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go to: Contents | Features | Bookshelf, Stand-Mount and Desktop | Floorstanding | Editors' Choice Awards<br />
Usher S520<br />
$479<br />
usheraudiousa.com<br />
Four things distinguish Usher’s<br />
S520 from run-of-the-mill, sub-<br />
$400 mini-monitors: a crisp and<br />
revealing treble, an unusually open<br />
and dynamic midrange, taut and<br />
surprisingly extended bass (no<br />
midbass hump here), and eyepopping<br />
build-quality. One caveat:<br />
The S520 needs lots of break-in, so<br />
be patient. CM, AVgM 10<br />
Focal 705V/706V<br />
$499/$699<br />
audioplusservices.com<br />
Although nominally a bookshelf<br />
speaker, the Focal 706V delivers<br />
an oversized presentation, with the<br />
bass power, weight, and extension<br />
of small floorstanding units.<br />
Highly dynamic and visceral, it has<br />
a forward perspective that puts<br />
vocals right up front. If you can get<br />
by with a little less bass extension<br />
and output consider the 705V at a<br />
savings of $150. Robert Harley, 173<br />
(706V); SS, 183 (705V)<br />
$500–$1000<br />
Magnepan MMG Revised<br />
$599<br />
magnepan.com<br />
At just under $600, it is hard to<br />
imagine a better speaker for the<br />
money than this mini-Maggie,<br />
provided you have the space for it<br />
and a powerful-enough amplifier.<br />
Like all Maggie dipoles, the thing<br />
sounds open, airy, and unusually<br />
lifelike. Improved in overall<br />
coherence in its “revised” version, it<br />
is still not the last word in resolution,<br />
low bass, or top treble (but who<br />
cares). Jonathan Valin, 177<br />
B&W 685<br />
$650<br />
bwspeakers.com<br />
B&W’s 685 has a fine balance,<br />
tremendous rhythmic authority, an<br />
open soundstage, impressive bass, a<br />
singing treble, plays loudly without<br />
strain, and, thanks to a forward-firing<br />
port, can be mounted on a wall,<br />
shelf, or stand. A slight, lingering<br />
edge in the uppermost treble makes<br />
it both exciting to listen to as well<br />
as slightly sharp with female voices.<br />
WG, 176<br />
Silverline Minuet Supreme Plus<br />
$699<br />
silverlineaudio.com<br />
The Supreme retains all of the<br />
sonic strengths of the original<br />
Minuet, but adds greater dynamic<br />
range to the mix. It also does<br />
a superb job of preserving the<br />
locational cues imbedded in a<br />
recording. While the Minuet<br />
provides a remarkable amount of<br />
lower-midrange and upper-bass<br />
energy for its size, don’t expect it to<br />
generate any low bass. Paul Seydor,<br />
211<br />
PSB Imagine Mini<br />
$760 or $830 (depending on<br />
finish)<br />
psbspeakers.com<br />
This tiny speaker plays much<br />
“larger” than one might assume.<br />
Rolled off below 55Hz and also a<br />
bit on the very top end, the Mini<br />
still delivers commendable imaging,<br />
lively dynamics, and genuinely<br />
engaging performance. Kirk<br />
Midtskog, 221<br />
REL T-5 2.1-Channel System<br />
$998<br />
sumikoaudio.net<br />
An impressive alliance, the REL<br />
T-5 sub ($699) and the T-5 twoway<br />
monitor (by way of Pro-Ject)<br />
solve the small-room challenge by<br />
producing audiophile-quality stereo<br />
and home-cinema excitement. The<br />
two-way’s sonic character is nicely<br />
balanced—the midrange offers<br />
a rewarding amount of heft and<br />
substance for its size range, plus<br />
clean articulation of vocals and<br />
dialogue. The T-5 sub makes an<br />
excellent match. NG, 220<br />
$1000–$1500<br />
B&W CM1<br />
$1000<br />
bwspeakers.com<br />
Like many small speakers, this tiny,<br />
jewel-like mini-monitor trades bass<br />
extension and wide dynamics for<br />
midrange purity. Through the mids,<br />
the CM1 is magical, with a timbral<br />
realism, freedom from grain,<br />
