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Raymond Soulard, Jr. New Songs (for Kassandra) - The ...

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47<br />

Far more yes than no in recent years—not a man without fight in him, far from it,<br />

but rather a turning sense of what’s worth engaging—<br />

his music still the magick, all the devils & the angels, what to heed, what to hurry toward—<br />

himself 41 years old, his wife now 26, his daughter 21, her husband 37, his bandmates<br />

further along in their 40s, his cafe’s barman a walk from 60, Knickerbocker near 70 or past,<br />

Jim Reality near 50—<br />

he senses other old friends will be back around too—Ricky Jensen, X the Space Alien—<br />

David Time?—Frere Gregory?—Guy Lemond?<br />

Noisy Children’s records are still in print, even on LP, & the band has a following among<br />

fans of what lately are called jambands—<br />

Grey talks to the cyberspace fan club kid with the peace sign earring & the excellent<br />

homegrown mushrooms—not a tripster very often, the drummer drinks the kid down, lacing<br />

his tall tales with the occasional truth or glimmer of one—<br />

“Was Luna T a real person?”<br />

“Nah. Just a figment.”<br />

“Rich made her up?”<br />

“He didn’t have to. She came with the place. He inherited her.”<br />

“<strong>The</strong>n who hired you in 1980 as Luna T’s house band?”<br />

“A man named Dr. Jimmy. Smoked rock & watched cartoons.”<br />

“‘Dr. Jimmy’ is a Who song! C’mon!”<br />

“Never knew the shagger’s real name. He came & went early on.”<br />

& so on. Rich usually just listens, sips, nods. <strong>The</strong> kid is scared of him. Grey says Americus<br />

fucking hates fucking computers.<br />

“Does he like mushrooms? I’ve got some Amanita—”<br />

Grey taps his empty mug with a frown. <strong>The</strong> kid desists. Mr. Bob the barman draws two fresh<br />

ones.<br />

Americus now plays more purposefully, feeling chords coalesce—& strands of lyric near—<br />

Franny is dreaming his music now—she often does—& eventually he notices her smile &<br />

purple eyes among his notes—<br />

<strong>The</strong> endless fecundity of the blue-eyed red-haired specter dancing midst fowl & tree within<br />

his being—she pulses—All that is, pulses—Yet she pulses singular—why?—much<br />

unknown—<br />

& the blonde woman on the bed pulses—pulses, growls, licks, & roars—giggles, gropes—<br />

sighs—his blonde mate—his woman, as much as words can unsheath & tell of matters of<br />

light & flow—his mate, now, always—the always of humans, hardly a small bird feeder of<br />

years—but their much larger wonderment toward the beyond—hunger to be beyond<br />

being—to touch & know what calls always—<br />

<strong>The</strong> Cenacle | 59 | October 2006

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