Raymond Soulard, Jr. New Songs (for Kassandra) - The ...
Raymond Soulard, Jr. New Songs (for Kassandra) - The ...
Raymond Soulard, Jr. New Songs (for Kassandra) - The ...
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
47<br />
Far more yes than no in recent years—not a man without fight in him, far from it,<br />
but rather a turning sense of what’s worth engaging—<br />
his music still the magick, all the devils & the angels, what to heed, what to hurry toward—<br />
himself 41 years old, his wife now 26, his daughter 21, her husband 37, his bandmates<br />
further along in their 40s, his cafe’s barman a walk from 60, Knickerbocker near 70 or past,<br />
Jim Reality near 50—<br />
he senses other old friends will be back around too—Ricky Jensen, X the Space Alien—<br />
David Time?—Frere Gregory?—Guy Lemond?<br />
Noisy Children’s records are still in print, even on LP, & the band has a following among<br />
fans of what lately are called jambands—<br />
Grey talks to the cyberspace fan club kid with the peace sign earring & the excellent<br />
homegrown mushrooms—not a tripster very often, the drummer drinks the kid down, lacing<br />
his tall tales with the occasional truth or glimmer of one—<br />
“Was Luna T a real person?”<br />
“Nah. Just a figment.”<br />
“Rich made her up?”<br />
“He didn’t have to. She came with the place. He inherited her.”<br />
“<strong>The</strong>n who hired you in 1980 as Luna T’s house band?”<br />
“A man named Dr. Jimmy. Smoked rock & watched cartoons.”<br />
“‘Dr. Jimmy’ is a Who song! C’mon!”<br />
“Never knew the shagger’s real name. He came & went early on.”<br />
& so on. Rich usually just listens, sips, nods. <strong>The</strong> kid is scared of him. Grey says Americus<br />
fucking hates fucking computers.<br />
“Does he like mushrooms? I’ve got some Amanita—”<br />
Grey taps his empty mug with a frown. <strong>The</strong> kid desists. Mr. Bob the barman draws two fresh<br />
ones.<br />
Americus now plays more purposefully, feeling chords coalesce—& strands of lyric near—<br />
Franny is dreaming his music now—she often does—& eventually he notices her smile &<br />
purple eyes among his notes—<br />
<strong>The</strong> endless fecundity of the blue-eyed red-haired specter dancing midst fowl & tree within<br />
his being—she pulses—All that is, pulses—Yet she pulses singular—why?—much<br />
unknown—<br />
& the blonde woman on the bed pulses—pulses, growls, licks, & roars—giggles, gropes—<br />
sighs—his blonde mate—his woman, as much as words can unsheath & tell of matters of<br />
light & flow—his mate, now, always—the always of humans, hardly a small bird feeder of<br />
years—but their much larger wonderment toward the beyond—hunger to be beyond<br />
being—to touch & know what calls always—<br />
<strong>The</strong> Cenacle | 59 | October 2006