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Visual Language Magazine Contemporary Fine Art Vol 2 No 9 September 2013

Visual Language Magazine Vol 2 No 9 September 2013 Visual Language Magazine is a contemporary fine art magazine with pages filled with dynamic fine art, brilliant color and stimulating composition. This month features Charles Spinetta Winery and Wildlife Gallery in California, Spotlight Interview with American wildlife artist Benjamin Cheshire, studio visits with UK Artist Robbie Graham, Wildlife Artists Heather Lara, Diane Whitehead and Terry Lee, American Still Life artist Pamela Blaies and Artspan Photographer Pauline Fowler. On the Cover is the artwork of Artspan Artist Heather Lara. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language crosses all cultures around the world.

Visual Language Magazine Vol 2 No 9 September 2013 Visual Language Magazine is a contemporary fine art magazine with pages filled with dynamic fine art, brilliant color and stimulating composition. This month features Charles Spinetta Winery and Wildlife Gallery in California, Spotlight Interview with American wildlife artist Benjamin Cheshire, studio visits with UK Artist Robbie Graham, Wildlife Artists Heather Lara, Diane Whitehead and Terry Lee, American Still Life artist Pamela Blaies and Artspan Photographer Pauline Fowler. On the Cover is the artwork of Artspan Artist Heather Lara. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language crosses all cultures around the world.

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artspan<br />

Where did you study art Though I have no <strong>Art</strong> degree, I’ve gathered education from<br />

a number of sources. I went to the University of California, Santa Cruz as an <strong>Art</strong> major<br />

and came out with a BA in Biology instead. The art program was a little creepy for a 17<br />

year old kid away from home for the first time. The few classes I took involved a lot of<br />

nude models - picture not-so-pretty hippies and homeless people, if you’ve ever been to<br />

Santa Cruz you know what I mean! I did find some graduate courses in Science Illustration<br />

that they let me take as an undergrad and it was here that I really learned interesting<br />

techniques like scratchboard, carbon dust on cronaflex and stipple. These courses taught<br />

attention to detail, following fur patterns, muscle structure, skeletal structure down to the<br />

tiniest biological detail and it seemed to fit in with my degree. Over the years I’ve just practiced<br />

my art and never shied away from new things. I’m a bit of a hoarder when it comes<br />

to art supplies, well who am I kidding - I’m really one major tragedy away from being on the<br />

show but I have a very supportive husband that keeps me reigned in and organized.<br />

If I read about a new art technique or medium I have to go out and buy ALL the supplies<br />

for it and try it, I teach myself through trial and error. Sculpture, woodworking, stained<br />

glass, pastels, you name it I have it in my over packed studio and I love it all. I read<br />

every art magazine I can get my hands on and I ask a lot of questions from artists that<br />

inspire me, some have ignored me but others have been an invaluable part of my<br />

education, it never hurts to ask but it can really pay off. 
<br />

How would you describe your style Obsessive compulsive neurotically focused on<br />

detail. I’ve tried to lighten up, loosen up, let go and sketch out something free and quick<br />

but I always end up going back in again and again until its hours later and looking like a<br />

photograph. I have great respect for artists who can take a subject and create something<br />

artistic and interesting from it and yet looks nothing like real life. I just draw what I see. 
<br />

What is the one thing most people don’t know about you Everybody knows<br />

everything about me - I’m a consummate over-sharer. OK ... dolls and clowns<br />

freak me out.<br />

Why do you paint animals I’ve always loved animals since I can remember.<br />

Anything-creepy crawly, scurrying, running or slithering I liked to pick it up and play with<br />

it. My sister received a “How to Draw Animals” book when we were in grade school and<br />

somehow it ended up in my room and I copied every page. I loved it! I did my first solo<br />

art show in the library of Kelly Lane Elementary school (all of my pictures were done with<br />

crayon) and I’ve been drawing ever since. I’m the kind of artist that really has to connect<br />

with my subject - it can’t just be a picture in book for me. When I travel I try to visit a zoo or<br />

animal sanctuary in whatever city or country I’m in and I spend a lot of time photographing<br />

particular animals that I make a connection with. I contact the animal keepers where I can<br />

and get the background story for the animal and I feel like it helps me get that extra little<br />

bit of inspiration I need. If I do a pet portrait -which is rare - I like to meet the animal and<br />

take my own photos if possible. I’ve learned from experience what I need to do to create a<br />

magical piece of art, it’s not always possible of course but every once in a while the stars<br />

align and you even surprise yourself.
<br />

HeatherLara.com<br />

<strong>Visual</strong><strong>Language</strong><strong>Magazine</strong>.com - VL <strong>Magazine</strong> | 81

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