Super 8 Sound Inc. - Desktop Video Group

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LAMP ANSI VOLT/WATT CODE 1 2V/100W EFP (P6834) LIFE/ HOURS LENS AUDIO TRANSFER CABLE AUDIO RESOLVER CABLE REMARKS 50 f/1.3, 15-25mm RCAMINI ARCSPKR RUGGED, RELIABLE 12V/100W EFP 50 f/1.3, 15-30mm DIN2MINI DIN2MINI 1 5V/150W EFR 50 f/1.2, 12.5-25mm DIN2MINI DIN2MINI ELECTRONIC SYNC START SYSTEM 1 2V/100W EFP 50 f/1.3, 15-25mm DIN2MINI DIN2MINI 1 5V/150W EFR 50 f/1.3, 15-25mm, f/1.1, 12.5-25mm, f/1.4, 25-50mm MINIMINI MINIMINI AVAILABLE WITH 12V/75W (P6853) NA f/1.6, 17-30mm DIN2MINI DIN2MINI OPTICAL SOUND 1 2V/100W EFP 50 f/1.3, 15-30mm DIN2MINI DIN2MINI AVAILABLE WITH 12V/150W DNE 1 2 f/1.3, 15-25mm OPTICAL SOUND 30V/80W DFE 50 f/1.3, 15-30mm RCAMINI MINIPHON FAST FORWARD THROUGH 30V/80W ELB 1 5 f/1.3, 15-30mm RCAMINI MINIPHON THE GATE, FRAGILE 21V/150W ONE 25 f/1.6, f/2.0, f/2.5 RCAMINI MINIXLR AC SYNC, 5-BLADED SHUTTER 12V/100W EFP 50 f/1.4, 15-25mm MINIMINI MINIMINI 1 2V/100W EFP 50 f/1.3, 16.5-30mm DIN2MINI DIN2MINI 21V/150W DNF, ELZ, ELV 25 NA NA A note on cables: The projector sync cable is a D IN2MIN I. Audio cables ( AUDIO TRANSFER CABLE from fullcoat to stripe and AUDIO RESOLVER CABLE for stripe to fullcoat) are for direct connection to the Super8 Sound Recorder. The connector is a miniphone plug which fits the MONITOR output (AUDIO TRANSFER CABLE) and AUX input (AUDIO RESOLVER CABLE) of the Super8 Sound Recorder. We recommend strongly that you use an equalizer during such transfers, and especially when resolving from stripe. In this case, you'll usually need to adapt the miniphone plug to an RCA phono for input to the equalizer, and you'll need an RCAMINI to connect the equalizer to the Super8 Sound Recorder. Super 8 Sound, Inc. 45 95 Harvey Street, Cambridge, Mass. 02140
Super8 Sound Sync Projectors S8S# ELMOSC8T Elmo SC-8T Rear-Screen Projector Although this is not a continuous-loop projector, it has many of the same applications. The Elmo SC-8T is basically the same mechanical and electrical components as the Elmo ST1200, but squeezed into a portable case with a large rear screen. It accepts film on reels (400 ft.), and can project them both rear screen and front screen. Elmo SC-8T Rear Screen Projector ........................................... ELMOSC8T Xenon Arc Projectors A Xenon-arc conversion of the Heurtier ST42 is being offered by Valley Projection of Burbank, CA. The lamp is an ozonefree 500-watt Osram Xenon. 1500-hour lamp life. Another firm doing Xenon arc conversions of Super 8 projectors is the Optical Radiation Corporation. See the Publications section of the Super8 Sound Catalog for a list of Super 8 industry addresses. Valley Projection Xenon Heurtier ST42 Mono ........................... VPXST42 Valley Projection Xenon Heurtier ST42 Stereo . . . . VPXST42S Metal-Arc Projectors We expect General Electric or Sylvania will soon offer a version of the Marc (GE) or Colorarc (Sylvania) metal-arc lamps and power supplies suitable for replacing the standard Super 8 quartz-halogen lamp. Most Super 8 projectors now use the common EFP lamp, and the blower system can adequately cool the lowest-power metal-arc projector lamps. This is especially true of the Elmo ST1200, which already uses the 150W EFR bulb. Elmo has introduced a metal-arc projector in Japan, and we hope it will be available soon in the U.S. 46 95 Super 8 Sound , Inc. Harvey Street. Cambridge. Mass. 02140 Leader Trimmer The best way to avoid misthreading an automatic-loading projector is to keep the leader free of wrinkles and with a sharply-cut leading edge. Most projectors have built-in trimmers. If not, use a fingernail clipper or buy this elegant Kodak Leader Trimmer. Kodak Leader Trimmer TRIMMER Projection Screens You should choose a screen surface based on the shape of the audience seating pattern and the ambient light conditions. Matte — reflects less than one-quarter of the incident light straight back, and distributes the rest evenly to sides of room, ceiling, and floor. Equally bright from any angle, but dimmest of all screens. Lenticular — concentrates light in the vertical direction; about one-third the light appears to come straight back and the rest is distributed widely so that seats to sides have a bright image. Best for wide, shallow rooms. Beaded — concentrates light in vertical