Super 8 Sound Inc. - Desktop Video Group
Super 8 Sound Inc. - Desktop Video Group
Super 8 Sound Inc. - Desktop Video Group
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<strong>Super</strong>8 <strong>Sound</strong> Cables<br />
1/F Sync Adapter Cables<br />
These adapters allow use of the <strong>Super</strong>8 <strong>Sound</strong> Recorder 1/F<br />
switch cables (e.g. 4008S8SR, PCS8SR), including extension<br />
cables, with our three cassette recorders.<br />
To adapt 1/F S8SR cable to Scipio .............................................. SKPA<br />
To adapt 1/F S8SR cable to Philips 2209 ..................................... 2209A<br />
To adapt 1/F S8SR cable to Uher CR134 ..................................... U134A<br />
Pilotone Sync Camera Cables<br />
BNC Pilotone to <strong>Super</strong>8 <strong>Sound</strong> Recorder ................................ BNCS8SR<br />
BNC Pilotone to XSD Recorder ...................................................... BNCXSD<br />
Tuchel Pilotone to <strong>Super</strong>8 <strong>Sound</strong> Recorder ................................ TUCS8SR<br />
Tuchel Pilotone to XSD Recorder ................................................ TUCXSD<br />
XLR (Cannon) Pilotone to <strong>Super</strong>8 <strong>Sound</strong> Recorder XLRS8SR<br />
XLR (Cannon) to XSD Recorder ...................................................... XL RXSD<br />
Cinema Pa the to XSD Recorder ........................................................... CPXSD<br />
Sync Extension Cables<br />
Some of these are 1/F sync extensions only (2-wire cables),<br />
others are full extensions of the <strong>Super</strong>8 <strong>Sound</strong> Recorder sync<br />
socket (5-wire). The coiled cord versions stretch to 6 times<br />
their coiled length.<br />
12-foot camera 1/F sync extension (2-wire) ...................................... EC12<br />
25-foot camera 1/F sync extension (2-wire). . • , • . EC25<br />
25-foot (4-ft-coiled) camera 1/F extension (2-wire) ECC25<br />
6-foot S8SR sync socket extension ................................................ DINDIN6<br />
1/F Sync Resolver Cables<br />
Resolver Cable for <strong>Super</strong>8 <strong>Sound</strong> Recorder<br />
from Scipio ................................................................................. RCSKP<br />
from Philips 2209 ............................<br />
RC2209<br />
from Uher CR134 and Uher 124 .<br />
RCU 134<br />
from Elmo Cinematic <strong>Sound</strong> CR-1<br />
RCELMO*<br />
from Farnell Tandberg .................<br />
RCFT*<br />
Pilotone Sync Resolver Cables<br />
Resolver Cable for <strong>Super</strong>8 <strong>Sound</strong> Recorder<br />
from <strong>Super</strong>8 <strong>Sound</strong> XSD Recorder ........................... DIN2RCA<br />
from Nagra IV ...................................................................... RCNIV*<br />
Adapt S8SR sync socket to 4 RCA jacks ........................... DIN4RCA<br />
Many of the older sync recorders provide only a weak<br />
pilotone signal output (less than 1mV). These signals must be<br />
boosted by an extra stage of preamplification before they<br />
can be fed into the <strong>Super</strong>8 <strong>Sound</strong> Recorder. Two cables are<br />
required, one from the pilotone recorder to the preamp<br />
( RCA phono input), and one from the preamp (RCA phono<br />
output) to the <strong>Super</strong>8 <strong>Sound</strong> Recorder. If you have an<br />
amplifier with a magnetic cartridge or tape head input, it can<br />
probably be used. <strong>Super</strong>8 <strong>Sound</strong> sells a battery-operated<br />
preamp, and a cable that connects the preamp to the<br />
<strong>Super</strong>8 <strong>Sound</strong> Recorder.<br />
Resolver Cable for <strong>Super</strong>8 <strong>Sound</strong> Recorder<br />
from Arrivox Tandberg, Nagra III, Tandberg<br />
11P, and Uher 1000N, 1200, to preamp . . . TUCRCA<br />
from Stellavox ...................................................................... RCS TEL *<br />
Preamp for weak sync signals ........................................................... PREAMP<br />
Resolver cable from preamp to S8SR ........................................... DIN2RCA<br />
Multiple Recorder Resolver Cables<br />
These cables allow up to six <strong>Super</strong>8 <strong>Sound</strong> Recorders to<br />
synchronize with a single 1/F contact-switch signal (e.g. a<br />
sync projector). Each cable has a locking 5-pin DIN female<br />
