Visual Language Magazine Contemporary Fine Art Vol 2 No 9 September 2013
Visual Language Magazine Vol 2 No 9 September 2013 Visual Language Magazine is a contemporary fine art magazine with pages filled with dynamic fine art, brilliant color and stimulating composition. This month features Charles Spinetta Winery and Wildlife Gallery in California, Spotlight Interview with American wildlife artist Benjamin Cheshire, studio visits with UK Artist Robbie Graham, Wildlife Artists Heather Lara, Diane Whitehead and Terry Lee, American Still Life artist Pamela Blaies and Artspan Photographer Pauline Fowler. On the Cover is the artwork of Artspan Artist Heather Lara. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language crosses all cultures around the world.
Visual Language Magazine Vol 2 No 9 September 2013 Visual Language Magazine is a contemporary fine art magazine with pages filled with dynamic fine art, brilliant color and stimulating composition. This month features Charles Spinetta Winery and Wildlife Gallery in California, Spotlight Interview with American wildlife artist Benjamin Cheshire, studio visits with UK Artist Robbie Graham, Wildlife Artists Heather Lara, Diane Whitehead and Terry Lee, American Still Life artist Pamela Blaies and Artspan Photographer Pauline Fowler. On the Cover is the artwork of Artspan Artist Heather Lara. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language crosses all cultures around the world.
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VL<br />
Studio Visit Pamela Blaies<br />
Pamela enjoys exploring the new inspirations she finds each day. She prefers to paint from<br />
life, so she can see the full spectrum of color and values as she works to capture the light<br />
effect. She often uses Chiaroscuro to create dramatic light on her canvas. But black paint<br />
is not part of her palette. She uses color mixes and complements for shadows and lowering<br />
color intensity. Pamela paints Alla Prima style, finishing a painting in one sitting. The time<br />
limitation of this wet-on-wet technique motivates an energetic pace to her work and helps<br />
to keep her inspiration fresh.<br />
Having Friends to Tea<br />
PamelaBlaies.com<br />
120 | VL <strong>Magazine</strong> - <strong>Visual</strong><strong>Language</strong><strong>Magazine</strong>.com
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