Super 8 Sound Inc. - Desktop Video Group
Super 8 Sound Inc. - Desktop Video Group
Super 8 Sound Inc. - Desktop Video Group
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<strong>Super</strong>8 <strong>Sound</strong> Systems<br />
Special Function Units<br />
Minimum Double-System Location Unit<br />
With Projector<br />
This Unit depends on a laboratory, school or rental house for<br />
compatible sound-studio and editing equipment. The filmmaker<br />
owns his own sync location rig and sound projector, the only items<br />
he needs away from the film department or lab. He can film<br />
year-round, and can show his films at any time.<br />
Of course the same minimal double-system functions can be<br />
achieved with other double-system sync cameras ranging up to<br />
$1250 list price, and with other sync recorders ranging up to $378.<br />
Location Unit<br />
Sync Camera <strong>Super</strong>8 <strong>Sound</strong> Sync GAF ST/802<br />
Sync Recorder <strong>Super</strong>8 <strong>Sound</strong> Scipio Cassette<br />
Camera/Recorder Sync Cable PCSKP<br />
Microphone SONY ECM-18 with MPDIN adapter<br />
Monitor Headphones HP with HPDIN adapter<br />
Camera Pod Canon Chestpod<br />
Projection Unit<br />
Sync Projector <strong>Super</strong>8 <strong>Sound</strong> Sync Kodak<br />
Ektasound 245<br />
Recommended Building-Up Options: Add an Economy Editing<br />
Bench, then a <strong>Super</strong>8 <strong>Sound</strong> Recorder, an Equalizer, then a<br />
motorization for the Bench.<br />
<strong>Super</strong>8 <strong>Sound</strong> Minimum Double-System Unit . . MDSUNIT<br />
Semi-Editable Single-System Unit<br />
This Unit is fully compatible with professional double-system<br />
editing since sound can be transferred to fullcoat on the <strong>Super</strong>8 <strong>Sound</strong><br />
Recorder. See the <strong>Super</strong>8 <strong>Sound</strong> Single/Double-System for further<br />
information.<br />
This is the least expensive semi-editable <strong>Super</strong> 8 production system.<br />
<strong>Sound</strong> must be edited simultaneously with picture (you can't insert<br />
a cutaway while the sound continues). <strong>Sound</strong> is edited at a different<br />
point than the picture because of the 18-frame advance (this causes<br />
li ps to flap with no sound, and sound with no corresponding picture).<br />
Location Unit<br />
Sync Camera/Recorder Kodak <strong>Super</strong>matic 200<br />
Microphone SONY ECM-18<br />
Camera Pod Canon Chestpod<br />
Studio Unit None needed<br />
Editing Unit<br />
Single-system viewer<br />
( with sound reader) Elmo 912<br />
Projection Unit<br />
Sync Projector <strong>Super</strong>8 <strong>Sound</strong> Sync Kodak<br />
Ektasound 245<br />
<strong>Super</strong>8 <strong>Sound</strong> Single-System Unit ............................ SSUNIT<br />
<strong>Super</strong>8 <strong>Sound</strong> Crystal Sync Location Unit<br />
The basic objective of crystal sync is to eliminate the sync cable<br />
connection between cameraman and soundman. Beyond that, it is<br />
the only way to have multiple cameras and recorders running in sync<br />
with each other. Multiple cameras often are necessary to film a one-shot<br />
unrepeatable performance, e.g. a concert, sporting event, or important<br />
interview. <strong>Super</strong>8 <strong>Sound</strong> offers nine crystal sync cameras and five<br />
crystal recorders. Those listed here are the least expensive.<br />
Location Unit<br />
Sync Camera <strong>Super</strong>8 <strong>Sound</strong> Sync Nizo S480<br />
