Super 8 Sound Inc. - Desktop Video Group

More documents

Recommendations

Info

SONY ECM-220 Frequency response, 50-12,000Hz; Output impedance, 200 or 10,000 ohms; Output level, —57dB; Cable length, 7 feet; Miniphone plug; Omnidirectional. SONY ECM-220 ...................................................................................... ECM220 S8S# ECM250 SONY ECM-250 The microphone recommended for use with the Super8 Sound Recorder is the SONY ECM-250. Frequency response, 50- 14,000Hz ±3dB ; Output impedance, 200 ohms unbalanced; Output level, —57dB; Cable length, 16.5 feet; Miniphone plug; High performance windscreen for outdoor filming; Cardioid. SONY ECM-250 ...................................................................................... ECM250 S8S# ECM280 SONY ECM-280 Frequency response, 30-18,000Hz ±3dB ; Output impedance, 200 ohms unbalanced; Output level, —56dB; Cable length, 10 feet; Cannon XLR plug; High performance removable windscreen; Bass rolloff switch; Cardioid. SONY ECM-280 ...................................................................................... ECM280 15 foot Mic Extension Cable (locking) ................................................ EC5M 30 foot Mic Extension Cable (locking) ................................................ EC10M S8S# SNDBM with SHKMNT Microphone Booms A fishpole boom is essential for getting the microphone close to the subject, including following a moving subject, while keeping the soundman out of frame. The Super8 SoundBoom is a ten-ounce three-section aluminum fishpole boom that extends from 33" to 63". It comes with a standard 5/8"-27 microphone thread, an optional 3/4" diameter microphone mount, or an optional elastic suspension shock mount. Super8 SoundBoom ........................................................................... SNDBM Plastic 3/4" Microphone Mount ..................................................... MICMNT Elastic Suspension Shock Mount ..................................................... SHKMNT Production Accessories Parabolic Microphone Reflector This clear see-through parabolic reflector increases microphone directivity and sensitivity by between 10 and 20dB for distant sources. Essential for getting tight close-in sound that matches the tight shots possible with a Super 8 telephoto zoom lens. Especially useful for concerts, sporting events, lectures, press conferences, etc. where it's difficult to place a microphone at the subject. Includes a vinyl carrying case. Use the SONY ECM220 microphone for best results. SONY Parabolic Mic Reflector ........................................................... BPR400 Headphones Monitor headphones are an essential part of location sound recording. They are the precise sound equivalent of the camera's reflex viewfinder, revealing sound quality from the point of view of the microphone, which may be on a fishpole boom, or placed on the set. They help the beginning soundman to overcome his ear's normal tendency to filter out location noise such as traffic and airplanes. They force him to hear that noise as it will sound objectively on playback, through the one dimension of the screening room loud speaker, rather than the subjective impressions of the three-dimensional original location. Heavy -duty, modest sound quality stereophones .................................... HP A stereophone-to-miniplug adapter permits you to use any pair of stereophones as a monitor headset with the Super8 Sound Recorderand other recorders with miniphone earphone jack. Stereophone -Miniphone Adapter ................................................ HPMINI The Scipio and Philips 2209 recorders require a stereophone adapter for their 2-pin DIN speaker/earphone jack. Stereophone-DIN Adapter ...................................................................... HPDIN Radio Control Start/Stop Unit We offer a radio control device that will start and stop the Super8 Sound Recorder, or other recorders with a sub-mini plug remote control, from up to 100 feet away. Transmitting and Receiving Units both included. Can also be used to start/ stop cameras with remote control. Radio Control Start/Stop System ...................................................... RADIOC Slate/Clapstick Our standard wooden slate and clapper board are somewhat smaller and less expensive than the normal size. With a Super 8 camera it is easy to zoom in to read the scene markings, then pull back to shoot the scene. Slate/Clapstick ........................................................................................... SLATE Sync Meter This accessory plugs into the sync socket of the Super8 Sound Recorder, and mounts securely to the handle of the Recorder. It has a standard locking DIN sync socket into which any Super8 Sound sync cable may be plugged, and serves to display sync condition, allowing the internal meter of the Recorder to be dedicated to record level settings. Sync Meter ................................................................................................. SMETER Super 8 Sound, Inc. 25 95 Harvey Street. Cambridge. Mass. 02140
