Super 8 Sound Inc. - Desktop Video Group
Super 8 Sound Inc. - Desktop Video Group
Super 8 Sound Inc. - Desktop Video Group
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<strong>Super</strong>8 <strong>Sound</strong> Basic Double System<br />
This is our basic double system, not the least expensive system,<br />
as there are cheaper cameras and projectors available, but one that contains<br />
rugged equipment with a demonstrated capability to stand up to<br />
heavy use.<br />
Location Unit<br />
Sync Camera <strong>Super</strong>8 <strong>Sound</strong> Sync Canon 814E<br />
Sync Recorder <strong>Super</strong>8 <strong>Sound</strong> Scipio Cassette<br />
Camera/Recorder Sync Cable PCSKP<br />
Microphone SONY ECM-18 with MPDIN<br />
adapter<br />
Monitor Headphones HP with HPDIN adapter<br />
Camera Pod Canon Chestpod<br />
Studio Unit<br />
Fullcoat Recorder <strong>Super</strong>8 <strong>Sound</strong> Recorder<br />
Resolver Cable RCSKP<br />
Audio Re solver Cable ARCDIN<br />
Graphic Equalizer BSR/Metrotec FEW-2<br />
Editing Unit<br />
Editing Bench <strong>Super</strong>8 <strong>Sound</strong> Editing Bench S8SEB2<br />
Splicer Guillotine tape splicer<br />
Projection Unit<br />
Sync Projector <strong>Super</strong>8 <strong>Sound</strong> Bolex SP80,<br />
PhotoStart<br />
Audio Transfer Cable DIN2MINI<br />
<strong>Super</strong>8 <strong>Sound</strong> Basic Double System ................................ BDSYS<br />
<strong>Super</strong>8 <strong>Sound</strong> Single/Double-System<br />
The purpose of this System is to demonstrate the fundamental<br />
compatibility of single-system and double-system <strong>Super</strong> 8. The<br />
single-system camera functions as a location sync recorder, since the<br />
sound on stripe can be transferred in sync to fullcoat magnetic film<br />
on the <strong>Super</strong>8 <strong>Sound</strong> Recorder.<br />
Location Unit<br />
Sync Camera/Recorder Kodak <strong>Super</strong>matic 200<br />
Microphone SONY ECM-250<br />
Camera Pod Canon Chestpod<br />
Studio Unit<br />
Fullcoat Recorder <strong>Super</strong>8 <strong>Sound</strong> Recorder<br />
Graphic Equalizer BSR/Metrotec FEW-2<br />
Audio Resolver Cable MINIPHON<br />
Editing Unit<br />
Editing Bench <strong>Super</strong>8 <strong>Sound</strong> S8SEB2-1<br />
Splicer Guillotine tape splicer<br />
Projection Unit<br />
Sync Projector <strong>Super</strong>8 <strong>Sound</strong> Kodak <strong>Super</strong>matic<br />
70, PhotoStart<br />
Audio Transfer Cable RCAM I N I<br />
<strong>Super</strong>8 <strong>Sound</strong> Single/Double System ............................ SDSYS<br />
Film School Systems<br />
General Remarks<br />
Sync sound works best in the film curriculum if it is taught as an<br />
advanced subject, following at least one semester of still photography,<br />
and one semester of silent filmmaking. The student's first encounter<br />
with location sync work should probably be on new single-system<br />
Ektasound-type cameras, so there is no hassle with syncing up rushes<br />
until the student knows why he wants to edit sound and picture<br />
separately. The first encounter with sync editing should probably be<br />
editing of visuals into sync against a music track, or other track<br />
requiring tight picture editing.<br />
Space Requirements<br />
In addition to space for an editing room and screening room, there<br />
should be a separate space, preferably acoustically insulated, for a<br />
sound studio. If it adjoins the screening room, with double-paned<br />
soundproof glass, these two rooms can serve also as a dubbing theater.<br />
Student-Owned Equipment<br />
Film students should be counseled when they are about to purchase<br />
their own <strong>Super</strong> 8 equipment, so that the cameras, recorders, etc. they<br />
buy are compatible with the school's equipment. The school can then<br />
provide resolving, editing, and transfer facilities. The great majority<br />
of <strong>Super</strong> 8 sync equipment conforms to proposed SMPTE standards<br />
<strong>Super</strong>8 <strong>Sound</strong> Systems<br />
and recommended practices. If the student's equipment conforms,<br />
