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Super 8 Sound Inc. - Desktop Video Group

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<strong>Super</strong>8 <strong>Sound</strong> Sync Projectors<br />

S8S# ELMOSC8T<br />

Elmo SC-8T Rear-Screen Projector<br />

Although this is not a continuous-loop projector, it has many<br />

of the same applications. The Elmo SC-8T is basically the<br />

same mechanical and electrical components as the Elmo<br />

ST1200, but squeezed into a portable case with a large rear<br />

screen. It accepts film on reels (400 ft.), and can project<br />

them both rear screen and front screen.<br />

Elmo SC-8T Rear Screen Projector ........................................... ELMOSC8T<br />

Xenon Arc Projectors<br />

A Xenon-arc conversion of the Heurtier ST42 is being offered<br />

by Valley Projection of Burbank, CA. The lamp is an ozonefree<br />

500-watt Osram Xenon. 1500-hour lamp life. Another<br />

firm doing Xenon arc conversions of <strong>Super</strong> 8 projectors is the<br />

Optical Radiation Corporation. See the Publications section<br />

of the <strong>Super</strong>8 <strong>Sound</strong> Catalog for a list of <strong>Super</strong> 8 industry<br />

addresses.<br />

Valley Projection Xenon Heurtier ST42 Mono ........................... VPXST42<br />

Valley Projection Xenon Heurtier ST42 Stereo . . . . VPXST42S<br />

Metal-Arc Projectors<br />

We expect General Electric or Sylvania will soon offer a<br />

version of the Marc (GE) or Colorarc (Sylvania) metal-arc<br />

lamps and power supplies suitable for replacing the standard<br />

<strong>Super</strong> 8 quartz-halogen lamp. Most <strong>Super</strong> 8 projectors now<br />

use the common EFP lamp, and the blower system can adequately<br />

cool the lowest-power metal-arc projector lamps.<br />

This is especially true of the Elmo ST1200, which already<br />

uses the 150W EFR bulb. Elmo has introduced a metal-arc<br />

projector in Japan, and we hope it will be available soon in<br />

the U.S.<br />

46 95<br />

<strong>Super</strong> 8 <strong>Sound</strong> , <strong>Inc</strong>.<br />

Harvey Street. Cambridge. Mass. 02140<br />

Leader Trimmer<br />

The best way to avoid misthreading an automatic-loading<br />

projector is to keep the leader free of wrinkles and with a<br />

sharply-cut leading edge. Most projectors have built-in trimmers.<br />

If not, use a fingernail clipper or buy this elegant Kodak<br />

Leader Trimmer.<br />

Kodak Leader Trimmer TRIMMER<br />

Projection Screens<br />

You should choose a screen surface based on the shape of the<br />

audience seating pattern and the ambient light conditions.<br />

Matte — reflects less than one-quarter of the incident light<br />

straight back, and distributes the rest evenly to sides of room,<br />

ceiling, and floor. Equally bright from any angle, but dimmest<br />

of all screens.<br />

Lenticular — concentrates light in the vertical direction; about<br />

one-third the light appears to come straight back and the rest<br />

is distributed widely so that seats to sides have a bright image.<br />

Best for wide, shallow rooms.<br />

Beaded — concentrates light in vertical and horizontal directions;<br />

beams about one-half the incident light straight back<br />

into a relatively narrow cone. Best view for a long narrow<br />

audience in line with the projector.<br />

Ektalite — Kodak's special aluminum curved surface concentrates<br />

light even more strongly than a beaded screen. It is so<br />

bright and so mirror-like that it can be used in rooms with<br />

open windows and overhead lights. Of course it can be viewed<br />

only from limited angles.<br />

You should choose a screen size based on your room size,<br />

seat distribution, and projector brightness. The old rule of<br />

thumb is that the screen width should be one-third the distance<br />

to the rear seats. Today theaters often use screens that<br />

are even wider. The typical <strong>Super</strong> 8 projector zoom lens<br />

(15-25mm) will fill a screen of width four to eight feet at 20<br />

feet. The typical <strong>Super</strong> 8 projector lamp produces a screen<br />

brightness of only a few foot-lamberts for a 3' by 4' image on<br />

a matte screen. A foot-lambert is the surface brightness of a<br />

diffuse matte white surface on which one footcandle is incident.<br />

You can use your light meter to measure screen and projector<br />

performance. The SMPTE screening room brightness<br />

recommendation is sixteen footlamberts. You can improve<br />

things by a) darkening the room, b) using a higher gain screen,<br />

or c) getting a metal-arc or Xenon-arc lamphouse for your<br />

projector.<br />

<strong>Super</strong>8 <strong>Sound</strong> carries Da-Lite beaded surface roll-up screens<br />

and Kodak Ektalite screens. The most popular sizes are listed<br />

below. These screens are easily suspended from eye-hooks in<br />

the ceiling.<br />

Da-Lite Classic (50"x 50") ........................................................... DALITE50<br />

Da-Lite Classic (60"x 60") ........................................................... DALITE60<br />

Da-Lite Classic (70" x 70") ........................................................... DALITE70<br />

Da-Lite Model B (63"x 84") ...................................................... DALITEB7<br />

Da-Lite Model B (72" x 96") ...................................................... DALITEB8<br />

Da-Lite Model C (72"x 96") ...................................................... DAL ITEC8<br />

Da-Lite Model C (108"x 144") ................................................ DALITEC12<br />

Kodak Ektalite Screen (40" x 40") ................................................ EKTASC<br />

Kodak Ektalite Screen Sample (9" x 12") ................................ EKTASS<br />

(excellent for table top screening)

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