Production Accessories Soundman's Repair Kit S8S# SMETER Every Super 8 Soundman should carry a test and repair kit on location. We suggest you buy a small VOM multi-tester, a battery-operated soldering iron, small pliers, screwdrivers, wirestrippers (a Swiss Army Knife can replace all three of these tools), insulating tape, solder, alligator-clip leads, and 5-minute epoxy. Any local Radio Shack or similar electronics supply house can provide these for you. Filmmaker's Pocket Tool Kit We suggest you purchase a Swiss Army Knife. We recommend the version with scissors, magnifying glass for inspecting fil ms, soft plastic toothpick for scraping emulsion safely from the picture gate, metal file, hacksaw, Phillips type and 3 flat screwdrivers, tweezers, and other features. This may prove to be the tool you use most on many film productions. Carrying Cases Super8 Sound can supply, on special order, custom carrying cases for all our sync cameras, with die-cut foam inserts or custom contoured cases designed by the camera manufacturers. However, the original camera case is often less convenient than a single large case or cases that can hold a camera and many production accessories. We have found the least expensive and most versatile case to be the Fiberbilt Adapt-a-Case. With movable interior padded partitions, or pre-cut cubes of foam, you can safely store cameras, cables, etc. in the same box. The larger cases come in fibre or aluminum construction, and in a variety of sizes and shapes. We list here only two of the most popular sizes. We can order any Fiberbilt case; send for a complete listing of sizes and prices. Carrying Cases with Movable Partition System —Aluminum, 22" x 16" x 10" ................................................ CCP20A —Aluminum, 22" x 16" x 5" ................................................ CCP2OB —Fibre, 22" x 16" x 10" ........................................................... CCP30A —Fibre, 22" x 16" x 5" ................................................................. CCP3OB Carrying Cases with Die-cut Foam Cubes —Aluminum, 22" x 16" x 10"...................................................... CCP21A —Aluminum, 22" x 16" x 5" ...................................................... CCP21B —Fibre, 22" x 16" x 10"................................................................. CCP31A —Fibre, 22" x 16" x 5" ................................................................ CCP31B We also have special lightweight cases for carrying lighting equipment. 26 Super 8 Sound, Inc. 95 Harvey Street, Cambridge, Mass. 02140 Animation Stands The most widely used Super 8 animation equipment is the Oxberry Animator 8, and the new larger Oxberry Media Pro that can also be used with 16mm and video cameras. The Oxberry animation stands are complete animation systems: Super 8 camera, lights, viscous-damped compound table, and 12-field art registration guide. The Media Pro also includes a backlighting stage, adjustable li ghts, a heavy-duty aluminum table top with two moving peg bars, and a vertically adjustable camera carriage. Super8 Sound can supply either of these fine systems, and with a selection of Super 8 and Single 8 cameras that are capable of various effects. Write for a brochure for more details on the Oxberry Animator 8 or the Oxberry Media Pro. Oxberry Animator 8 System A ........................................................... OXA8A Oxberry Animator 8 System B ................................................................ OXA8B Oxberry Animator 8 System C (Single 8 camera) ........................... OXA8C Oxberry Animator 8 System D ........................................................... OXA8D Oxberry Media Pro System A (Nizo 5560) ......................................OXMPA Oxberry Media Pro System B (Nizo S800) ...................................... OXMPB Cinegraphica Titler This easy-to-use titter superimposes white letters on a Super 8 or 35mm slide image, simulating the effect of A & B roll double-exposure printing. Cinegraphica Titler ......................................................................................TITLER
Page 2 and 3: Introduction This is our second cat
Page 4 and 5: Super8 Sound Recorder I Super8 Soun
Page 6 and 7: Super 8 Sound Recorder I Technical
Page 8 and 9: Super 8 Sound Recorder II Super8 So
Page 10 and 11: Super8 Sound Recorders Technical Sp
Page 12 and 13: Super8 Sound Sync Cameras Choosing
Page 14 and 15: Super8 Sound Sync Cameras Nikon Syn
Page 16 and 17: CAMERA Batt. Bauer C Royal 8E Bauer
Page 18 and 19: Super8 Sound Cassette Recorders Sup
Page 20 and 21: Cable Table Scipio 2209 Uher 134* X
Page 22 and 23: Super8 Sound Crystal Sync Beaulieu
Page 24 and 25: Production Accessories Camera Suppo
Page 26 and 27: The Tota-Light System is a complete
Page 30 and 31: Super8 Sound Studio The principal r
Page 32 and 33: SONY TC854-4S Four Channel Recorder
Page 34 and 35: TAPCO Reverberation Preamp/Mixer We
Page 36 and 37: Super8 Sound Editing Super8 Sound E
Page 38 and 39: Horizontal Editing Equipment MKM Ho
Page 40 and 41: Magnetic Head Reader Attachments Th
Page 42 and 43: Super 8 Splicers Super 8 Splicers T
Page 44 and 45: I Super8 Sound Sync Projectors The
Page 46 and 47: S8S# PE807 with S8SR and PS TART Su
Page 48 and 49: LAMP ANSI VOLT/WATT CODE 1 2V/100W
Page 50 and 51: Super 8 Vid eo "Super 8 Video" is a
Page 52 and 53: S8S# VPX Double-System Sync Videopl
Page 54 and 55: Eastman Super 8 Videofilm Projector
Page 56 and 57: Super8 Sound Basic Double System Th
Page 58 and 59: Super8 Sound 16mm System This is a
Page 60 and 61: f Super8 Sound System Planning Form
Page 62 and 63: Pilotone Sync Camera Connectors The
Page 64 and 65: Audio and Adapter Cables Miniplug t
Page 66 and 67: Super 8 Fullcoat Reel Super 8 Film
Page 68 and 69: Super8 Sound Publications A variety
Page 70 and 71: Et Cetera J-K Optical Printer Super
Page 72 and 73: Other Products and Services SMPTE T
Page 74 and 75: Multiple Recorders, 5, 18, 20 Multi

Super 8 Sound Inc. - Desktop Video Group

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?