writing the paragraphs in the first draft - Pearson Learning Solutions
writing the paragraphs in the first draft - Pearson Learning Solutions
writing the paragraphs in the first draft - Pearson Learning Solutions
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
64<br />
Part II • The Writ<strong>in</strong>g Process<br />
heavily on <strong>the</strong>ir scratch lists or outl<strong>in</strong>es; o<strong>the</strong>rs glance at <strong>the</strong>m only occasionally.<br />
Some people write <strong>the</strong> <strong>first</strong> <strong>draft</strong> <strong>in</strong> longhand; o<strong>the</strong>rs use a typewriter or computer.<br />
However you choose to proceed, consider <strong>the</strong> follow<strong>in</strong>g general suggestions<br />
when mov<strong>in</strong>g from an outl<strong>in</strong>e or scratch list to a <strong>first</strong> <strong>draft</strong>:<br />
• Make <strong>the</strong> outl<strong>in</strong>e’s ma<strong>in</strong> topics (I, II, III) <strong>the</strong> topic sentences of <strong>the</strong> essay’s support<strong>in</strong>g<br />
<strong>paragraphs</strong>. (Topic sentences are discussed later <strong>in</strong> this chapter.)<br />
• Make <strong>the</strong> outl<strong>in</strong>e’s subtopics (A, B, C) <strong>the</strong> subpo<strong>in</strong>ts <strong>in</strong> each paragraph.<br />
• Make <strong>the</strong> outl<strong>in</strong>e’s support<strong>in</strong>g po<strong>in</strong>ts (1, 2, 3) <strong>the</strong> key examples and reasons <strong>in</strong> each<br />
paragraph.<br />
• Make <strong>the</strong> outl<strong>in</strong>e’s specific details (a, b, c) <strong>the</strong> secondary examples, facts, statistics,<br />
expert op<strong>in</strong>ion, and quotations <strong>in</strong> each paragraph.<br />
(To see how one student, Harriet Davids, moved from outl<strong>in</strong>e to <strong>first</strong> <strong>draft</strong>, turn<br />
to pages 83–84.)<br />
GENERAL SUGGESTIONS ON HOW<br />
TO PROCEED<br />
Although outl<strong>in</strong>es and lists are valuable for guid<strong>in</strong>g your work, don’t be so<br />
dependent on <strong>the</strong>m that you shy away from new ideas that surface dur<strong>in</strong>g your<br />
<strong>writ<strong>in</strong>g</strong> of <strong>the</strong> <strong>first</strong> <strong>draft</strong>. It’s dur<strong>in</strong>g this time that promis<strong>in</strong>g new thoughts often<br />
pop up; as <strong>the</strong>y do, jot <strong>the</strong>m down. Then, at <strong>the</strong> appropriate po<strong>in</strong>t, go back and<br />
evaluate <strong>the</strong>m: Do <strong>the</strong>y support your <strong>the</strong>sis? Are <strong>the</strong>y appropriate for your essay’s<br />
purpose, audience, tone, and po<strong>in</strong>t of view? If so, go ahead and <strong>in</strong>clude <strong>the</strong><br />
material <strong>in</strong> your <strong>draft</strong>.<br />
It’s easy to get stuck while prepar<strong>in</strong>g <strong>the</strong> <strong>first</strong> <strong>draft</strong> if you try to edit as you<br />
write. Remember: A <strong>draft</strong> isn’t <strong>in</strong>tended to be perfect. For <strong>the</strong> time be<strong>in</strong>g, adopt<br />
a relaxed, noncritical attitude. Work<strong>in</strong>g as quickly as you can, don’t stop to check<br />
spell<strong>in</strong>g, correct grammar, or ref<strong>in</strong>e sentence structure. Save <strong>the</strong>se tasks for later.<br />
One good way to help rem<strong>in</strong>d you that <strong>the</strong> <strong>first</strong> <strong>draft</strong> is tentative is to prepare it<br />
<strong>in</strong> longhand, us<strong>in</strong>g scrap paper and pencil. Writ<strong>in</strong>g on alternate l<strong>in</strong>es also underscores<br />
your <strong>in</strong>tention to revise later on, when <strong>the</strong> extra space will make it easier<br />
to add and delete material. Similarly, <strong>writ<strong>in</strong>g</strong> on only one side of <strong>the</strong> paper can<br />
prove helpful if, dur<strong>in</strong>g revision, you decide to move a section to ano<strong>the</strong>r part of<br />
<strong>the</strong> paper.<br />
IF YOU GET BOGGED DOWN<br />
All writers get bogged down now and <strong>the</strong>n. The best th<strong>in</strong>g to do is accept that<br />
sooner or later it will happen to you. When it does, keep calm and try to write<br />
someth<strong>in</strong>g—no matter how awkward or imprecise it may seem. Just jot a