27.11.2014 Views

writing the paragraphs in the first draft - Pearson Learning Solutions

writing the paragraphs in the first draft - Pearson Learning Solutions

writing the paragraphs in the first draft - Pearson Learning Solutions

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Chapter 6 • Writ<strong>in</strong>g <strong>the</strong> Paragraphs <strong>in</strong> <strong>the</strong> First Draft<br />

65<br />

rem<strong>in</strong>der to yourself <strong>in</strong> <strong>the</strong> marg<strong>in</strong> (“Fix this,” “Redo,” or “Ugh!”) to f<strong>in</strong>etune <strong>the</strong><br />

section later. Or leave a blank space to hold a spot for <strong>the</strong> right words when <strong>the</strong>y<br />

f<strong>in</strong>ally break loose. It may also help to reread—out loud is best—what you’ve<br />

already written. Rega<strong>in</strong><strong>in</strong>g a sense of <strong>the</strong> larger context is often enough to get you<br />

mov<strong>in</strong>g aga<strong>in</strong>. You might also try talk<strong>in</strong>g your way through a troublesome<br />

section. Like most people, you probably speak more easily than you write; by<br />

speak<strong>in</strong>g aloud, you tap this oral fluency and put it to work <strong>in</strong> your <strong>writ<strong>in</strong>g</strong>.<br />

If a section of <strong>the</strong> essay strikes you as particularly difficult, don’t spend time<br />

struggl<strong>in</strong>g with it. Move on to an easier section, write that, and <strong>the</strong>n return to <strong>the</strong><br />

challeng<strong>in</strong>g part. If you’re still gett<strong>in</strong>g nowhere, take a break. Watch television, listen<br />

to music, talk with friends. While you’re relax<strong>in</strong>g, your thoughts may loosen<br />

up and untangle <strong>the</strong> knotty section. If, on <strong>the</strong> o<strong>the</strong>r hand, an obligation such as a<br />

class or an appo<strong>in</strong>tment forces you to stop <strong>writ<strong>in</strong>g</strong> when <strong>the</strong> <strong>draft</strong> is go<strong>in</strong>g well,<br />

jot down a few notes <strong>in</strong> <strong>the</strong> marg<strong>in</strong> to rem<strong>in</strong>d yourself of your tra<strong>in</strong> of thought.<br />

The notes will keep you from gett<strong>in</strong>g stuck when you pick up <strong>the</strong> <strong>draft</strong> later.<br />

A SUGGESTED SEQUENCE FOR WRITING<br />

THE FIRST DRAFT<br />

Because you read essays from beg<strong>in</strong>n<strong>in</strong>g to end, you may assume that writers<br />

work <strong>the</strong> same way, start<strong>in</strong>g with <strong>the</strong> <strong>in</strong>troduction and go<strong>in</strong>g straight through to<br />

<strong>the</strong> conclusion. Often, however, this isn’t <strong>the</strong> case. In fact, s<strong>in</strong>ce an <strong>in</strong>troduction<br />

depends so heavily on everyth<strong>in</strong>g that follows, it’s usually best to write <strong>the</strong><br />

<strong>in</strong>troduction after <strong>the</strong> essay’s body.<br />

When prepar<strong>in</strong>g your <strong>first</strong> <strong>draft</strong>, you may f<strong>in</strong>d it helpful to follow this<br />

sequence:<br />

1. Write <strong>the</strong> essay’s support<strong>in</strong>g <strong>paragraphs</strong>.<br />

2. Write <strong>the</strong> o<strong>the</strong>r <strong>paragraphs</strong> <strong>in</strong> <strong>the</strong> essay’s body.<br />

3. Write <strong>the</strong> <strong>in</strong>troduction.<br />

4. Write <strong>the</strong> conclusion.<br />

Write <strong>the</strong> Support<strong>in</strong>g Paragraphs<br />

Before start<strong>in</strong>g to write <strong>the</strong> essay’s support<strong>in</strong>g <strong>paragraphs</strong>, enter your <strong>the</strong>sis at<br />

<strong>the</strong> top of <strong>the</strong> page. You might even underl<strong>in</strong>e key words <strong>in</strong> <strong>the</strong> <strong>the</strong>sis to keep<br />

yourself focused on <strong>the</strong> central ideas you plan to develop. Also, now that you’ve<br />

planned <strong>the</strong> essay’s overall organization, you may want to add to your <strong>the</strong>sis a<br />

plan of development: a brief overview of <strong>the</strong> essay’s major po<strong>in</strong>ts <strong>in</strong> <strong>the</strong> exact order<br />

<strong>in</strong> which you will discuss those po<strong>in</strong>ts. (For more on plans of development, see<br />

pages 40–41.)<br />

Not every essay needs a plan of development. In a brief paper, readers can<br />

often keep track of ideas without this extra help. But <strong>in</strong> a longer, more complex<br />

essay, a plan of development helps readers follow <strong>the</strong> progression of ma<strong>in</strong> po<strong>in</strong>ts

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!