he or she can count on laboratory support being available for filmmaking<br />
activities after graduation. Considering the expense of<br />
university education today, and the low cost of <strong>Super</strong> 8 sync equipment,<br />
it is not unreasonable to require that students participating<br />
in the advanced sync sound courses own their own location equipment.<br />
Compatibility With Existing 16mm Sync Equipment<br />
<strong>Super</strong> 8 fullcoat equipment should be (as the <strong>Super</strong>8 <strong>Sound</strong><br />
Recorder is) fully compatible with any 16mm sync equipment the<br />
school already owns.<br />
Compatibility With University <strong>Video</strong>tape Equipment<br />
Films made in <strong>Super</strong> 8 are valuable source materials for university<br />
video programming. A film-to-video transfer capability, such as the<br />
Kodak <strong>Video</strong>player, is all that is required. The video department may<br />
wish to utilize the <strong>Super</strong> 8 facilities as a low-cost color sync sound<br />
location production system.<br />
The <strong>Super</strong>8 <strong>Sound</strong> Basic Double System above is the minimum<br />
teaching system, usable by a small class of six to ten students, with<br />
essentially one production being worked on at any one time. It is<br />
easily expanded by adding extra cassette sync location units, extra<br />
editing units, etc.<br />
<strong>Super</strong>8 <strong>Sound</strong> Film School System A<br />
This is a medium-sized system, with enough facilities for 10 to 20<br />
students in a normal 4-semester-hour laboratory/studio course. The<br />
course is assumed to have two or three assistants, and one of these<br />
acts as sound technician, doing lab transfers to fullcoat, supervising<br />
mixes, and transferring master tracks to stripe. If the students tend<br />
to be very enthusiastic and are allowed to work days, nights, and<br />
weekends, it will be necessary to have additional location units and<br />
editing units.<br />
Location Unit 1<br />
Sync Camera<br />
Sync Recorder<br />
Microphone<br />
Camera/Recorder Sync Cable<br />
Monitor Headphones<br />
Fishpole Boom<br />
Camera Pod<br />
Location Unit 2<br />
Sync Camera<br />
Camera Silencer<br />
Sync Recorder<br />
Camera/Recorder Sync Cable<br />
Microphone<br />
Monitor Headphones<br />
Camera Pod<br />
Location Unit 3<br />
Sync Camera/Recorder<br />
Microphone<br />
Camera Pod<br />
Studio Unit<br />
Fullcoat Recorder<br />
Resolver Cables<br />
Audio Resolver Cable<br />
Graphic Equalizer<br />
Editing Unit 1<br />
Editing Bench<br />
Splicers<br />
Editing Unit 2<br />
Single and Double-System<br />
Editing Bench<br />
Splicers<br />
Projection Unit<br />
Sync Projector<br />
Audio Transfer Cable<br />
<strong>Super</strong>8 <strong>Sound</strong> Canon 814E (Macro)<br />
<strong>Super</strong>8 <strong>Sound</strong> Scipio Cassette<br />
SONY ECM-18 with MPDIN<br />
adapter<br />
PCSKP, PCS8SR<br />
HP with HPDIN adapter<br />
<strong>Super</strong>8 <strong>Sound</strong>Boom with<br />
Shock Mount<br />
Canon Chestpod<br />
<strong>Super</strong>8 <strong>Sound</strong> Nizo S480<br />
<strong>Super</strong>8 <strong>Sound</strong> Nizo Silencer<br />
<strong>Super</strong>8 <strong>Sound</strong> Philips 2209<br />
PC2209<br />
SONY ECM-18 with MPDIN adapter<br />
HP with HPDIN adapter<br />
Canon Chestpod<br />
Kodak <strong>Super</strong>matic 200<br />
( XL, single system)<br />
SONY ECM-18<br />
Canon Chestpod<br />
<strong>Super</strong>8 <strong>Sound</strong> Recorder<br />
RCSKP, RC2209<br />
ARCDIN<br />
BSR/Metrotec FEW-2<br />
<strong>Super</strong>8 <strong>Sound</strong> Editing Bench S8SEB2<br />
Guillotine tape splicer,<br />
Hahnel SD8 cement splicer<br />
<strong>Super</strong>8 <strong>Sound</strong> S8SEB2-1<br />
Guillotine tape splicer,<br />
Hahnel SD8 cement splicer<br />
<strong>Super</strong>8 <strong>Sound</strong> DoubleBand<br />
Projector, PhotoStart<br />
DIN2MINI<br />
<strong>Super</strong>8 <strong>Sound</strong> Film School System A ............................ FSSYSA<br />
<strong>Super</strong> 8 <strong>Sound</strong>, <strong>Inc</strong>. 53<br />
95 Harvey Street, Cambridge, Mass. 02140