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LOUDSPEAKERS

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go to: Contents | Features | Bookshelf, Stand-Mount and Desktop | Floorstanding | Editors' Choice Awards<br />

Usher S520<br />

$479<br />

usheraudiousa.com<br />

Four things distinguish Usher’s<br />

S520 from run-of-the-mill, sub-<br />

$400 mini-monitors: a crisp and<br />

revealing treble, an unusually open<br />

and dynamic midrange, taut and<br />

surprisingly extended bass (no<br />

midbass hump here), and eyepopping<br />

build-quality. One caveat:<br />

The S520 needs lots of break-in, so<br />

be patient. CM, AVgM 10<br />

Focal 705V/706V<br />

$499/$699<br />

audioplusservices.com<br />

Although nominally a bookshelf<br />

speaker, the Focal 706V delivers<br />

an oversized presentation, with the<br />

bass power, weight, and extension<br />

of small floorstanding units.<br />

Highly dynamic and visceral, it has<br />

a forward perspective that puts<br />

vocals right up front. If you can get<br />

by with a little less bass extension<br />

and output consider the 705V at a<br />

savings of $150. Robert Harley, 173<br />

(706V); SS, 183 (705V)<br />

$500–$1000<br />

Magnepan MMG Revised<br />

$599<br />

magnepan.com<br />

At just under $600, it is hard to<br />

imagine a better speaker for the<br />

money than this mini-Maggie,<br />

provided you have the space for it<br />

and a powerful-enough amplifier.<br />

Like all Maggie dipoles, the thing<br />

sounds open, airy, and unusually<br />

lifelike. Improved in overall<br />

coherence in its “revised” version, it<br />

is still not the last word in resolution,<br />

low bass, or top treble (but who<br />

cares). Jonathan Valin, 177<br />

B&W 685<br />

$650<br />

bwspeakers.com<br />

B&W’s 685 has a fine balance,<br />

tremendous rhythmic authority, an<br />

open soundstage, impressive bass, a<br />

singing treble, plays loudly without<br />

strain, and, thanks to a forward-firing<br />

port, can be mounted on a wall,<br />

shelf, or stand. A slight, lingering<br />

edge in the uppermost treble makes<br />

it both exciting to listen to as well<br />

as slightly sharp with female voices.<br />

WG, 176<br />

Silverline Minuet Supreme Plus<br />

$699<br />

silverlineaudio.com<br />

The Supreme retains all of the<br />

sonic strengths of the original<br />

Minuet, but adds greater dynamic<br />

range to the mix. It also does<br />

a superb job of preserving the<br />

locational cues imbedded in a<br />

recording. While the Minuet<br />

provides a remarkable amount of<br />

lower-midrange and upper-bass<br />

energy for its size, don’t expect it to<br />

generate any low bass. Paul Seydor,<br />

211<br />

PSB Imagine Mini<br />

$760 or $830 (depending on<br />

finish)<br />

psbspeakers.com<br />

This tiny speaker plays much<br />

“larger” than one might assume.<br />

Rolled off below 55Hz and also a<br />

bit on the very top end, the Mini<br />

still delivers commendable imaging,<br />

lively dynamics, and genuinely<br />

engaging performance. Kirk<br />

Midtskog, 221<br />

REL T-5 2.1-Channel System<br />

$998<br />

sumikoaudio.net<br />

An impressive alliance, the REL<br />

T-5 sub ($699) and the T-5 twoway<br />

monitor (by way of Pro-Ject)<br />

solve the small-room challenge by<br />

producing audiophile-quality stereo<br />

and home-cinema excitement. The<br />

two-way’s sonic character is nicely<br />

balanced—the midrange offers<br />

a rewarding amount of heft and<br />

substance for its size range, plus<br />

clean articulation of vocals and<br />

dialogue. The T-5 sub makes an<br />

excellent match. NG, 220<br />

$1000–$1500<br />

B&W CM1<br />

$1000<br />

bwspeakers.com<br />

Like many small speakers, this tiny,<br />

jewel-like mini-monitor trades bass<br />

extension and wide dynamics for<br />

midrange purity. Through the mids,<br />

the CM1 is magical, with a timbral<br />

