T HE C ENACLE / A PRIL - The ElectroLounge
T HE C ENACLE / A PRIL - The ElectroLounge
T HE C ENACLE / A PRIL - The ElectroLounge
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12<br />
poetry workshop at Emerson College. Many of my poems in this issue were<br />
discussed in this same class. My “Soulard’s Notebooks” prose responds at length to<br />
the timidity & distasteful conventionality I was being hit with in Emerson’s MFA<br />
program.<br />
Somewhat satisfying, & certainly new for <strong>The</strong> Cenacle, was the appearance<br />
of R.S. Steinberg’s fiction “Particles.” Steinberg was a fellow MFA student & the<br />
first contributor not of my longtime circle to publish in the magazine. His odd story<br />
has the following genesis:<br />
<strong>The</strong> idea for “Particles” came from a gallery talk I heard about<br />
Gerhard Richter, the German painter, who starts some of his work<br />
with a real image, like a snapshot, and then repaints it in stages by<br />
technically changing edges, textures, and so forth, until the result is<br />
quite different from what he started with. He calls himself an antiabstractionist:<br />
the ‘anti’ means that the principle of abstraction is not<br />
some conscious aesthetic idea of his, but the automatic working of the<br />
technical transformations.<br />
To make fiction that way I started with three banal images. I<br />
let the random number generator in my computer choose the<br />
sequence in which I would attend to each of them, and then allowed<br />
lugubrious imagination to generate detail.<br />
It was a satisfying experience overall to edit & publish<br />
Steinberg’s work; & to debut the issue at the 11/22/97<br />
Jellicle Guild meeting at Jacob Wirth’s Restaurant in Boston<br />
with him & other two other Emerson students in<br />
attendance.<br />
One other feature began in Cenacle 22. “Notes on<br />
Contributors” contrived in part to give Steinberg’s<br />
explanation of his story a suitable place in the magazine &<br />
partly to fool with yet another piece of conventional<br />
periodical apparatus to see how well it worked in <strong>The</strong><br />
Cenacle; it worked better the second time around, in<br />
Cenacle 23 December 1997, when I made the feature my<br />
own, telling the truth rather than simply the facts about my<br />
friends.<br />
Cenacle 23, December 1997, the 18th issue in 32 months, was debuted at<br />
the 9th anniversary & 72nd meeting of the Jellicle Literary Guild. I was very<br />
pleased at how the year had gone & that I’d beaten the clock to get this issue out<br />
on time, a feat I hadn’t accomplished in over two years!<br />
At 88 pages the issue was the longest one yet & contains many pieces of<br />
which I’m still proud. <strong>The</strong> table of contents’ claim of six issues a year is fulfilled, all<br />
the pieces have headers & nifty stylized font page numbers. My opening “Notes<br />
<strong>The</strong> Cenacle / 48 / April 2003