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Sled Driver

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pictures, I might get two to four shots worth keeping. I was always assured of having<br />

slight headache when it was over because looking sideways through a small opening<br />

in a camera while flying through a variety of maneuvers was uncomfortable.<br />

Shooting from the cockpit of the SR-71 created some special problems. First, I<br />

couldn't put the camera to my eye because of the space helmet's face plate. This<br />

was not a problem for most outside shots, because the lens could be set to infinity<br />

to achieve perfect focus. Because I couldn't put the viewfinder to my face, I framed<br />

some shots poorly in the beginning, but I corrected this with practice. Second, I had<br />

to choose my shots carefully, because there was no opportunity to reload film. The<br />

36 exposures were all I had. On one occasion, I solved this problem by taking two<br />

camera bodies, both loaded with a roll of film. I placed one in the large leg pocket of<br />

the space suit, and put the other on the right console. I never repeated this because<br />

of the delicate effort involved with changing the lens from one camera to the other.<br />

Wearing gloves made this tricky. If anything was dropped, it could not be retrieved<br />

from the floor until after landing.<br />

Simply finding a place to store my camera in the cockpit was a challenge. I spent<br />

several hours sitting in the cockpit trying different combinations. Initially I tried<br />

stowing the camera in the leg pocket of the space suit, but found it almost<br />

impossible to retrieve when it had settled to the bottom of the pocket. I found the<br />

console to my right to be the best location after takeoff. Small knobs there created<br />

a channel in which the camera could rest. These knobs were used minimally<br />

throughout the flight and were not hindered by the camera's presence. Because of<br />

the minimal maneuvering experienced in the jet, the camera never fell from this<br />

place. Before takeoff, I stowed the camera in a pouch behind my left elbow, since<br />

the acceleration forces were too great for to remain on the console unsecured.<br />

Once airborne and heading out to the tanker, I reached back, felt for the camera,<br />

and placed it out on the right console. Because I was unable to see it amidst the bulk<br />

of the space suit, I had to undo the Velcro and carefully pull the camera first up, and<br />

then out of the pouch. This bit of gymnastics had to be practiced several times on<br />

the ground before flight.<br />

Both the camera and film were exposed to extreme temperatures within the<br />

cockpit environment. While resting on the console in flight, the camera became<br />

quite cold in an unheated cockpit pressurized to 25,000 feet. When I put it up on the<br />

front windshield area, it rapidly heated up from resting against the hot glass. I could<br />

only leave it there a couple minutes before the film suffered from the heat.

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