LOUDSPEAKERS
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go to: Contents | Features | Bookshelf, Stand-Mount and Desktop | Floorstanding | Editors' Choice Awards<br />
Von Schweikert Audio VR-44<br />
Aktive<br />
$25,000<br />
vonschweikertaudio.com<br />
The new VSA VR-44 Aktive<br />
is a high-performance speaker<br />
made for tube-lovers. A four-way,<br />
single-cabinet, transmission-line<br />
design, the VR-44 incorporates<br />
new VSA technology in cabinetwall<br />
construction and O.E.M.<br />
Scandinavian drivers. It also reintroduces<br />
self-powered woofers,<br />
last used by VSA in 2004. GH found<br />
the approach inventive and the sonic<br />
results completely satisfying. Albert<br />
von Schweikert has blessed this<br />
complex acoustic design with an aura<br />
of magic. GH, 230<br />
Sound Lab M-1PX<br />
$25,170<br />
soundlab-speakers.com<br />
Like a CLX with really low end,<br />
this huge and hugely wonderful<br />
electrostat has the biggest soundfield,<br />
far and away the deepest bass (true<br />
20Hz extension), and most lifelike<br />
dynamic range of any ’stat—in<br />
addition to the traditional virtues of<br />
’stats (gorgeous tone color, lightning<br />
transient response, single-driver<br />
coherence, and phenomenal inner<br />
detail). It can sound a bit warm and<br />
dark in balance and overblown in<br />
the bottom octaves if placement and<br />
amplification aren’t carefully minded.<br />
JV, 122<br />
MartinLogan CLX<br />
$25,495<br />
martinlogan.com<br />
A long time coming, this successor<br />
to MartinLogan’s one-and-only<br />
previous full-range electrostat, the<br />
CLS, bests the original in every way,<br />
particularly in tonal balance where<br />
its lower midrange and upper bass<br />
are no longer sucked out. The most<br />
transparent-to-sources loudspeaker<br />
JV has yet auditioned, the CLX is the<br />
very model of resolution, neutrality,<br />
and realism. It is also, alas, limited to<br />
about 50Hz in the bass, which means<br />
you’ll need a pair of ML’s Descent-i<br />
subs to get the whole orchestra. JV,<br />
190<br />
Magico Q1<br />
$26,500<br />
magico.net<br />
The tiny, aluminum-bodied Magico<br />
Q1 is not just a little better than its<br />
celebrated predecessor, the Mini II,<br />
it is a whole lot better. Switching<br />
from the Mini II to the Q1 is<br />
almost exactly like switching from a<br />
wooden-bodied M5 to an aluminumbodied<br />
Q5, only in a couple regards<br />
(the blending of its beryllium tweeter<br />
and carbon-fiber mid/woofer, and its<br />
overall “disappearing act”), the Q1<br />
is better than the Q5—effortlessly<br />
dynamic, surprisingly deep-reaching,<br />
seamlessly neutral, and very highresolution.<br />
The best speaker Magico<br />
has yet made for smaller rooms. JV,<br />
219<br />
Coincident Pure Reference<br />
Extreme<br />
$26,800<br />
coincidentspeaker.com<br />
This reference-level loudspeaker is a<br />
breakthrough product. Not only is it<br />
blindingly quick with huge dynamic<br />
delivery, it can be powered with lowwattage<br />
tube amps. Add to this some<br />
of the most holographic imaging<br />
you’ll hear, and you have Magico<br />
sound for reasonable dollars. One<br />
of the best-sounding easy-to-drive<br />
dynamic loudspeakers on the market.<br />
Peter Breuninger, 209<br />
Nola Metro Grand<br />
Reference II<br />
$27,000<br />
nolaspeakers.com<br />
This model positioned between the<br />
Micro Grand Reference and the<br />
Baby Grand Reference features two<br />
6.5" magnesium woofers coupled to<br />
a 4.5" dipole midrange driver and<br />
4" Raven tweeter, with the latter<br />
two drivers mounted in an open<br />
baffle. The Metro Grand offers a<br />
tremendous sense of spaciousness,<br />
air, and naturalness. Some slight bass<br />
warmth has been ameliorated in the<br />
II version. Works well in small-tomedium-sized<br />
rooms. JH, 224<br />
Sony SS AR-1<br />
$27,000<br />
sony.com<br />
A work of speaker art from<br />
designer Yoshiyuki Kaku, the<br />
AR-1s combine advanced driver<br />
