Super 8 Sound Inc. - Desktop Video Group
Super 8 Sound Inc. - Desktop Video Group
Super 8 Sound Inc. - Desktop Video Group
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<strong>Super</strong>8 <strong>Sound</strong> Sync Projectors<br />
S8S# ELMOSC8T<br />
Elmo SC-8T Rear-Screen Projector<br />
Although this is not a continuous-loop projector, it has many<br />
of the same applications. The Elmo SC-8T is basically the<br />
same mechanical and electrical components as the Elmo<br />
ST1200, but squeezed into a portable case with a large rear<br />
screen. It accepts film on reels (400 ft.), and can project<br />
them both rear screen and front screen.<br />
Elmo SC-8T Rear Screen Projector ........................................... ELMOSC8T<br />
Xenon Arc Projectors<br />
A Xenon-arc conversion of the Heurtier ST42 is being offered<br />
by Valley Projection of Burbank, CA. The lamp is an ozonefree<br />
500-watt Osram Xenon. 1500-hour lamp life. Another<br />
firm doing Xenon arc conversions of <strong>Super</strong> 8 projectors is the<br />
Optical Radiation Corporation. See the Publications section<br />
of the <strong>Super</strong>8 <strong>Sound</strong> Catalog for a list of <strong>Super</strong> 8 industry<br />
addresses.<br />
Valley Projection Xenon Heurtier ST42 Mono ........................... VPXST42<br />
Valley Projection Xenon Heurtier ST42 Stereo . . . . VPXST42S<br />
Metal-Arc Projectors<br />
We expect General Electric or Sylvania will soon offer a<br />
version of the Marc (GE) or Colorarc (Sylvania) metal-arc<br />
lamps and power supplies suitable for replacing the standard<br />
<strong>Super</strong> 8 quartz-halogen lamp. Most <strong>Super</strong> 8 projectors now<br />
use the common EFP lamp, and the blower system can adequately<br />
cool the lowest-power metal-arc projector lamps.<br />
This is especially true of the Elmo ST1200, which already<br />
uses the 150W EFR bulb. Elmo has introduced a metal-arc<br />
projector in Japan, and we hope it will be available soon in<br />
the U.S.<br />
46 95<br />
<strong>Super</strong> 8 <strong>Sound</strong> , <strong>Inc</strong>.<br />
Harvey Street. Cambridge. Mass. 02140<br />
Leader Trimmer<br />
The best way to avoid misthreading an automatic-loading<br />
projector is to keep the leader free of wrinkles and with a<br />
sharply-cut leading edge. Most projectors have built-in trimmers.<br />
If not, use a fingernail clipper or buy this elegant Kodak<br />
Leader Trimmer.<br />
Kodak Leader Trimmer TRIMMER<br />
Projection Screens<br />
You should choose a screen surface based on the shape of the<br />
audience seating pattern and the ambient light conditions.<br />
Matte — reflects less than one-quarter of the incident light<br />
straight back, and distributes the rest evenly to sides of room,<br />
ceiling, and floor. Equally bright from any angle, but dimmest<br />
of all screens.<br />
Lenticular — concentrates light in the vertical direction; about<br />
one-third the light appears to come straight back and the rest<br />
is distributed widely so that seats to sides have a bright image.<br />
Best for wide, shallow rooms.<br />
Beaded — concentrates light in vertical and horizontal directions;<br />
beams about one-half the incident light straight back<br />
into a relatively narrow cone. Best view for a long narrow<br />
audience in line with the projector.<br />
Ektalite — Kodak's special aluminum curved surface concentrates<br />
light even more strongly than a beaded screen. It is so<br />
bright and so mirror-like that it can be used in rooms with<br />
open windows and overhead lights. Of course it can be viewed<br />
only from limited angles.<br />
You should choose a screen size based on your room size,<br />
seat distribution, and projector brightness. The old rule of<br />
thumb is that the screen width should be one-third the distance<br />
to the rear seats. Today theaters often use screens that<br />
are even wider. The typical <strong>Super</strong> 8 projector zoom lens<br />
(15-25mm) will fill a screen of width four to eight feet at 20<br />
feet. The typical <strong>Super</strong> 8 projector lamp produces a screen<br />
brightness of only a few foot-lamberts for a 3' by 4' image on<br />
a matte screen. A foot-lambert is the surface brightness of a<br />
diffuse matte white surface on which one footcandle is incident.<br />
You can use your light meter to measure screen and projector<br />
performance. The SMPTE screening room brightness<br />
recommendation is sixteen footlamberts. You can improve<br />
things by a) darkening the room, b) using a higher gain screen,<br />
or c) getting a metal-arc or Xenon-arc lamphouse for your<br />
projector.<br />
<strong>Super</strong>8 <strong>Sound</strong> carries Da-Lite beaded surface roll-up screens<br />
and Kodak Ektalite screens. The most popular sizes are listed<br />
below. These screens are easily suspended from eye-hooks in<br />
the ceiling.<br />
Da-Lite Classic (50"x 50") ........................................................... DALITE50<br />
Da-Lite Classic (60"x 60") ........................................................... DALITE60<br />
Da-Lite Classic (70" x 70") ........................................................... DALITE70<br />
Da-Lite Model B (63"x 84") ...................................................... DALITEB7<br />
Da-Lite Model B (72" x 96") ...................................................... DALITEB8<br />
Da-Lite Model C (72"x 96") ...................................................... DAL ITEC8<br />
Da-Lite Model C (108"x 144") ................................................ DALITEC12<br />
Kodak Ektalite Screen (40" x 40") ................................................ EKTASC<br />
Kodak Ektalite Screen Sample (9" x 12") ................................ EKTASS<br />
(excellent for table top screening)