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Super 8 Sound Inc. - Desktop Video Group

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<strong>Super</strong>8 <strong>Sound</strong> Systems<br />

Special Function Units<br />

Minimum Double-System Location Unit<br />

With Projector<br />

This Unit depends on a laboratory, school or rental house for<br />

compatible sound-studio and editing equipment. The filmmaker<br />

owns his own sync location rig and sound projector, the only items<br />

he needs away from the film department or lab. He can film<br />

year-round, and can show his films at any time.<br />

Of course the same minimal double-system functions can be<br />

achieved with other double-system sync cameras ranging up to<br />

$1250 list price, and with other sync recorders ranging up to $378.<br />

Location Unit<br />

Sync Camera <strong>Super</strong>8 <strong>Sound</strong> Sync GAF ST/802<br />

Sync Recorder <strong>Super</strong>8 <strong>Sound</strong> Scipio Cassette<br />

Camera/Recorder Sync Cable PCSKP<br />

Microphone SONY ECM-18 with MPDIN adapter<br />

Monitor Headphones HP with HPDIN adapter<br />

Camera Pod Canon Chestpod<br />

Projection Unit<br />

Sync Projector <strong>Super</strong>8 <strong>Sound</strong> Sync Kodak<br />

Ektasound 245<br />

Recommended Building-Up Options: Add an Economy Editing<br />

Bench, then a <strong>Super</strong>8 <strong>Sound</strong> Recorder, an Equalizer, then a<br />

motorization for the Bench.<br />

<strong>Super</strong>8 <strong>Sound</strong> Minimum Double-System Unit . . MDSUNIT<br />

Semi-Editable Single-System Unit<br />

This Unit is fully compatible with professional double-system<br />

editing since sound can be transferred to fullcoat on the <strong>Super</strong>8 <strong>Sound</strong><br />

Recorder. See the <strong>Super</strong>8 <strong>Sound</strong> Single/Double-System for further<br />

information.<br />

This is the least expensive semi-editable <strong>Super</strong> 8 production system.<br />

<strong>Sound</strong> must be edited simultaneously with picture (you can't insert<br />

a cutaway while the sound continues). <strong>Sound</strong> is edited at a different<br />

point than the picture because of the 18-frame advance (this causes<br />

li ps to flap with no sound, and sound with no corresponding picture).<br />

Location Unit<br />

Sync Camera/Recorder Kodak <strong>Super</strong>matic 200<br />

Microphone SONY ECM-18<br />

Camera Pod Canon Chestpod<br />

Studio Unit None needed<br />

Editing Unit<br />

Single-system viewer<br />

( with sound reader) Elmo 912<br />

Projection Unit<br />

Sync Projector <strong>Super</strong>8 <strong>Sound</strong> Sync Kodak<br />

Ektasound 245<br />

<strong>Super</strong>8 <strong>Sound</strong> Single-System Unit ............................ SSUNIT<br />

<strong>Super</strong>8 <strong>Sound</strong> Crystal Sync Location Unit<br />

The basic objective of crystal sync is to eliminate the sync cable<br />

connection between cameraman and soundman. Beyond that, it is<br />

the only way to have multiple cameras and recorders running in sync<br />

with each other. Multiple cameras often are necessary to film a one-shot<br />

unrepeatable performance, e.g. a concert, sporting event, or important<br />

interview. <strong>Super</strong>8 <strong>Sound</strong> offers nine crystal sync cameras and five<br />

crystal recorders. Those listed here are the least expensive.<br />

Location Unit<br />

Sync Camera <strong>Super</strong>8 <strong>Sound</strong> Sync Nizo S480<br />

with Crystal Camera Control<br />

( XTALN)<br />

Sync Recorder <strong>Super</strong>8 <strong>Sound</strong> Scipio with<br />

Crystal Sync Generator 24<br />

( XG24S)<br />

Microphone SONY ECM-18 with MPDIN adapter<br />

Headphones HP with HPDIN adapter<br />

Camera Pod Canon Chestpod<br />

Sync Cable None required<br />

<strong>Super</strong>8 <strong>Sound</strong> Crystal Location Unit ........................ XTLUNIT<br />

