performing Smooth Audio Scrub You p
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Digital scrub example This entire s
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When you have found the correct fra
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Waveform sample plot n Press Ctrl+p
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• Adjust the volume, pan, or both
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n The n The t t To adjust levels fr
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Values are cumulative until you pre
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To gang and adjust multiple tracks:
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emap a track to any channel by clic
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Limitations on Adjusting Volume If
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For example, assume that you have c
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The following illustration shows th
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n To snap to the decibel lines, pre
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clip that contains a rendered audio
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The options in the Fast menu appear
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the corresponding keyframes and sav
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To use the Fast Forward and Rewind
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• Audio Loop Play button: Allows
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within the marks, either in part or
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t t t Values are cumulative until y
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Before Set EQ In/Out After Set EQ I
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Removing Audio EQ Effects To remove
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Use the EQ Range slider to move the
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The following illustration shows th
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n The NewsCutter XP system does not
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When you purchase additional plug-i
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3. Choose a plug-in from the Plug-i
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AudioSuite Plug-in Fast Menu The Fa
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Activate Current Plug-in button Tra
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system automatically disables track
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4. (Option) Change the preview sour
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n The NewsCutter XP system does not
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Creating the Voice-Over To capture
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Voice-over adding a new track Voice
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B-roll footage Interview footage Yo
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Fine-Tuning Audio Transitions When
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4. Choose Dissolve from the Add pop
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To apply a dip in audio: 1. Play ba
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7. Click OK. The audio is mixed dow
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CHAPTER 16 Syncing Methods NewsCutt
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3. Select an option, based on the f
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• In Trim mode, you can sync lock
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Using Sync Lock The sync lock featu
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Move the black segment by using Ext
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Using Add Edit When Trimming When y
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• Calibrate and adjust audio outp
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3. Choose from the Sample Rate menu
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c You should leave this output leve
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Preparing Record Tapes The two basi
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Assemble-edit option 3. Select “A
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• Cueing a record deck from the D
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3. Select the options that you want
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6. Select Remote in the deck contro
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Using EDL Manager EDL Manager is a
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• Using OMM to Export Clips • C
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preserve the multiple-track informa
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c Before using the review comments
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To open a Review & Approval file by
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n Make sure the Record Track Monito
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2. Select a clip or sequence in one
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sure Use Enabled Tracks is selected
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When NewsCutter XP exports to Media
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ProEncode creates a QuickTime refer
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n You can also access AvidLinks by
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4. Choose one of the following opti
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To export in DV Stream format: 1. S
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Table 18-2 Export Settings Dialog B
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Exporting a Clip with OMM and the D
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7. Type a name in the Setting Name
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c with OMFI, you can transfer among
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8. (Option) Change the file name. I
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Exporting AAF Compositions Only New
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The file is exported and appears at
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9. Click Save. The file is exported
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n For more information, see “Prep
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10. Click Save. c The file is expor
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Table 18-6 Export Settings Dialog B
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QuickTime Movie (Same as Source) Qu
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Table 18-7 QuickTime Movie Export O
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To access the QuickTime codecs: 1.
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Apple ® Photo-JPEG Avid ABVB NuVis
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Table 18-8 Format Options Suboption
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Exporting as an AVI File To export
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8. Select the compressor you want,
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c c The file is exported and appear
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Table 18-9 AVI Settings Options (Co
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Table 18-10 AVI Video Compression D
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7. Click Settings in the Video pane
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7. Click Settings in the Video pane
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t To export the entire clip or sequ
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15. Select the destination folder f
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3. When you get to the step where t
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9. Click Save to save the current s
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Graphic Format pop-up menu Format O
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Table 18-12 Export Settings Dialog
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Table 18-13 Graphic Format Settings
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Table 18-13 Graphic Format Settings
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n For t To export the entire clip o
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n Use Enabled Tracks is selected by
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Table 18-14 Transfer Device Devices
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5. With the system at the new locat
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Transferring Media to and from a Vi
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The dialog box closes and returns y
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CHAPTER 19 Using the NRCS Tool The
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n The NRCS Settings dialog box also
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c Contact your system administrator
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Understanding the NRCS Tool The fol
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Using the Directory Panel In the Di
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3. Choose Make Shortcut. The NRCS t
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Editing Story Text You can perform
Page 683 and 684:
t Right-click the text, and choose
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Deleting a Production Cue If you wa
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To calculate the read time of a sto
Page 689 and 690:
n If you select a story from the Di
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Story panel Mark IN/OUT button Read
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Adjusting the Story Timing with a T
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Time Pad cue n You must be in Edit
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A Time Pad cue appears in the story
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n Do not use the NRCS tool mail as
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To disconnect from the iNEWS server
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Plug-in Selection pop-up menu Drive
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Additional Supported Plug-Ins The f
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Digidesign D-fx The set of D-fx pl
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Threshold Sets the threshold level.
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Gain Gain allows you to boost or lo
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Master Clip Mode Parallel Processin
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Crossfade The Crossfade slider allo
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Edit the Pitch Shift parameters by
Page 719 and 720:
Reference Pitch The Reference Pitch
Page 721 and 722:
Bypass Bypasses the EQ. The 4-Band
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Compressor Parameters The Compresso
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to see how the shape of this curve
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Release Allows you to control how l
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allows more of the gated audio that
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Hold Allows you to specify a durati
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Wet/Dry Allows you to control the b
Page 735 and 736:
Graphics (Image) Files NewsCutter X
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• XWindows: Developed by the MIT
Page 739 and 740:
Table B-1 Graphics File Import Spec
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Table B-1 Graphics File Import Spec
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Animation Files NewsCutter XP suppo
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Table B-3 QuickTime File Import and
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OMFI Files OMF Interchange (OMFI) w
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f 1 f 2 Dashed lines = field 1 Soli
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If the spatial positions of the two
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APPENDIX C Avid Log Specifications
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The following is a sample heading f
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Table C-3 TAPE [Tab] Avid Log Glob
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Table C-4 Avid Log Column Headings
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Table C-5 Avid Log Data Headings (C
Page 763 and 764:
Index A B C D E F G H I J K L M N O
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Audio Mixdown command (Special menu
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Bin views customizing 276 types of
Page 769 and 770:
Command palette activating commands
Page 771 and 772:
Edits adding (match-framing) 437 ba
Page 773 and 774:
Frequencies (audio), adjusting 495
Page 775 and 776:
printing 377 sorting locators 375 u
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Message-of-the-Day options 672 open
Page 779 and 780:
QuickTime movies export options 618
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loading in Source/Record monitor 34
Page 783 and 784:
Targa file format additional Export
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Video compression defined 208 Video
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