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go to: Contents | Features | Bookshelf, Stand-Mount and Desktop | Floorstanding | Editors' Choice Awards<br />

EQUIPMENT REVIEW - Dynaudio Focus 260<br />

defined, musically engaging soundscape. In my own system and my<br />

own room, the 260 did not show signs of strain or unpleasantness,<br />

or induce clipping at fairly high volume levels, when powered by<br />

either the Hegel H200 (Issue 211) or my Gamut M200 monoblocks.<br />

The 260 simply did its entertaining “musical thang” on all kinds of<br />

music.<br />

The 260 cast a fairly wide soundstage, extending about 6" beyond<br />

the outer panels of the cabinets. Overall soundstage depth was in<br />

keeping with its price level, and its depth layering was quite good.<br />

Individual images were well-defined and always proportionally<br />

sized and positioned credibly within the soundscape, although<br />

images themselves had only partially fleshed-out 3-D depth.<br />

The front of the soundstage began just behind the plane of the<br />

speakers’ back panels and extended rearward from there, and my<br />

listening perspective was mid-hall or thereabouts. Some musical<br />

elements, like singers or trumpeters really belting it out, projected<br />

into the listening room—an ability the Aerial 7T also had, which<br />

is reminiscent of how such elements jut out from the stage when<br />

heard live. Also compared to the Aerial 7T, the Focus 260 somehow<br />

managed to come across as tonally neutral without being as overtly<br />

revealing of tinny recordings. (It could simply be that the Aerial 7T<br />

has an even flatter frequency response.)<br />

Where the 260 gives up ground is in direct comparisons to<br />

speakers that cost a lot more. For example, the $5000 B&W<br />

805 Diamond (Issue 210) will create a wider and more detailed<br />

soundstage, but the 805D also sounds to me as though it has a socalled<br />

“Gundry Dip” (between 2kHz and 4kHz) which tends to make<br />

harsh recordings more listenable and less fatiguing. In the case of<br />

the 805D, although it has greater resolution within its range than<br />

the 260, the 805D’s apparent tonal shift also deprives some wellrecorded<br />

music of its natural verve and presence. Also, the 805D<br />

can’t deliver anything close the 260’s bass performance or dynamic<br />

freedom. Another example is the Dynaudio C1 II. It too will throw a<br />

wider, deeper, and taller soundstage with larger individual images<br />

(almost counter-intuitively, as the C1 is tiny compared to the 260).<br />

The C1 is a more refined and resolving speaker, in general, but it<br />

costs $7700 per pair in a standard finish (and also really should be<br />

bolted to the recommended $450 stands). As mentioned above,<br />

the 260 outperforms the C1 in bass extension and clarity. So, we<br />

have trade-offs: deeper and clearer bass with greater dynamic<br />

range in an easier-to-drive speaker in the Focus 260 for $4900; or<br />

a better soundstaging, more-resolving speaker with some reduced<br />

bass extension and dynamics (and that is more difficult to drive) in<br />

the C1 II for about $8000 (with stands). Then there is the Aerial 7T;<br />

it outperforms the 260 across the board, but it costs about $10,000<br />

and has a tendency to portray bright and brittle recordings with<br />

unerring honesty.<br />

Just the fact that I could outline some pros and cons between<br />

the Focus 260 and more expensive speakers is a testament to the<br />

260’s overall performance. It competes well among elite company.<br />

At the end of the day, the Dynaudio Focus 260’s lasting quality is<br />

its inviting, lively musicality. It made me want to listen to my music<br />

collection for the simple pleasure of it. If I were looking at the $5000<br />

price point for a small, dynamic speaker that is relatively amplifierfriendly,<br />

has respectable bass, is tonally honest, and honors the<br />

human element in music, the Focus 260 would be a top contender.<br />

SPECS & PRICING<br />

Type: Two-way, vented-box system ASSOCIATED EQUIPMENT<br />

Drivers: Two 6.7" magnesiumsilicate-polymer<br />

mid/bass drivers, turntable with Vector 4 tonearm,<br />

Analog source: Basis Debut V<br />

one soft dome tweeter<br />

Benz-Micro LP-S cartridge<br />

Frequency response: 32Hz–25kHz Digital source: Ayre C-5xeMP<br />

(+/-3dB)<br />

Phono stage preamp: Ayre P-5xe<br />

Sensitivity: 87dB<br />

Line stage preamp: Ayre K-1xe<br />

Impedance: 4 ohms<br />

Integrated amplifier: Hegel H200<br />

Power handling: 250 watts<br />

Power amplifier: Gamut M-200<br />

Dimensions: 7.9" x 39.1" x 11.6" Speakers: Dynaudio Confidence<br />

Weight: 42 lbs. each<br />

C1 Signature, Aerial 7T, B&W 805<br />

Price: $4900 (pair), Walnut, Black Diamond<br />

Ash, Rosewood, Maple, Black Gloss, Cables: Shunyata Anaconda signal<br />

and White Gloss<br />

cables and power cords, Wegrzyn<br />

Warranty: Five years, transferable power cords<br />

A/C power: Two 20-amp dedicated<br />

Dynaudio North America lines, Shunyata Triton power<br />

1140 Tower Lane<br />

conditioner<br />

Bensenville, IL 60106<br />

Room treatments: PrimeAcoustic<br />

(630) 238-4200<br />

Z-foam panels and DIY panels<br />

marketing@dynaudiousa.com<br />

dynaudiousa.com<br />

CLICK HERE TO COMMENT at www.theabsolutesound.COM<br />

70 Guide to High-Performance Loudspeakers www.theabsolutesound.com<br />

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