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T HE C ENACLE / A PRIL - The ElectroLounge

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10<br />

reflected where I was going. <strong>The</strong> Cenacle was growing because I was growing, &<br />

because I chose to take it with me, & because I was beginning to glean what<br />

purpose it was for: advocate for artistic & social & individual freedom, a vehicle for<br />

disseminating reports of various kinds from what Huxley called the “Antipodes” of<br />

consciousness.<br />

Cenacle 18 also featured my poem “Ruby Virgin Subversives” which I felt<br />

was the best poem I’d ever written & in subtle ways anticipates the explorations I<br />

was bound for in 1997.<br />

new universe of segueing flesh<br />

governed from strong want, busted out<br />

each day disfigures me more happily<br />

sing to me, a mirthful canker, sing<br />

<strong>The</strong> Ruby Virgin is mine henceforth<br />

twisting into knots my weaknesses and dreams<br />

allowing my red madness when it comes<br />

applying wet skin to my rotten seams.<br />

Others around me were changing too. Ric Amante, native of Massachusetts<br />

but sometime resident of many American cities, had decided to move to Seattle<br />

where he’d lived before, & take up again with a longtime love. He departed on<br />

June 14, 1997. Between then & his eventual return on October 7, 1999, we<br />

would see each other only twice, in 1998, once in Seattle, once in Boston. In that<br />

time, however, we did a great amount of collaborating.<br />

When the fall came I was still working on Cenacle 19<br />

June 1997, but determined to catch up the project by the<br />

end of the year. This plan succeeded; Cenacle 19 was<br />

finished in September; Cenacle 20-21 Summer 1997 was<br />

finished in October; Cenacle 22 October 1997 was finished<br />

in November; & Cenacle 23 December 1997 was finished in<br />

December 1997 & made its triumphant debut at the<br />

12/27/97 Jellicle Guild meeting.<br />

Cenacle 19 captures the fading traces of a magazine<br />

that will change more in the next few months than it had in<br />

its nearly 2 1/2 year existence. Jim Burke’s letter continues<br />

his ongoing discussion of the dangers of technology (though it also has some sage<br />

wisdom for my return to graduate school); Ric Amante’s poems are culled from<br />

those in 53 Poems that had never been in <strong>The</strong> Cenacle.<br />

Where the issue does look forward it does so tentatively or abstrusely, the<br />

first in my comments in “From Soulard’s Notebooks”:<br />

<strong>The</strong> Cenacle / 48 / April 2003

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