connector (like the <strong>Super</strong>8 <strong>Sound</strong> Recorder sync socket)<br />
and a number of 5-pin DIN males. Use for multiple track<br />
sound mix with picture.<br />
Two-recorder Resolver Cable ................................................................. MRC2<br />
60 95<br />
<strong>Super</strong> 8 <strong>Sound</strong> <strong>Inc</strong> ,<br />
.<br />
Harvey Street, Cambridge. Mass. 02140<br />
Three-recorder Resolver Cable ................................................................ MR C3<br />
Four-recorder Resolver Cable ................................................................. MRC4<br />
Five-recorder Resolver Cable ................................................................. MRCS<br />
Six-recorder Resolver Cable ...................................................................... MRC6<br />
Sync Projector Cables<br />
<strong>Super</strong>8 <strong>Sound</strong> Sync Projectors usually come supplied with<br />
sync cables (DIN2MINI). Owners of the sync Elmo ST1200<br />
also require this cable.<br />
<strong>Super</strong>8 <strong>Sound</strong> Sync Projector Cable ........................................... DIN2MINI<br />
Audio Cables<br />
Audio Resolver Cables<br />
The Sync Resolver Cables above carry the sync signal from<br />
a sync tape recorder or a sync sound projector to the sync<br />
socket of the <strong>Super</strong>8 <strong>Sound</strong> Recorder. The audio signal is<br />
carried by the Audio Resolver Cables listed here. They<br />
connect to the AUX (miniphone) input of the <strong>Super</strong>8 <strong>Sound</strong><br />
Recorder. We strongly recommend the use of an equalizer<br />
during resolving. To connect to an equalizer you should buy<br />
a miniphone-to-RCA phono adapter (MPRCA). You also<br />
need an RCAMINI cable to connect the equalizer to the<br />
<strong>Super</strong>8 <strong>Sound</strong> Recorder AUX input.<br />
Sync sound can also be resolved to fullcoat from the<br />
magnetic edge stripe of a single-system film. The sync signal<br />
is carried by the sync cable included with all sync projectors<br />
sold by <strong>Super</strong>8 <strong>Sound</strong>, the audio by the audio resolver<br />
cables listed below. An equalizer is essential.<br />
Audio Resolver Cable for <strong>Super</strong>8 <strong>Sound</strong> Recorder<br />
from Scipio, Philips 2209, Stellavox, Uher CR134 ARCDIN<br />
from Uher CR134 (Stereo) ........................................... ARCU134<br />
from Arrivox-Tandberg, Nagra Ill, Nagra IV,<br />
Uher 1000N, 1200. ................................................................ ARCBAN<br />
— from Tandberg 11P, Farnell-Tandberg,<br />
Elmo Cinematic <strong>Sound</strong>, Fuji Puls-Sync ........................... ARCMINI<br />
— from all Eumigs, Bolex SP8, SP80 Special,<br />
SM80, Silma Bivox D-Lux ........................................... DIN2MINI<br />
from Elmo ST1200, Sankyo 600 ................................ MINIMINI<br />
— from Kodak Ektasound 245, <strong>Super</strong>matic 70. MINIPHON<br />
— from Kodak TVM100A ...................................................... MINIXLR<br />
— from Bolex SM8 (and other projectors<br />
with only a 2-pin DIN output) ...................................... ARCSPKR<br />
— Adapter, to connect Audio Resolver Cables<br />
to RCA inputs of an equalizer ........................................... MPRCA<br />
— Cable from equalizer to <strong>Super</strong>8 <strong>Sound</strong> Recorder RCAMINI<br />
Audio Transfer Cables<br />
While Audio Resolver Cables carry sound to fullcoat, Audio<br />
Transfer Cables carry sound from fullcoat, to a magnetic edge<br />
stripe for example, or to a sync tape recorder for a safe copy<br />
of an important track. Use an RCAMINI cable if the first<br />
step of the transfer is to an equalizer. If the transfer is from<br />
a final mixed master composite track, equalization is not<br />
generally needed.<br />
Audio Transfer Cable from <strong>Super</strong>8 <strong>Sound</strong> Recorder<br />
— to all Eumigs, Bolex SP80 Special, SP8, SM80,<br />
Slima Bivox D-Lux ........................................................... DIN2MINI<br />
— to Elmo ST1200, Sankyo 600 ...................................... MINIMINI<br />
— to Kodak Ektasound 245, <strong>Super</strong>matic 70,<br />
TVM100A, Bolex SM8 ........................................................... RCAMINI<br />
— to most quarter-inch tape recorders ................................ RCAMINI