T HE C ENACLE / A PRIL - The ElectroLounge
T HE C ENACLE / A PRIL - The ElectroLounge
T HE C ENACLE / A PRIL - The ElectroLounge
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10<br />
reflected where I was going. <strong>The</strong> Cenacle was growing because I was growing, &<br />
because I chose to take it with me, & because I was beginning to glean what<br />
purpose it was for: advocate for artistic & social & individual freedom, a vehicle for<br />
disseminating reports of various kinds from what Huxley called the “Antipodes” of<br />
consciousness.<br />
Cenacle 18 also featured my poem “Ruby Virgin Subversives” which I felt<br />
was the best poem I’d ever written & in subtle ways anticipates the explorations I<br />
was bound for in 1997.<br />
new universe of segueing flesh<br />
governed from strong want, busted out<br />
each day disfigures me more happily<br />
sing to me, a mirthful canker, sing<br />
<strong>The</strong> Ruby Virgin is mine henceforth<br />
twisting into knots my weaknesses and dreams<br />
allowing my red madness when it comes<br />
applying wet skin to my rotten seams.<br />
Others around me were changing too. Ric Amante, native of Massachusetts<br />
but sometime resident of many American cities, had decided to move to Seattle<br />
where he’d lived before, & take up again with a longtime love. He departed on<br />
June 14, 1997. Between then & his eventual return on October 7, 1999, we<br />
would see each other only twice, in 1998, once in Seattle, once in Boston. In that<br />
time, however, we did a great amount of collaborating.<br />
When the fall came I was still working on Cenacle 19<br />
June 1997, but determined to catch up the project by the<br />
end of the year. This plan succeeded; Cenacle 19 was<br />
finished in September; Cenacle 20-21 Summer 1997 was<br />
finished in October; Cenacle 22 October 1997 was finished<br />
in November; & Cenacle 23 December 1997 was finished in<br />
December 1997 & made its triumphant debut at the<br />
12/27/97 Jellicle Guild meeting.<br />
Cenacle 19 captures the fading traces of a magazine<br />
that will change more in the next few months than it had in<br />
its nearly 2 1/2 year existence. Jim Burke’s letter continues<br />
his ongoing discussion of the dangers of technology (though it also has some sage<br />
wisdom for my return to graduate school); Ric Amante’s poems are culled from<br />
those in 53 Poems that had never been in <strong>The</strong> Cenacle.<br />
Where the issue does look forward it does so tentatively or abstrusely, the<br />
first in my comments in “From Soulard’s Notebooks”:<br />
<strong>The</strong> Cenacle / 48 / April 2003