Super 8 Sound Inc. - Desktop Video Group
Super 8 Sound Inc. - Desktop Video Group
Super 8 Sound Inc. - Desktop Video Group
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SONY ECM-220<br />
Frequency response, 50-12,000Hz; Output impedance, 200<br />
or 10,000 ohms; Output level, —57dB; Cable length, 7 feet;<br />
Miniphone plug; Omnidirectional.<br />
SONY ECM-220 ...................................................................................... ECM220<br />
S8S# ECM250<br />
SONY ECM-250<br />
The microphone recommended for use with the <strong>Super</strong>8 <strong>Sound</strong><br />
Recorder is the SONY ECM-250. Frequency response, 50-<br />
14,000Hz ±3dB ; Output impedance, 200 ohms unbalanced;<br />
Output level, —57dB; Cable length, 16.5 feet; Miniphone plug;<br />
High performance windscreen for outdoor filming; Cardioid.<br />
SONY ECM-250 ...................................................................................... ECM250<br />
S8S# ECM280<br />
SONY ECM-280<br />
Frequency response, 30-18,000Hz ±3dB ; Output impedance,<br />
200 ohms unbalanced; Output level, —56dB; Cable length, 10<br />
feet; Cannon XLR plug; High performance removable windscreen;<br />
Bass rolloff switch; Cardioid.<br />
SONY ECM-280 ...................................................................................... ECM280<br />
15 foot Mic Extension Cable (locking) ................................................ EC5M<br />
30 foot Mic Extension Cable (locking) ................................................ EC10M<br />
S8S# SNDBM with SHKMNT<br />
Microphone Booms<br />
A fishpole boom is essential for getting the microphone close<br />
to the subject, including following a moving subject, while<br />
keeping the soundman out of frame.<br />
The <strong>Super</strong>8 <strong>Sound</strong>Boom is a ten-ounce three-section aluminum<br />
fishpole boom that extends from 33" to 63". It comes<br />
with a standard 5/8"-27 microphone thread, an optional 3/4"<br />
diameter microphone mount, or an optional elastic suspension<br />
shock mount.<br />
<strong>Super</strong>8 <strong>Sound</strong>Boom ........................................................................... SNDBM<br />
Plastic 3/4" Microphone Mount ..................................................... MICMNT<br />
Elastic Suspension Shock Mount ..................................................... SHKMNT<br />
Production Accessories<br />
Parabolic Microphone Reflector<br />
This clear see-through parabolic reflector increases microphone<br />
directivity and sensitivity by between 10 and 20dB<br />
for distant sources. Essential for getting tight close-in<br />
sound that matches the tight shots possible with a <strong>Super</strong> 8<br />
telephoto zoom lens. Especially useful for concerts, sporting<br />
events, lectures, press conferences, etc. where it's difficult<br />
to place a microphone at the subject. <strong>Inc</strong>ludes a vinyl<br />
carrying case. Use the SONY ECM220 microphone for best<br />
results.<br />
SONY Parabolic Mic Reflector ........................................................... BPR400<br />
Headphones<br />
Monitor headphones are an essential part of location sound<br />
recording. They are the precise sound equivalent of the<br />
camera's reflex viewfinder, revealing sound quality from<br />
the point of view of the microphone, which may be on a<br />
fishpole boom, or placed on the set. They help the beginning<br />
soundman to overcome his ear's normal tendency to<br />
filter out location noise such as traffic and airplanes. They<br />
force him to hear that noise as it will sound objectively on<br />
playback, through the one dimension of the screening room<br />
loud speaker, rather than the subjective impressions of the<br />
three-dimensional original location.<br />
Heavy -duty, modest sound quality stereophones .................................... HP<br />
A stereophone-to-miniplug adapter permits you to use any<br />
pair of stereophones as a monitor headset with the <strong>Super</strong>8<br />
<strong>Sound</strong> Recorderand other recorders with miniphone earphone<br />
jack.<br />
Stereophone -Miniphone Adapter ................................................ HPMINI<br />
The Scipio and Philips 2209 recorders require a stereophone<br />
adapter for their 2-pin DIN speaker/earphone jack.<br />
Stereophone-DIN Adapter ...................................................................... HPDIN<br />
Radio Control Start/Stop Unit<br />
We offer a radio control device that will start and stop the<br />
<strong>Super</strong>8 <strong>Sound</strong> Recorder, or other recorders with a sub-mini<br />
plug remote control, from up to 100 feet away. Transmitting<br />
and Receiving Units both included. Can also be used to start/<br />
stop cameras with remote control.<br />
Radio Control Start/Stop System ...................................................... RADIOC<br />
Slate/Clapstick<br />
Our standard wooden slate and clapper board are somewhat<br />
smaller and less expensive than the normal size. With a <strong>Super</strong><br />
8 camera it is easy to zoom in to read the scene markings,<br />
then pull back to shoot the scene.<br />
Slate/Clapstick ........................................................................................... SLATE<br />
Sync Meter<br />
This accessory plugs into the sync socket of the <strong>Super</strong>8<br />
<strong>Sound</strong> Recorder, and mounts securely to the handle of the<br />
Recorder. It has a standard locking DIN sync socket into<br />
which any <strong>Super</strong>8 <strong>Sound</strong> sync cable may be plugged, and<br />
serves to display sync condition, allowing the internal meter<br />
of the Recorder to be dedicated to record level settings.<br />
Sync Meter ................................................................................................. SMETER<br />
<strong>Super</strong> 8 <strong>Sound</strong>, <strong>Inc</strong>. 25<br />
95 Harvey Street. Cambridge. Mass. 02140