Visual Language Magazine Contemporary Fine Art Vol 2 No 9 September 2013
Visual Language Magazine Vol 2 No 9 September 2013 Visual Language Magazine is a contemporary fine art magazine with pages filled with dynamic fine art, brilliant color and stimulating composition. This month features Charles Spinetta Winery and Wildlife Gallery in California, Spotlight Interview with American wildlife artist Benjamin Cheshire, studio visits with UK Artist Robbie Graham, Wildlife Artists Heather Lara, Diane Whitehead and Terry Lee, American Still Life artist Pamela Blaies and Artspan Photographer Pauline Fowler. On the Cover is the artwork of Artspan Artist Heather Lara. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language crosses all cultures around the world.
Visual Language Magazine Vol 2 No 9 September 2013 Visual Language Magazine is a contemporary fine art magazine with pages filled with dynamic fine art, brilliant color and stimulating composition. This month features Charles Spinetta Winery and Wildlife Gallery in California, Spotlight Interview with American wildlife artist Benjamin Cheshire, studio visits with UK Artist Robbie Graham, Wildlife Artists Heather Lara, Diane Whitehead and Terry Lee, American Still Life artist Pamela Blaies and Artspan Photographer Pauline Fowler. On the Cover is the artwork of Artspan Artist Heather Lara. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language crosses all cultures around the world.
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Rose Garden Bounty<br />
Between taking care of a busy family with teenagers and keeping up with a full time art career, she<br />
admits that keeping balance in her life is one of her biggest struggles. “For years I would paint in our<br />
sunroom, which has great north light windows and is located right in the heart of our home. I loved<br />
being accessible to my family when they needed me, but it often caused problems for my creative<br />
process and for our home life.”<br />
Finding studio space outside the home did not seem like the best solution, so she began designing<br />
and preparing construction for a new 400 sq. foot space to be a dedicated home studio. The project<br />
was finally completed last <strong>September</strong>. “I still get a rush of energy, excitement and inspiration each<br />
time I walk into my studio. It is a wonderful place to be and I feel so blessed to have it!”<br />
<strong>No</strong>w that she has a dedicated art space to enter at the beginning of each day and leave behind each<br />
evening, she finds she is able to more consistently carve out creative time. She recently completed a<br />
Petite Painting Project, where she created 100 paintings in 100 days. “I wanted to challenge myself.<br />
Kind of like a self-imposed ‘art boot camp.’ I just wanted to see where it took me. It was amazing!<br />
After painting every single day for several months, I learned some interesting things. Creativity<br />
breeds creativity – instead of running out of ideas for compositions, my inspirations seemed to increase.<br />
Setting a routine for creating made me feel less stressed about organizing my life in general.<br />
Also, by intensely exploring color, value, composition and technique on a day-to-day basis, I saw<br />
incredible growth toward where I want to be as an artist.”<br />
PamelaBlaies.com<br />
<strong>Visual</strong><strong>Language</strong><strong>Magazine</strong>.com - VL <strong>Magazine</strong> | 119
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