realism, freedom from grain,<br />

palpability, and lack of coloration<br />

that many five-figure loudspeakers<br />

don’t deliver. Stunning on vocals<br />

and acoustic music. RH, 173<br />

Paradigm Reference<br />

Studio 10<br />

$1098<br />

paradigm.com<br />

Paradigm’s diminutive Studio 10<br />

is inherently warm and full, with<br />

a remarkably large presentation<br />

that will appeal to a wide range<br />

of listeners. It’s not the most<br />

transparent design, but is<br />

nevertheless lively and involving.<br />

This front-ported two-way can sit<br />

on a shelf, but performs best on a<br />

rigid stand placed somewhat into<br />

the room. Bass isn’t bad, but some<br />

will want to add one of Paradigm’s<br />

subwoofers to fill out the bottom<br />

end. WG, 204<br />

PSB Imagine B<br />

$1100<br />

psbspeakers.com<br />

Think Imagine T minus a midbass<br />

driver and a floorstanding<br />

enclosure. There’s the same voice in<br />

the expressive midrange and treble<br />

and, with only minor exceptions,<br />

the same superb balance. The B<br />

can’t quite chew on bass lines like<br />

the T can, but as if to compensate<br />

the B seems a bit lighter and fleeter<br />

of foot in the upper mids and lower<br />

treble. NG, 189<br />

Magnepan MG12/QR<br />

$1195<br />

magnepan.com<br />

This affordable two-way quasiribbon<br />

brings you remarkably close<br />

to the best performance Magnepans<br />

are capable of. When it is properly<br />

placed—around 3' from walls—its<br />

clarity is addictive, with a wide deep<br />

soundstage and terrific transient<br />

response. The MG12 performs<br />

satisfyingly down to about 50Hz,<br />

and because of its larger panel has<br />

a slightly bigger soundfield than the<br />

amazing bargain-basement MMGs.<br />

JV, 177<br />

Sonus faber Venere Model 1.5<br />

$1198 (stands $398)<br />

sumikoaudio.net<br />

This compact Italiano two-way<br />

with a narrow, slotted front<br />

port, swooping top panel, and<br />

curvilicious enclosure has Sf<br />

tradition stamped all over its sound.<br />

There’s an espresso rich and robust<br />

midrange that makes vocals shine<br />

and keeps dynamics lively, as well as<br />

superior midbass response, minimal<br />

colorations, and big-speaker<br />

dynamic composure. Venere—Latin<br />

for Venus—is love at first sight and<br />

irresistible for the money. NG, 230<br />

PSB Image T6<br />

$1300<br />

psbspeakers.com<br />

Paul Barton’s latest creation again<br />

sets a standard for performance<br />

in this class. The T6’s dual 6.5"<br />

woofers deliver realistic bass down<br />

to 35Hz (–3dB) coupled to a<br />

very clean, pure, and transparent<br />

midrange. The bass tends toward<br />

the warm and “bloomy” rather<br />

than dry and tight side. The treble<br />

is clean and extended, albeit with<br />

a bit of excess energy. Imaging is<br />

outstanding. Robert E. Greene, 200<br />

Electrocompaniet EBS-1<br />

$1490<br />

electrocompaniet.com/usa<br />

The two-way EBS-1 impresses<br />

with its top-to-bottom coherence<br />

and ability to “speak” with a single<br />

voice. Dynamic scaling, transient<br />

speed, and image focus are also<br />

strengths. The speaker’s okay but<br />

not great with soundstage depth,<br />

and of course its bass won’t shake<br />

the house with large-scale music.<br />

It works well on a stand or shelf,<br />

thanks to tiny foam port plugs<br />

supplied for the latter application.<br />

WG, 209<br />

$1500–$2000<br />

KEF LS50<br />

$1500<br />

kef.com<br />

With its pink-gold Uni-Q coincident<br />

midrange/tweeter mounted in<br />

bulls-eye fashion atop the uniquely<br />

arched baffle of its beautifully<br />

crafted high-density enclosure, the<br />

LS50 is as visually arresting as it<br />

is sonically satisfying. Imaging is<br />

103 Guide to High-Performance Loudspeakers www.theabsolutesound.com<br />

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