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Raymond Soulard, Jr. New Songs (for Kassandra) - The ...

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52<br />

“Yah, heard about that. Condolences.” He seeks Mr. Bob’s attention & taps his<br />

empty pitcher. <strong>The</strong> barman bustles.<br />

“It’s gonna be a long weird story.”<br />

“Already is.”<br />

“Longer, then. Weirder.”<br />

“Occasionally a song? A drink?”<br />

I nod.<br />

“Now? You want a Guinny?”<br />

“No, Grey. I don’t drink alcohol anymore.”<br />

“Do I?” he asks, frowning.<br />

“Sure.”<br />

“Am I going to stop? Take up crafting tie-dye pouches & puffing opium?”<br />

“No, you ass.”<br />

Still frowning he stiffly regards me. “So you’re an ex-drinker writing about a bar?”<br />

“Yah, I guess.”<br />

He nods.<br />

“What?”<br />

“Til you work out the trouble knotted in that situation, nothing here’s going fast<br />

anywhere anymore.”<br />

He nods, not looking at me, leaves his pitcher unfinished, leaves.<br />

“He’s right, Reb.”<br />

“He was mad, Ray.”<br />

“Mad & right, though. <strong>The</strong>re is a conflict. A knot.”<br />

“My dad still drinks. & I never did. & Mr. Knickerbocker does.”<br />

“<strong>The</strong> change is me & Cecile is man enough to say it to me.”<br />

Dark blue eyes buzzing now with thought. “So what does it mean, now that, um, you<br />

don’t drink anymore?”<br />

“Well, I’m on the outside looking in.”<br />

“Of Luna T’s?”<br />

“Of more than that. In my own world too. Alcohol & coffee are the two titans of<br />

adult socializing.”<br />

She nods.<br />

“Alcohol more so because its houses contain entertainment & sex.”<br />

Nods again.<br />

“So I don’t know, Reb. But he’s right about that knot. Maybe the knot is even the<br />

second threshold.”<br />

Moving toward immolation, dream leads mind leads body. What matters most is<br />

fear-mingled hope. What matters most is to crush it, cut it, know it to be dust, call it illusion,<br />

the knot<br />

the knot<br />

a moan & a sigh sum a life end to end, a life, a knot, know it, crush it, cut it, nothing<br />

follows nothing, the moan does not beget the sigh, release this thought, the universe is<br />

tickless, climb deep enough to observe the flow & the swirl, then climb deeper & observe<br />

the—<br />

Rebecca smiles at me & shows me her picture called “Why”<br />

Somewhere Americus strums one just <strong>for</strong> me, <strong>for</strong> this moment—<br />

<strong>The</strong> Cenacle | 59 | October 2006

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