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writing the paragraphs in the first draft - Pearson Learning Solutions

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76<br />

Part II • The Writ<strong>in</strong>g Process<br />

Write O<strong>the</strong>r Paragraphs <strong>in</strong> <strong>the</strong> Essay’s Body<br />

Paragraphs support<strong>in</strong>g <strong>the</strong> <strong>the</strong>sis are not necessarily <strong>the</strong> only k<strong>in</strong>d <strong>in</strong> <strong>the</strong> body<br />

of an essay. You may also <strong>in</strong>clude <strong>paragraphs</strong> that give background <strong>in</strong>formation<br />

or provide transitions.<br />

Background Paragraphs<br />

Usually found near <strong>the</strong> essay’s beg<strong>in</strong>n<strong>in</strong>g, background <strong>paragraphs</strong> provide <strong>in</strong>formation<br />

that doesn’t directly support <strong>the</strong> <strong>the</strong>sis but that helps <strong>the</strong> reader understand<br />

or accept <strong>the</strong> discussion that follows. Such <strong>paragraphs</strong> may consist of a def<strong>in</strong>ition,<br />

brief historical overview, or short description. For example, <strong>in</strong> <strong>the</strong> student essay “Salt<br />

Marsh” on pages 164–166 <strong>the</strong> paragraph follow<strong>in</strong>g <strong>the</strong> <strong>in</strong>troduction def<strong>in</strong>es a salt<br />

marsh and summarizes some of its features. This background <strong>in</strong>formation serves as<br />

a lead-<strong>in</strong> to <strong>the</strong> detailed description that makes up <strong>the</strong> rest of <strong>the</strong> essay.<br />

Because you don’t want to distract readers from your essay’s ma<strong>in</strong> po<strong>in</strong>t,<br />

background <strong>paragraphs</strong> should be kept as brief as possible. In a paper outl<strong>in</strong><strong>in</strong>g a<br />

program that you believe your college should adopt to beautify its grounds, you<br />

would probably need a background paragraph describ<strong>in</strong>g typical campus<br />

eyesores. Too lengthy a description, though, would detract from <strong>the</strong> presentation<br />

of your step-by-step program.<br />

Transitional Paragraphs<br />

Ano<strong>the</strong>r k<strong>in</strong>d of paragraph, generally one to three sentences long, may<br />

appear between support<strong>in</strong>g <strong>paragraphs</strong> to help readers keep track of your<br />

discussion. Like <strong>the</strong> bridg<strong>in</strong>g sentences discussed earlier <strong>in</strong> <strong>the</strong> chapter,<br />

transitional <strong>paragraphs</strong> usually sum up what has been discussed so far and <strong>the</strong>n<br />

<strong>in</strong>dicate <strong>the</strong> direction <strong>the</strong> essay will take next.<br />

Although too many transitional <strong>paragraphs</strong> make <strong>writ<strong>in</strong>g</strong> stiff and mechanical,<br />

<strong>the</strong>y can be effective when used spar<strong>in</strong>gly, especially <strong>in</strong> essays with sharp turns <strong>in</strong><br />

direction. For example, <strong>in</strong> a paper show<strong>in</strong>g how to purchase a car, you might start<br />

by expla<strong>in</strong><strong>in</strong>g <strong>the</strong> research a potential buyer should do beforehand: Consult<br />

publications like Consumer Reports; check performance records published by <strong>the</strong><br />

automotive <strong>in</strong>dustry; call several dealerships for price <strong>in</strong>formation. Then, as a<br />

transition to <strong>the</strong> next section—how to negotiate at <strong>the</strong> dealership—you might<br />

provide <strong>the</strong> follow<strong>in</strong>g paragraph:<br />

Once you have armed yourself with <strong>the</strong> necessary <strong>in</strong>formation,<br />

you are ready to meet with a salesperson at <strong>the</strong> showroom. Your<br />

experience at <strong>the</strong> dealership should not be <strong>in</strong>timidat<strong>in</strong>g as long<br />

as you follow <strong>the</strong> guidel<strong>in</strong>es below.<br />

Write <strong>the</strong> Introduction<br />

Many writers don’t prepare an <strong>in</strong>troduction until <strong>the</strong>y have started to revise;<br />

o<strong>the</strong>rs feel more comfortable if <strong>the</strong>ir <strong>first</strong> <strong>draft</strong> <strong>in</strong>cludes <strong>in</strong> basic form all parts of<br />

<strong>the</strong> f<strong>in</strong>al essay. If that’s how you feel, you’ll probably write <strong>the</strong> <strong>in</strong>troduction as you

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