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Raymond Soulard, Jr. New Songs (for Kassandra) - The ...

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60<br />

how scary, how very fine—<br />

live among the tatters & glows of my own mind, & here is a painting of a man &<br />

woman dancing, very fine, & it becomes my emblem, raises my words into broad melodies<br />

live among others in what resembles right now my native world & here too a muse, a<br />

wife, a soulmate, arrived to queen that which has always awaited her—<br />

live among pages & here yet another, yet the same, a girlgodd, an artist, muse,<br />

delicious, very fine, yes<br />

suddenly, a scene:<br />

Jim Reality’s broad figure leads the whooping assemblage onto Reckoning Road,<br />

“<strong>New</strong> England Patriots, your 2002 Super Bowl XXXVI Champeens!”<br />

cops dunna get afeared but simple block both ends of the street & blare their<br />

sirens—<br />

Knickerbocker remains alone in the bar, a Patriots baseball cap askew on his head, a fist<br />

drunkenly shaking at a God who’d <strong>for</strong>gotten today to punish <strong>New</strong> England <strong>for</strong> her “City<br />

pon the Hill” arrogance<br />

Godd the Little Pink Bear floats along the merry parade, neither vengeful nor <strong>for</strong>getting,<br />

slightly drunk, singing “We are the Champeens” with the rest of the frosted tramps—<br />

yes, there it is, narrative, & on it could go—sugarhugging, lips damp & giggling—<br />

then wander from there, off the page, out of the notebook, to an else, configuration of<br />

cloud, dirge, & much-loved toy pup—<br />

No rules. No game. No fear.<br />

More & more, hurry without really ever having moved—<br />

“Hello—I love you—<br />

won’t you tell me your name<br />

Hello—I love you—<br />

let me jump in your game!”<br />

cries the jukebox later on at Luna T’s Cafe as the crowd rears ever higher—<br />

Suck the world, suck it hard, drink it in, scary, very fine,<br />

Knickerbocker interrupts me, & I agree—cue rant:<br />

“Drinketh thine world down! Fear, fantasy, fineness of<br />

distinction between the pilgrim & the sinner! Drinketh! as<br />

weary artisan his dwelling’s nocturnal rest! Drinketh! as the<br />

woman her baby’s suckling need! Drinketh! As woe, darkness,<br />

& devilry do their cornered human prey!”<br />

<strong>The</strong> Cenacle | 59 | October 2006

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