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Super 8 Sound Inc. - Desktop Video Group

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<strong>Super</strong>8 <strong>Sound</strong> Cables<br />

1/F Sync Adapter Cables<br />

These adapters allow use of the <strong>Super</strong>8 <strong>Sound</strong> Recorder 1/F<br />

switch cables (e.g. 4008S8SR, PCS8SR), including extension<br />

cables, with our three cassette recorders.<br />

To adapt 1/F S8SR cable to Scipio .............................................. SKPA<br />

To adapt 1/F S8SR cable to Philips 2209 ..................................... 2209A<br />

To adapt 1/F S8SR cable to Uher CR134 ..................................... U134A<br />

Pilotone Sync Camera Cables<br />

BNC Pilotone to <strong>Super</strong>8 <strong>Sound</strong> Recorder ................................ BNCS8SR<br />

BNC Pilotone to XSD Recorder ...................................................... BNCXSD<br />

Tuchel Pilotone to <strong>Super</strong>8 <strong>Sound</strong> Recorder ................................ TUCS8SR<br />

Tuchel Pilotone to XSD Recorder ................................................ TUCXSD<br />

XLR (Cannon) Pilotone to <strong>Super</strong>8 <strong>Sound</strong> Recorder XLRS8SR<br />

XLR (Cannon) to XSD Recorder ...................................................... XL RXSD<br />

Cinema Pa the to XSD Recorder ........................................................... CPXSD<br />

Sync Extension Cables<br />

Some of these are 1/F sync extensions only (2-wire cables),<br />

others are full extensions of the <strong>Super</strong>8 <strong>Sound</strong> Recorder sync<br />

socket (5-wire). The coiled cord versions stretch to 6 times<br />

their coiled length.<br />

12-foot camera 1/F sync extension (2-wire) ...................................... EC12<br />

25-foot camera 1/F sync extension (2-wire). . • , • . EC25<br />

25-foot (4-ft-coiled) camera 1/F extension (2-wire) ECC25<br />

6-foot S8SR sync socket extension ................................................ DINDIN6<br />

1/F Sync Resolver Cables<br />

Resolver Cable for <strong>Super</strong>8 <strong>Sound</strong> Recorder<br />

from Scipio ................................................................................. RCSKP<br />

from Philips 2209 ............................<br />

RC2209<br />

from Uher CR134 and Uher 124 .<br />

RCU 134<br />

from Elmo Cinematic <strong>Sound</strong> CR-1<br />

RCELMO*<br />

from Farnell Tandberg .................<br />

RCFT*<br />

Pilotone Sync Resolver Cables<br />

Resolver Cable for <strong>Super</strong>8 <strong>Sound</strong> Recorder<br />

from <strong>Super</strong>8 <strong>Sound</strong> XSD Recorder ........................... DIN2RCA<br />

from Nagra IV ...................................................................... RCNIV*<br />

Adapt S8SR sync socket to 4 RCA jacks ........................... DIN4RCA<br />

Many of the older sync recorders provide only a weak<br />

pilotone signal output (less than 1mV). These signals must be<br />

boosted by an extra stage of preamplification before they<br />

can be fed into the <strong>Super</strong>8 <strong>Sound</strong> Recorder. Two cables are<br />

required, one from the pilotone recorder to the preamp<br />

( RCA phono input), and one from the preamp (RCA phono<br />

output) to the <strong>Super</strong>8 <strong>Sound</strong> Recorder. If you have an<br />

amplifier with a magnetic cartridge or tape head input, it can<br />

probably be used. <strong>Super</strong>8 <strong>Sound</strong> sells a battery-operated<br />

preamp, and a cable that connects the preamp to the<br />

<strong>Super</strong>8 <strong>Sound</strong> Recorder.<br />

Resolver Cable for <strong>Super</strong>8 <strong>Sound</strong> Recorder<br />

from Arrivox Tandberg, Nagra III, Tandberg<br />

11P, and Uher 1000N, 1200, to preamp . . . TUCRCA<br />

from Stellavox ...................................................................... RCS TEL *<br />

Preamp for weak sync signals ........................................................... PREAMP<br />

Resolver cable from preamp to S8SR ........................................... DIN2RCA<br />

Multiple Recorder Resolver Cables<br />

These cables allow up to six <strong>Super</strong>8 <strong>Sound</strong> Recorders to<br />

synchronize with a single 1/F contact-switch signal (e.g. a<br />

sync projector). Each cable has a locking 5-pin DIN female<br />

connector (like the <strong>Super</strong>8 <strong>Sound</strong> Recorder sync socket)<br />

and a number of 5-pin DIN males. Use for multiple track<br />

sound mix with picture.<br />

Two-recorder Resolver Cable ................................................................. MRC2<br />

