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Shane Malone - Eureka Street

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de Paul Society.' I explained that phenomenon.<br />

'So, good works' she said.<br />

'Yes, essentially.'<br />

'Do they believe'<br />

I sensed their doubts. 'Well, yes. The works are a manifestation of it. As it should be.' I knew I<br />

was getting defensive, or perhaps argumentative. 'It's what Christ says the crunch will be. Feeding<br />

the sick, clothing the naked etc.'<br />

The Americans were not to be deflected. 'But do Australians believe in their hearts in the Lord<br />

Jesus '<br />

'I really don't know.'<br />

The husband spoke.' "A man is ju tified by faith. " Romans 3, 28.'<br />

Ah, I thought, I see. 'I'm blowed if I know whether other people really have faith,' I said. 'It's<br />

hard enough knowing about myself.'<br />

'I believe in my heart,' the woman said. Her leg moved in a constant nervous kick. 'So I know<br />

I am saved.' She was not smug.<br />

'You can't know,' I said. 'That's presumption. As much a sin as despair. You know what Saint<br />

Augustine says,' I added, quoting Samuel Beckett, 'Do not depair; one of the thieves was saved. Do<br />

not presume; one of the thieves was damned.'<br />

'Because he was cho en for damnation,' shot in the man, rolling out an extended index finger.<br />

'What do you mean' I said. 'No one is chosen for damnation. God wills the salvation of every<br />

person he creates. Or at least wishes it.'<br />

'Ah no,' said the man, and he edged his chair closer. 'Judas. "None of them has been lost but<br />

the son of perdition." John 17,12.'<br />

'Is this the God who so loved the world that he gave his only-begotten son'<br />

'Predestination is a very hard one,' admitted the engineer with a reluctant shake of his head.<br />

'But the words are there.'<br />

'Yes, but how are they to be interpreted'<br />

'That's the trouble. Once you interpret one problem away, where's it all end'<br />

For two hours we refought the Reformation. The bar closed on us. The woman extended her<br />

hand, 'So good to meet you.' 'Yes, ' I said, vigorously. What do you make of all this I<br />

wondered, waving again at Florence.<br />

0<br />

MY LAST NIGHT 1 THE C ITY, when I went out to dinner, I was put at a table with an Italian man<br />

in his twenties and two Frenchwomen, companions, in their late forties. He spoke fair French, they<br />

spoke only French. I lurched unsystematically between French and Italian. He was a regular in the<br />

restaurant, and was detached. The women were civil servants from Paris, short-cropped and polite<br />

in their friendliness. The woman beside me asked permission to light her cigarette, and then turned<br />

to me and asked, 'Quels sont vas sentiments de Florence1'<br />

I told her I thought it was merviglioso. I told her how I had seen Fra Angelico on my first day.<br />

But after him, I added, a lot was troppo. I felt, aussi, triste, tres triste.'<br />

The Frenchwoman raised her eyebrows.<br />

So much was wine. Everywhere was wine. I asked did they know the Irish poet Yeats. No they<br />

didn't. I said he'd restored a tower, a Norman tower, for his wife, but the lines he wrote to be<br />

inscribed on it ended-and I did a rushed recitation:<br />

And may these characters remain<br />

When all is ruin once again.<br />

I gave a translation.<br />

Et restent ces paroles<br />

Quand tout est ruine encore une fois .<br />

I didn't have the French optative up my sleeve, so Yeats's wish got turned into a statement of<br />

fact. The Frenchwomen nodded slowly, politely. The Italian restorer stared impassively into the<br />

middle distance, then nodded for his bill.<br />

•<br />

Gerard Windsor visited Italy in February this year. Encounters with religious Italy: Lombriasco<br />

will appear in the May issue of Eurel

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