palpability, and lack of coloration<br />
that many five-figure loudspeakers<br />
don’t deliver. Stunning on vocals<br />
and acoustic music. RH, 173<br />
Paradigm Reference<br />
Studio 10<br />
$1098<br />
paradigm.com<br />
Paradigm’s diminutive Studio 10<br />
is inherently warm and full, with<br />
a remarkably large presentation<br />
that will appeal to a wide range<br />
of listeners. It’s not the most<br />
transparent design, but is<br />
nevertheless lively and involving.<br />
This front-ported two-way can sit<br />
on a shelf, but performs best on a<br />
rigid stand placed somewhat into<br />
the room. Bass isn’t bad, but some<br />
will want to add one of Paradigm’s<br />
subwoofers to fill out the bottom<br />
end. WG, 204<br />
PSB Imagine B<br />
$1100<br />
psbspeakers.com<br />
Think Imagine T minus a midbass<br />
driver and a floorstanding<br />
enclosure. There’s the same voice in<br />
the expressive midrange and treble<br />
and, with only minor exceptions,<br />
the same superb balance. The B<br />
can’t quite chew on bass lines like<br />
the T can, but as if to compensate<br />
the B seems a bit lighter and fleeter<br />
of foot in the upper mids and lower<br />
treble. NG, 189<br />
Magnepan MG12/QR<br />
$1195<br />
magnepan.com<br />
This affordable two-way quasiribbon<br />
brings you remarkably close<br />
to the best performance Magnepans<br />
are capable of. When it is properly<br />
placed—around 3' from walls—its<br />
clarity is addictive, with a wide deep<br />
soundstage and terrific transient<br />
response. The MG12 performs<br />
satisfyingly down to about 50Hz,<br />
and because of its larger panel has<br />
a slightly bigger soundfield than the<br />
amazing bargain-basement MMGs.<br />
JV, 177<br />
Sonus faber Venere Model 1.5<br />
$1198 (stands $398)<br />
sumikoaudio.net<br />
This compact Italiano two-way<br />
with a narrow, slotted front<br />
port, swooping top panel, and<br />
curvilicious enclosure has Sf<br />
tradition stamped all over its sound.<br />
There’s an espresso rich and robust<br />
midrange that makes vocals shine<br />
and keeps dynamics lively, as well as<br />
superior midbass response, minimal<br />
colorations, and big-speaker<br />
dynamic composure. Venere—Latin<br />
for Venus—is love at first sight and<br />
irresistible for the money. NG, 230<br />
PSB Image T6<br />
$1300<br />
psbspeakers.com<br />
Paul Barton’s latest creation again<br />
sets a standard for performance<br />
in this class. The T6’s dual 6.5"<br />
woofers deliver realistic bass down<br />
to 35Hz (–3dB) coupled to a<br />
very clean, pure, and transparent<br />
midrange. The bass tends toward<br />
the warm and “bloomy” rather<br />
than dry and tight side. The treble<br />
is clean and extended, albeit with<br />
a bit of excess energy. Imaging is<br />
outstanding. Robert E. Greene, 200<br />
Electrocompaniet EBS-1<br />
$1490<br />
electrocompaniet.com/usa<br />
The two-way EBS-1 impresses<br />
with its top-to-bottom coherence<br />
and ability to “speak” with a single<br />
voice. Dynamic scaling, transient<br />
speed, and image focus are also<br />
strengths. The speaker’s okay but<br />
not great with soundstage depth,<br />
and of course its bass won’t shake<br />
the house with large-scale music.<br />
It works well on a stand or shelf,<br />
thanks to tiny foam port plugs<br />
supplied for the latter application.<br />
WG, 209<br />
$1500–$2000<br />
KEF LS50<br />
$1500<br />
kef.com<br />
With its pink-gold Uni-Q coincident<br />
midrange/tweeter mounted in<br />
bulls-eye fashion atop the uniquely<br />
arched baffle of its beautifully<br />
crafted high-density enclosure, the<br />
LS50 is as visually arresting as it<br />
is sonically satisfying. Imaging is<br />
103 Guide to High-Performance Loudspeakers www.theabsolutesound.com<br />
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