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Cabaret Rulebook 07-11 - Actors

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66. UNDERSTUDIES<br />

(A) Understudies shall be required In venues with more than 300 seats and a schedule of five or<br />

more performances per week. Understudies shall be contracted no later than two weeks after the<br />

first public performance. Understudy roles assigned to Principal or Chorus <strong>Actors</strong> must be so<br />

assigned on the original contract or with new contracts or riders with appropriate salary<br />

adjustments.<br />

(B) An Understudy may understudy no more than five Principal roles and receive not less than the<br />

Actor minimum salary (See Rule 55, SALARIES).<br />

(C) If any member of the cast who regularly appears on stage understudies a Principal part or a<br />

role, said Understudy shall receive no less than $20.00 per week in addition to Actor's contractual<br />

salary for each part or role understudied. In addition, not less than one-eighth (or the appropriate<br />

pro-rata for the number of performances scheduled per week) of the Actor's own contractual<br />

salary shall be made to the Understudy for any performance in which the Actor appears in the<br />

capacity of an Understudy to a Principal. In no event shall an Actor or Assistant Stage<br />

Manager/Understudy in the production understudy more than three Principal roles.<br />

The reassignment of understudy parts shall not be applicable to a case in which the Actor and<br />

Producer have agreed to a specific understudy part(s) in the original contract of employment. In<br />

no event shall the Actor be required to understudy unless the Actor's contract specifically so<br />

provides. All understudies are required to attend a four-hour understudy rehearsal every four<br />

weeks, as called by the Stage Manager and in accordance with Rule 49(H)(2).<br />

(D) Understudy of Chorus Playing a Part. If a Chorus Actor understudies a Chorus part or<br />

specialty, said Actor shall be paid no less than $15.00 per week in addition to Actor's contractual<br />

salary for each part or specialty so understudied.<br />

(E) Understudies shall be present at each performance unless the Producer otherwise consents.<br />

When an Assistant Stage Manager/Understudy is required, said ASM/U/S shall be required to be<br />

at each performance. Understudies not required to be present at the theatre at the time of<br />

performance shall be permitted to rehearse not more than 15 hours in a week for the purpose of<br />

rehearsing an Actor who is going into the show as a replacement. In the event the Understudy is<br />

called upon to perform, the Producer may not require the aforesaid 15 hours rehearsal.<br />

(F) No Understudy shall be required to perform until one week after the Actor is engaged as<br />

Understudy or assigned as Understudy, has the Actor's script and/or music for one week and has<br />

at least one rehearsal. The Understudy shall read the part or may perform if able and willing. The<br />

Producer shall use the Producer's best efforts to provide Understudies with script and/or sides<br />

and music as soon as possible.<br />

(G) All Understudies to Principal <strong>Actors</strong> shall be listed in the program by name and role<br />

understudied. The listing shall be automatic unless the Understudy requests in writing, on a form<br />

supplied by Equity for that purpose, that it not be. Copies of such requests shall be sent to the<br />

Producer and Equity.<br />

(H) Understudies shall be in only one company at a time.<br />

69

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