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pictures, I might get two to four shots worth keeping. I was always assured of having<br />
slight headache when it was over because looking sideways through a small opening<br />
in a camera while flying through a variety of maneuvers was uncomfortable.<br />
Shooting from the cockpit of the SR-71 created some special problems. First, I<br />
couldn't put the camera to my eye because of the space helmet's face plate. This<br />
was not a problem for most outside shots, because the lens could be set to infinity<br />
to achieve perfect focus. Because I couldn't put the viewfinder to my face, I framed<br />
some shots poorly in the beginning, but I corrected this with practice. Second, I had<br />
to choose my shots carefully, because there was no opportunity to reload film. The<br />
36 exposures were all I had. On one occasion, I solved this problem by taking two<br />
camera bodies, both loaded with a roll of film. I placed one in the large leg pocket of<br />
the space suit, and put the other on the right console. I never repeated this because<br />
of the delicate effort involved with changing the lens from one camera to the other.<br />
Wearing gloves made this tricky. If anything was dropped, it could not be retrieved<br />
from the floor until after landing.<br />
Simply finding a place to store my camera in the cockpit was a challenge. I spent<br />
several hours sitting in the cockpit trying different combinations. Initially I tried<br />
stowing the camera in the leg pocket of the space suit, but found it almost<br />
impossible to retrieve when it had settled to the bottom of the pocket. I found the<br />
console to my right to be the best location after takeoff. Small knobs there created<br />
a channel in which the camera could rest. These knobs were used minimally<br />
throughout the flight and were not hindered by the camera's presence. Because of<br />
the minimal maneuvering experienced in the jet, the camera never fell from this<br />
place. Before takeoff, I stowed the camera in a pouch behind my left elbow, since<br />
the acceleration forces were too great for to remain on the console unsecured.<br />
Once airborne and heading out to the tanker, I reached back, felt for the camera,<br />
and placed it out on the right console. Because I was unable to see it amidst the bulk<br />
of the space suit, I had to undo the Velcro and carefully pull the camera first up, and<br />
then out of the pouch. This bit of gymnastics had to be practiced several times on<br />
the ground before flight.<br />
Both the camera and film were exposed to extreme temperatures within the<br />
cockpit environment. While resting on the console in flight, the camera became<br />
quite cold in an unheated cockpit pressurized to 25,000 feet. When I put it up on the<br />
front windshield area, it rapidly heated up from resting against the hot glass. I could<br />
only leave it there a couple minutes before the film suffered from the heat.