with Crystal Camera Control<br />
( XTALN)<br />
Sync Recorder <strong>Super</strong>8 <strong>Sound</strong> Scipio with<br />
Crystal Sync Generator 24<br />
( XG24S)<br />
Microphone SONY ECM-18 with MPDIN adapter<br />
Headphones HP with HPDIN adapter<br />
Camera Pod Canon Chestpod<br />
Sync Cable None required<br />
<strong>Super</strong>8 <strong>Sound</strong> Crystal Location Unit ........................ XTLUNIT<br />
56 95<br />
<strong>Super</strong> 8 <strong>Sound</strong>, <strong>Inc</strong>.<br />
Harvey Street. Cambridge. Mass. 02140<br />
<strong>Super</strong>8 <strong>Sound</strong> Mini Location Unit<br />
This Unit is a minimum size and weight location package. The total<br />
sync sound location package can be fitted into a small attache case.<br />
Mini Location Unit<br />
Sync Camera <strong>Super</strong>8 <strong>Sound</strong> Sync Nizo 156XL<br />
Sync Recorder Uher CR134 Sync Cassette<br />
Sync Cable PCU134<br />
Microphone SONY ECM-16 Tieclip<br />
Camera Pod Canon Chestpod<br />
<strong>Super</strong>8 <strong>Sound</strong> Mini Location Unit ............................ MINUNIT<br />
<strong>Super</strong>8 <strong>Sound</strong> Lab Transfer Unit<br />
This Unit is recommended to 16mm cinema sound labs who are<br />
adding <strong>Super</strong> 8 sync sound services. It includes a capability for sync<br />
transfers to <strong>Super</strong> 8 fullcoat from 1/F sync pulse cassettes, from<br />
pilotone sync pulse cassettes (including AC synchronous transfers<br />
to 16mm fullcoat), and from Ektasound single-system stripe to<br />
<strong>Super</strong> 8 fullcoat. It also includes transfers from <strong>Super</strong> 8 fullcoat to<br />
magnetic edge stripe, to 16mm fullcoat magnetic film, and to 16mm<br />
optical negative tracks.<br />
Lab/Studio Unit<br />
Fullcoat Recorder <strong>Super</strong>8 <strong>Sound</strong> Laboratory Recorder<br />
1/F Cassette Recorder <strong>Super</strong>8 <strong>Sound</strong> Sync Uher CR134<br />
Pilotone Cassette Recorder <strong>Super</strong>8 <strong>Sound</strong> XSD Recorder<br />
Pilotone Resolver <strong>Super</strong>8 <strong>Sound</strong> XSD Resolver<br />
Sync Projector <strong>Super</strong>8 <strong>Sound</strong> Sync Elmo ST1200M<br />
Cables MINIMINI, RCRCA, RCAMINI<br />
*Available Fall, 1975<br />
<strong>Super</strong>8 <strong>Sound</strong> Lab Transfer Unit ........................ LABUNIT<br />
<strong>Super</strong>8 <strong>Sound</strong> Mixing Studio Unit<br />
This special purpose unit utilizes the 4-channel quarter-inch tape<br />
recorder as an inexpensive multi-track recorder for sync film work.<br />
It depends on the <strong>Super</strong>8 <strong>Sound</strong> Recorder's pilotone output and<br />
its ability to synchronize itself to a pilotone signal on one of the<br />
four tracks. Detailed instructions for preparing A, B, and C sync tracks<br />
on quarter-inch tape and mixing back to a fullcoat composite master<br />
track will be found in the <strong>Super</strong>8 <strong>Sound</strong> Recorder User's Manual,<br />
Part I II, section H.<br />
Mixing Studio Unit<br />
Fullcoat Recorder <strong>Super</strong>8 <strong>Sound</strong> Recorder<br />
Multitrack Recorder SONY TC788-4 with Sy nchrotrack<br />
Graphic Equalizer BSR/Metrotec FEW-4<br />
Mixer SONY MX-14<br />
Sync Resolver Cables RCRCA<br />
Audio Resolver Cables RCAMINI<br />
Amplifier Marantz 1030 Stereo Console<br />
Amplifier<br />
Speakers Smaller Advents<br />
<strong>Super</strong>8 <strong>Sound</strong> Mixing Studio Unit ........................ MIXUNIT