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T HE C ENACLE / A PRIL - The ElectroLounge

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12<br />

poetry workshop at Emerson College. Many of my poems in this issue were<br />

discussed in this same class. My “Soulard’s Notebooks” prose responds at length to<br />

the timidity & distasteful conventionality I was being hit with in Emerson’s MFA<br />

program.<br />

Somewhat satisfying, & certainly new for <strong>The</strong> Cenacle, was the appearance<br />

of R.S. Steinberg’s fiction “Particles.” Steinberg was a fellow MFA student & the<br />

first contributor not of my longtime circle to publish in the magazine. His odd story<br />

has the following genesis:<br />

<strong>The</strong> idea for “Particles” came from a gallery talk I heard about<br />

Gerhard Richter, the German painter, who starts some of his work<br />

with a real image, like a snapshot, and then repaints it in stages by<br />

technically changing edges, textures, and so forth, until the result is<br />

quite different from what he started with. He calls himself an antiabstractionist:<br />

the ‘anti’ means that the principle of abstraction is not<br />

some conscious aesthetic idea of his, but the automatic working of the<br />

technical transformations.<br />

To make fiction that way I started with three banal images. I<br />

let the random number generator in my computer choose the<br />

sequence in which I would attend to each of them, and then allowed<br />

lugubrious imagination to generate detail.<br />

It was a satisfying experience overall to edit & publish<br />

Steinberg’s work; & to debut the issue at the 11/22/97<br />

Jellicle Guild meeting at Jacob Wirth’s Restaurant in Boston<br />

with him & other two other Emerson students in<br />

attendance.<br />

One other feature began in Cenacle 22. “Notes on<br />

Contributors” contrived in part to give Steinberg’s<br />

explanation of his story a suitable place in the magazine &<br />

partly to fool with yet another piece of conventional<br />

periodical apparatus to see how well it worked in <strong>The</strong><br />

Cenacle; it worked better the second time around, in<br />

Cenacle 23 December 1997, when I made the feature my<br />

own, telling the truth rather than simply the facts about my<br />

friends.<br />

Cenacle 23, December 1997, the 18th issue in 32 months, was debuted at<br />

the 9th anniversary & 72nd meeting of the Jellicle Literary Guild. I was very<br />

pleased at how the year had gone & that I’d beaten the clock to get this issue out<br />

on time, a feat I hadn’t accomplished in over two years!<br />

At 88 pages the issue was the longest one yet & contains many pieces of<br />

which I’m still proud. <strong>The</strong> table of contents’ claim of six issues a year is fulfilled, all<br />

the pieces have headers & nifty stylized font page numbers. My opening “Notes<br />

<strong>The</strong> Cenacle / 48 / April 2003

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