technology with ideas reminiscent<br />
of musical instrument design<br />
(special wood choices, different<br />
for front and back/sides). Musical,<br />
indeed, in tonal character, with a<br />
slight BBC-style midrange dip but<br />
otherwise very smooth and neutral,<br />
this exceptionally pure-sounding<br />
floorstander of moderate size is<br />
capable of everything from the<br />
most exquisite delicacy to unstrained<br />
orchestral dynamics, even in large<br />
rooms. REG, 214<br />
Vienna Acoustics “The Music”<br />
$27,000<br />
vienna-acoustics.com<br />
Here’s a full-range, multi-driver unit<br />
with ’stat-like coherence due to its<br />
remarkable flat midrange driver with<br />
coincident tweeter. Equally at home<br />
with power music and small-scale<br />
works, it has a reference-quality<br />
ability to reproduce the complete<br />
soundstage. A thrilling, accurate, yet<br />
musical speaker. JH, 195<br />
Wilson Audio Sasha<br />
$27,900<br />
wilsonaudio.com<br />
As the replacement for the venerable<br />
WATT/Puppy, the Sasha had<br />
big shoes to fill. And fill them it<br />
does, greatly improving upon its<br />
distinguished predecessors. Featuring<br />
a new midrange driver derived from<br />
the $168,000 Alexandria X-2, in<br />
the midband the Sasha combines<br />
tremendous warmth and richness<br />
of tone color with finely filigreed<br />
resolution. The Sasha’s bass is classic<br />
Wilson, an amalgam of weight,<br />
warmth, extension, dynamic agility,<br />
and outstanding articulation. RH,<br />
204<br />
TAD Evolution One<br />
$29,800<br />
tad-labs.com<br />
The Evolution One is the first model<br />
of a new series of loudspeakers<br />
descended from TAD’s Reference<br />
line. In spite of some modest<br />
economizing the same exemplary<br />
performance carries over with nary a<br />
hitch. Thanks to the brilliance of the<br />
CST coincident midrange/beryllium<br />
tweeter the sound of this three-way<br />
remains incisive and transparent—a<br />
veritable showcase for precise<br />
imaging and full-spectrum dynamics.<br />
Bass response is propulsive and<br />
extended. NG, 229<br />
KEF Blade<br />
$30,000<br />
kef.com<br />
A culmination of KEF’s 50 years<br />
of innovation in speaker design, the<br />
Blade is a rarity: a true full-range<br />
point-source speaker. As such, it<br />
promises benefits in coherence and<br />
frequency-dispersion into the room.<br />
That promise is fully met, with<br />
superb imaging and neutral tonality<br />
that does not vary with seating<br />
position or even when standing<br />
versus sitting. Further, thanks to its<br />
superb resolution and vanishingly<br />
low distortion, the Blade delivers<br />
a wealth of musical detail without<br />
fatigue. A sonic and technological<br />
tour de force. AT, 222<br />
Sonus faber Amati Futura<br />
$36,000<br />
sumikoaudio.net<br />
This exquisite 3.5-way floorstanding<br />
loudspeaker breaks new ground<br />
for Sonus faber in transparency,<br />
low-level detail, neutrality, transient<br />
response, and top-to-bottom<br />
coherence, bringing you closer to<br />
the sound of a live performance.<br />
The lute-shaped Italian cabinetry<br />
is drop-dead gorgeous, and masks<br />
an enclosure filled with technical<br />
innovations designed to reduce<br />
resonances and related colorations.<br />
While the Amati is not as lushsounding<br />
as its predecessor, massed<br />
strings and voices are more accurate<br />
and natural. JH, 228<br />
YG Acoustics Kipod II Signature<br />
$38,800<br />
yg-acoustics.com<br />
This Kipod II aims to bring the<br />
performance of the company’s<br />
$119,000 Anat Professional to<br />
listeners with smaller rooms. The<br />
Kipod is scaled down in size, bass<br />
extension, and playback-level from<br />
the flagship, but not in fundamental<br />
sound quality, with stunning<br />
dynamics, resolution, and liveliness.<br />
112 Guide to High-Performance Loudspeakers www.theabsolutesound.com<br />
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