and horizontal directions; beams about one-half the incident light straight back into a relatively narrow cone. Best view for a long narrow audience in line with the projector. Ektalite — Kodak's special aluminum curved surface concentrates light even more strongly than a beaded screen. It is so bright and so mirror-like that it can be used in rooms with open windows and overhead lights. Of course it can be viewed only from limited angles. You should choose a screen size based on your room size, seat distribution, and projector brightness. The old rule of thumb is that the screen width should be one-third the distance to the rear seats. Today theaters often use screens that are even wider. The typical Super 8 projector zoom lens (15-25mm) will fill a screen of width four to eight feet at 20 feet. The typical Super 8 projector lamp produces a screen brightness of only a few foot-lamberts for a 3' by 4' image on a matte screen. A foot-lambert is the surface brightness of a diffuse matte white surface on which one footcandle is incident. You can use your light meter to measure screen and projector performance. The SMPTE screening room brightness recommendation is sixteen footlamberts. You can improve things by a) darkening the room, b) using a higher gain screen, or c) getting a metal-arc or Xenon-arc lamphouse for your projector. Super8 Sound carries Da-Lite beaded surface roll-up screens and Kodak Ektalite screens. The most popular sizes are listed below. These screens are easily suspended from eye-hooks in the ceiling. Da-Lite Classic (50"x 50") ........................................................... DALITE50 Da-Lite Classic (60"x 60") ........................................................... DALITE60 Da-Lite Classic (70" x 70") ........................................................... DALITE70 Da-Lite Model B (63"x 84") ...................................................... DALITEB7 Da-Lite Model B (72" x 96") ...................................................... DALITEB8 Da-Lite Model C (72"x 96") ...................................................... DAL ITEC8 Da-Lite Model C (108"x 144") ................................................ DALITEC12 Kodak Ektalite Screen (40" x 40") ................................................ EKTASC Kodak Ektalite Screen Sample (9" x 12") ................................ EKTASS (excellent for table top screening)
Page 2 and 3: Introduction This is our second cat
Page 4 and 5: Super8 Sound Recorder I Super8 Soun
Page 6 and 7: Super 8 Sound Recorder I Technical
Page 8 and 9: Super 8 Sound Recorder II Super8 So
Page 10 and 11: Super8 Sound Recorders Technical Sp
Page 12 and 13: Super8 Sound Sync Cameras Choosing
Page 14 and 15: Super8 Sound Sync Cameras Nikon Syn
Page 16 and 17: CAMERA Batt. Bauer C Royal 8E Bauer
Page 18 and 19: Super8 Sound Cassette Recorders Sup
Page 20 and 21: Cable Table Scipio 2209 Uher 134* X
Page 22 and 23: Super8 Sound Crystal Sync Beaulieu
Page 24 and 25: Production Accessories Camera Suppo
Page 26 and 27: The Tota-Light System is a complete
Page 28 and 29: SONY ECM-220 Frequency response, 50
Page 30 and 31: Super8 Sound Studio The principal r
Page 32 and 33: SONY TC854-4S Four Channel Recorder
Page 34 and 35: TAPCO Reverberation Preamp/Mixer We
Page 36 and 37: Super8 Sound Editing Super8 Sound E
Page 38 and 39: Horizontal Editing Equipment MKM Ho
Page 40 and 41: Magnetic Head Reader Attachments Th
Page 42 and 43: Super 8 Splicers Super 8 Splicers T
Page 44 and 45: I Super8 Sound Sync Projectors The
Page 46 and 47: S8S# PE807 with S8SR and PS TART Su
Page 50 and 51: Super 8 Vid eo "Super 8 Video" is a
Page 52 and 53: S8S# VPX Double-System Sync Videopl
Page 54 and 55: Eastman Super 8 Videofilm Projector
Page 56 and 57: Super8 Sound Basic Double System Th
Page 58 and 59: Super8 Sound 16mm System This is a
Page 60 and 61: f Super8 Sound System Planning Form
Page 62 and 63: Pilotone Sync Camera Connectors The
Page 64 and 65: Audio and Adapter Cables Miniplug t
Page 66 and 67: Super 8 Fullcoat Reel Super 8 Film
Page 68 and 69: Super8 Sound Publications A variety
Page 70 and 71: Et Cetera J-K Optical Printer Super
Page 72 and 73: Other Products and Services SMPTE T
Page 74 and 75: Multiple Recorders, 5, 18, 20 Multi

Super 8 Sound Inc. - Desktop Video Group

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