56 95<br />

<strong>Super</strong> 8 <strong>Sound</strong>, <strong>Inc</strong>.<br />

Harvey Street. Cambridge. Mass. 02140<br />

<strong>Super</strong>8 <strong>Sound</strong> Mini Location Unit<br />

This Unit is a minimum size and weight location package. The total<br />

sync sound location package can be fitted into a small attache case.<br />

Mini Location Unit<br />

Sync Camera <strong>Super</strong>8 <strong>Sound</strong> Sync Nizo 156XL<br />

Sync Recorder Uher CR134 Sync Cassette<br />

Sync Cable PCU134<br />

Microphone SONY ECM-16 Tieclip<br />

Camera Pod Canon Chestpod<br />

<strong>Super</strong>8 <strong>Sound</strong> Mini Location Unit ............................ MINUNIT<br />

<strong>Super</strong>8 <strong>Sound</strong> Lab Transfer Unit<br />

This Unit is recommended to 16mm cinema sound labs who are<br />

adding <strong>Super</strong> 8 sync sound services. It includes a capability for sync<br />

transfers to <strong>Super</strong> 8 fullcoat from 1/F sync pulse cassettes, from<br />

pilotone sync pulse cassettes (including AC synchronous transfers<br />

to 16mm fullcoat), and from Ektasound single-system stripe to<br />

<strong>Super</strong> 8 fullcoat. It also includes transfers from <strong>Super</strong> 8 fullcoat to<br />

magnetic edge stripe, to 16mm fullcoat magnetic film, and to 16mm<br />

optical negative tracks.<br />

Lab/Studio Unit<br />

Fullcoat Recorder <strong>Super</strong>8 <strong>Sound</strong> Laboratory Recorder<br />

1/F Cassette Recorder <strong>Super</strong>8 <strong>Sound</strong> Sync Uher CR134<br />

Pilotone Cassette Recorder <strong>Super</strong>8 <strong>Sound</strong> XSD Recorder<br />

Pilotone Resolver <strong>Super</strong>8 <strong>Sound</strong> XSD Resolver<br />

Sync Projector <strong>Super</strong>8 <strong>Sound</strong> Sync Elmo ST1200M<br />

Cables MINIMINI, RCRCA, RCAMINI<br />

*Available Fall, 1975<br />

<strong>Super</strong>8 <strong>Sound</strong> Lab Transfer Unit ........................ LABUNIT<br />

<strong>Super</strong>8 <strong>Sound</strong> Mixing Studio Unit<br />

This special purpose unit utilizes the 4-channel quarter-inch tape<br />

recorder as an inexpensive multi-track recorder for sync film work.<br />

It depends on the <strong>Super</strong>8 <strong>Sound</strong> Recorder's pilotone output and<br />

its ability to synchronize itself to a pilotone signal on one of the<br />

four tracks. Detailed instructions for preparing A, B, and C sync tracks<br />

on quarter-inch tape and mixing back to a fullcoat composite master<br />

track will be found in the <strong>Super</strong>8 <strong>Sound</strong> Recorder User's Manual,<br />

Part I II, section H.<br />

Mixing Studio Unit<br />

Fullcoat Recorder <strong>Super</strong>8 <strong>Sound</strong> Recorder<br />

Multitrack Recorder SONY TC788-4 with Sy nchrotrack<br />

Graphic Equalizer BSR/Metrotec FEW-4<br />

Mixer SONY MX-14<br />

Sync Resolver Cables RCRCA<br />

Audio Resolver Cables RCAMINI<br />

Amplifier Marantz 1030 Stereo Console<br />

Amplifier<br />

Speakers Smaller Advents<br />

<strong>Super</strong>8 <strong>Sound</strong> Mixing Studio Unit ........................ MIXUNIT

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