60 95<br />

<strong>Super</strong> 8 <strong>Sound</strong> <strong>Inc</strong> ,<br />

.<br />

Harvey Street, Cambridge. Mass. 02140<br />

Three-recorder Resolver Cable ................................................................ MR C3<br />

Four-recorder Resolver Cable ................................................................. MRC4<br />

Five-recorder Resolver Cable ................................................................. MRCS<br />

Six-recorder Resolver Cable ...................................................................... MRC6<br />

Sync Projector Cables<br />

<strong>Super</strong>8 <strong>Sound</strong> Sync Projectors usually come supplied with<br />

sync cables (DIN2MINI). Owners of the sync Elmo ST1200<br />

also require this cable.<br />

<strong>Super</strong>8 <strong>Sound</strong> Sync Projector Cable ........................................... DIN2MINI<br />

Audio Cables<br />

Audio Resolver Cables<br />

The Sync Resolver Cables above carry the sync signal from<br />

a sync tape recorder or a sync sound projector to the sync<br />

socket of the <strong>Super</strong>8 <strong>Sound</strong> Recorder. The audio signal is<br />

carried by the Audio Resolver Cables listed here. They<br />

connect to the AUX (miniphone) input of the <strong>Super</strong>8 <strong>Sound</strong><br />

Recorder. We strongly recommend the use of an equalizer<br />

during resolving. To connect to an equalizer you should buy<br />

a miniphone-to-RCA phono adapter (MPRCA). You also<br />

need an RCAMINI cable to connect the equalizer to the<br />

<strong>Super</strong>8 <strong>Sound</strong> Recorder AUX input.<br />

Sync sound can also be resolved to fullcoat from the<br />

magnetic edge stripe of a single-system film. The sync signal<br />

is carried by the sync cable included with all sync projectors<br />

sold by <strong>Super</strong>8 <strong>Sound</strong>, the audio by the audio resolver<br />

cables listed below. An equalizer is essential.<br />

Audio Resolver Cable for <strong>Super</strong>8 <strong>Sound</strong> Recorder<br />

from Scipio, Philips 2209, Stellavox, Uher CR134 ARCDIN<br />

from Uher CR134 (Stereo) ........................................... ARCU134<br />

from Arrivox-Tandberg, Nagra Ill, Nagra IV,<br />

Uher 1000N, 1200. ................................................................ ARCBAN<br />

— from Tandberg 11P, Farnell-Tandberg,<br />

Elmo Cinematic <strong>Sound</strong>, Fuji Puls-Sync ........................... ARCMINI<br />

— from all Eumigs, Bolex SP8, SP80 Special,<br />

SM80, Silma Bivox D-Lux ........................................... DIN2MINI<br />

from Elmo ST1200, Sankyo 600 ................................ MINIMINI<br />

— from Kodak Ektasound 245, <strong>Super</strong>matic 70. MINIPHON<br />

— from Kodak TVM100A ...................................................... MINIXLR<br />

— from Bolex SM8 (and other projectors<br />

with only a 2-pin DIN output) ...................................... ARCSPKR<br />

— Adapter, to connect Audio Resolver Cables<br />

to RCA inputs of an equalizer ........................................... MPRCA<br />

— Cable from equalizer to <strong>Super</strong>8 <strong>Sound</strong> Recorder RCAMINI<br />

Audio Transfer Cables<br />

While Audio Resolver Cables carry sound to fullcoat, Audio<br />

Transfer Cables carry sound from fullcoat, to a magnetic edge<br />

stripe for example, or to a sync tape recorder for a safe copy<br />

of an important track. Use an RCAMINI cable if the first<br />

step of the transfer is to an equalizer. If the transfer is from<br />

a final mixed master composite track, equalization is not<br />

generally needed.<br />

Audio Transfer Cable from <strong>Super</strong>8 <strong>Sound</strong> Recorder<br />

— to all Eumigs, Bolex SP80 Special, SP8, SM80,<br />

Slima Bivox D-Lux ........................................................... DIN2MINI<br />

— to Elmo ST1200, Sankyo 600 ...................................... MINIMINI<br />

— to Kodak Ektasound 245, <strong>Super</strong>matic 70,<br />

TVM100A, Bolex SM8 ........................................................... RCAMINI<br />

— to most quarter-inch tape recorders ................................ RCAMINI

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