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Merete Madsen - Lysnet

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Lysrum som begreb og redskab<br />

- or the Beauty of Daylight as a Sustainable Lighting Strategy<br />

<strong>Merete</strong> <strong>Madsen</strong>, Architect MAA, Lighting Architect, Ph.D.<br />

1


ONE WALL · ONE AFTERNOON<br />

Arkitekt: Tadao Ando. Fotograf: Henry Plummer<br />

2


SHADOW ANALYSIS FOR COMPFORT<br />

AND ENERGY ASSESSMENT<br />

3


SUNLIGHT ANALYSIS FOR URBAN SPACES<br />

4


Daylight calculated as daylight factor<br />

10,000 Lux<br />

200 Lux<br />

DF= 200 x100 = 2%<br />

10,000<br />

Daylight calculation to asses indoor climate and use of electrical lighting<br />

5


Why skylights are more efficient than windows in the facades<br />

6


Most efficient window configuration<br />

Efficient standard solution - seeking new form<br />

More daylight by raised ceiling height in window areas<br />

7


High window placement, most efficient, public – risk of glare<br />

Low window placement, less efficient, private, floor reflectance<br />

http://www.bwk.tue.nl/fago/daylight/<br />

2<br />

%<br />

2<br />

%<br />

2<br />

%<br />

8


Tilted window frame to reduce glare<br />

- the unique potential of thick walls<br />

9


Er dagslys gratis eller dyrt<br />

Belysningens omkostninger pr.<br />

år. på et vandret arbejdsplan.<br />

Se længer end etableringen og<br />

tæl driften med.<br />

Hvad er dyrest at ændre Den<br />

kunstigebelysningen kan laves<br />

om, men hvor tit kan<br />

dagslysforholdende forbedres<br />

Tænk dagslyset ind fra start.<br />

(Kilde: Long term assessment of the<br />

costs associated with lighting and<br />

daylighting techniques by Marc<br />

Fontoynont, Professor, Director of<br />

Laboratoire des Sciences de<br />

lHabitat, ENTPE – VElux daylight<br />

symposium 2009)<br />

10


Alexander, Christoffer et al.: A pattern language, Oxford<br />

University Press, New York,1977.<br />

11<br />

Dripps, R.D.: The First House, The MIT Press, Cambridge, 1997.<br />

LIGHT-ZONE(S)


Architectural<br />

theory<br />

Concept<br />

Light-zones<br />

Darkness-zones<br />

- whole<br />

Level of dissertation<br />

Skylight-zones<br />

Sunlight-zones<br />

Reflected light-zones<br />

- area<br />

Science of<br />

illumination<br />

Tool<br />

- Intensity<br />

- Distribution and direction<br />

- Colour<br />

- point<br />

12


Aalto’s library Bryggman’s chapel Le Corbusier’s foyer<br />

Why these tree exampels<br />

1. The categories<br />

A.<br />

2. Practical matters 3. ’Con amore’<br />

B.<br />

C.<br />

13


1.<br />

2.<br />

3.<br />

1. Skylight-zones<br />

2. Sunlight-zones<br />

3. Reflected light-zones<br />

14


light-zone(s) holds daylight as a ‘potential’ (to be revealed)<br />

The no-sky line<br />

The ‘(in-)flow of light’<br />

15<br />

Le Thoronet Abbey


Daylight – Character & Quality<br />

”A lot of the learning to work with light,<br />

since it doesn’t form by working with<br />

the hands as clay does, is this working<br />

with light through thought.”<br />

James Turrell, 1996<br />

16


Aalto/Library/Rovaniemi/Finland<br />

-from my PhD-thesis Light-zones as concept and tool<br />

A-A<br />

B-B<br />

Plan<br />

12<br />

12<br />

A A<br />

15<br />

B B<br />

14<br />

Daylight factors (%)<br />

5 4 3 2 1 0<br />

14<br />

17


When a daylight opening functions as a ‘daylighting luminarie’<br />

18


Bryggman / Kapelsal / Turku<br />

19


June 2 p.m.<br />

Marts/sep. 2 p.m.<br />

Dec. 2 p.m.<br />

The opening<br />

hours of the<br />

chapel<br />

- After hours<br />

June 12 noon<br />

Marts/sep. 12 noon<br />

Dec. 12 noon<br />

21<br />

June 10 a.m.<br />

Marts/sep. 10 a.m<br />

Dec. 10 a.m.<br />

Marts/sep. kl. 08


Le Corbusier / Foyer / Paris<br />

22


the directions of light and human perception<br />

23


the directions of light and human perception<br />

24


the directions of light and human perception<br />

25

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