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T HE C ENACLE / A PRIL - The ElectroLounge

T HE C ENACLE / A PRIL - The ElectroLounge

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87<br />

reviews, prose, & artwork was the result of a successful collaboration of<br />

editor & artist, friend & friend, open to anything and everything that Art<br />

has to offer.<br />

1998 was a great year for <strong>The</strong> Cenacle because it was a great year<br />

for me. Because it was a great year for me, it was a great year for my<br />

writing. It was a great year for my writing because my life increasingly<br />

lacked the extraneous. I discovered, in fact, that I could no longer handle<br />

the extraneous— & labored mightily to expel it.<br />

From January to April I worked as an editorial<br />

assistant on the Boston Review, a bi-monthly<br />

Cambridge political & cultural journal. I was given<br />

the task of developing their website, & learned<br />

HTML coding along the way. I was also taking a<br />

class in QuarkXpress at Emerson College during this<br />

time. In April I changed my degree program from<br />

the disappointing diaper-changing MFA to the<br />

Master’s of Arts in Writing & Publishing. Also in<br />

April, building on what I’d been learning, I laid out<br />

much of Cenacle 26 April 1998 (3rd anniversary issue) in Quark, &<br />

founded <strong>The</strong> <strong>ElectroLounge</strong> website (www.geocities.com/scriptorpress),<br />

an exciting entity I am still learning how to exploit. In March I visited Ric<br />

Amante in Seattle, my first West Coast trip since 1995, & together we<br />

ventured into the poetry scene out there; in May I went down to Georgia<br />

to visit Barbara Brannon & we checked out poetry nights in South Carolina<br />

& Georgia, & organized a poetry night in Macon, Georgia. I read<br />

voraciously especially the inspiring essays of Ralph Waldo Emerson. I<br />

continued to refigure and renew my consciousness & deepen my<br />

perceptions with LSD. Art, publishing, LSD, technology, focus. . . my life<br />

was simplifying, integrating, transcending. In the opening of Cenacle 24-<br />

25 I wrote:<br />

I’m pushing toward a greater awareness, toward writing<br />

better than ever before, grounded more deeply in enacting<br />

one simple belief: Tell the Truth. Whether prose or poetry or<br />

fiction, or editing <strong>The</strong> Cenacle, or whatever, Tell the Truth.<br />

Aside from continuing to publish my Cement Park & Nat Perfect stories in<br />

that issue, I began a new feature called “Notes from New England”:<br />

This series is intended as a gathering-place for observations<br />

of various lengths upon the world around me. It will be culled,<br />

like much of my writing, from my notebooks, and perhaps<br />

these thoughts will be expanded upon sometimes as well.<br />

<strong>The</strong> Cenacle / 49 / October 2003

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