Visual Language Magazine Contemporary Fine Art Vol 2 No 9 September 2013
Visual Language Magazine Vol 2 No 9 September 2013 Visual Language Magazine is a contemporary fine art magazine with pages filled with dynamic fine art, brilliant color and stimulating composition. This month features Charles Spinetta Winery and Wildlife Gallery in California, Spotlight Interview with American wildlife artist Benjamin Cheshire, studio visits with UK Artist Robbie Graham, Wildlife Artists Heather Lara, Diane Whitehead and Terry Lee, American Still Life artist Pamela Blaies and Artspan Photographer Pauline Fowler. On the Cover is the artwork of Artspan Artist Heather Lara. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language crosses all cultures around the world.
Visual Language Magazine Vol 2 No 9 September 2013 Visual Language Magazine is a contemporary fine art magazine with pages filled with dynamic fine art, brilliant color and stimulating composition. This month features Charles Spinetta Winery and Wildlife Gallery in California, Spotlight Interview with American wildlife artist Benjamin Cheshire, studio visits with UK Artist Robbie Graham, Wildlife Artists Heather Lara, Diane Whitehead and Terry Lee, American Still Life artist Pamela Blaies and Artspan Photographer Pauline Fowler. On the Cover is the artwork of Artspan Artist Heather Lara. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language crosses all cultures around the world.
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Dara Oshin<br />
DaraOshin.com<br />
The paintings shown here were created in a studio with either southern exposure or<br />
northern exposure. I find southern light to be warm and intoxicating, seductive yet<br />
elusive and fleeting. This intense light embodies two distinct and opposing worlds,<br />
one of light and another of darkness. <strong>No</strong>rthern light on the other hand is diffused<br />
and reflective. It is gentle, calm, quiet and cool. Yet, at the same time, it is expansive<br />
and revealing. It is an intimate light that I can breathe deeply into my soul.<br />
I like to believe that collectors use my paintings as a starting point to ponder.<br />
Please visit daraoshin.com to find more rock paintings (and to ponder...).<br />
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