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LOUDSPEAKERS

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go to: Contents | Features | Bookshelf, Stand-Mount and Desktop | Floorstanding | Editors' Choice Awards<br />

Pioneer SP-BS22 LR<br />

The Devil and Mr. Jones<br />

Neil Gader<br />

What are your expectations for a $129/pair loudspeaker Not all that high<br />

I would guess. At the very least, you’d expect it to work reliably, play<br />

reasonably loud, and not look too schlocky. But high-end sonics That’s<br />

setting the bar way up there. And that was pretty much what I thought when the<br />

redesigned Pioneer SP-BS22 LR was presented to me for review. But there was one<br />

significant difference—the new BS22 sports a discrete signature on its back panel<br />

just above the binding posts: A. Jones.<br />

So what’s in a name This particular A. Jones<br />

is Andrew Jones, the British gentleman known<br />

principally for his exquisite designs for TAD Labs,<br />

the high-end wing of parent company Pioneer<br />

Electronics. However, he’s also the chief speaker<br />

engineer for Pioneer, where the demands of that<br />

global titan include a broader-based, budgetconscious<br />

market. I can’t speak for Mr. Jones’<br />

ability to compartmentalize, but it does speak<br />

volumes about his creative range—a bit like<br />

engineering a McLaren one day and tinkering with<br />

a Mini the next. However, whether it’s designing<br />

the latest beryllium coincident transducer, or<br />

bringing the new TAD Evolution 1 ($29,000, review<br />

to come) or, in this case, the modest SP-BS22 LR<br />

to market—the influence of Mr. Jones’ design<br />

cannot be taken lightly.<br />

To look at, the SP-BS22 LR is as conventional<br />

and unassuming as a speaker comes. It’s a twoway<br />

bass-reflex design that tips the scales at<br />

little more than nine pounds. If you imagined its<br />

driver array as something along the lines of a<br />

TAD-derived coincident driver trickling down to<br />

the sub-$150 price point, think again. Mid/bass<br />

duties are handled by a prosaic four-inch driver<br />

with a structured-surface diaphragm to aid rigidity<br />

and fend off breakup modes. The one-inch softdome<br />

tweeter uses a large, custom-designed<br />

waveguide to control dispersion and increase<br />

sensitivity. Construction and fit and finish appear<br />

solid, consistent with today’s “made in China”<br />

workmanship. The SP-BS22 LR speakers utilize a<br />

curved cabinet design, which adds stiffness to the<br />

enclosure and is said to reduce internal standing<br />

waves. (This last issue is less germane in small<br />

boxes than full-range enclosures.) Although SP-<br />

BS22 LR is small, its relatively low 85dB sensitivity<br />

means that it requires more than minimal power.<br />

Bass is better controlled and there’s more of it<br />

with additional watts; plus, the added power<br />

enlivens dynamics and enriches tonality.<br />

But, like they say, the devil’s in the details, and<br />

the wildcard is the not-to-be-underestimated<br />

Jones Factor. What makes his concoction such<br />

a delight to listen to is how well he applies highend<br />

values to such a small and (let’s face it) cheap<br />

35 Guide to High-Performance Loudspeakers www.theabsolutesound.com<br />

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