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‘RURAL LOVERS’ (Fig. 14)<br />
The mug shown is printed in greenish-black with one of <strong>the</strong> Cambrian<br />
‘Corn and Husk’ borders. The pattern was attributed to Rothwell by<br />
Grant-Davidson, and P. D. Pryce and S. H. Williams.<br />
A jug in Cardiff Museum was donated by E. Morton Nance; this jug had<br />
two incised circle marks and <strong>the</strong> under-glaze blue painted ‘X’ mark. Nance<br />
writes in his book that Plate X.B. (‘Rural Lovers’) also bears <strong>the</strong> same in<br />
side border identical to <strong>the</strong> inside border on <strong>the</strong> smaller black printed jug<br />
illustrated in Plate IX.B.; this is <strong>the</strong> ‘Betsey Berriman’ jug which had three<br />
under-glaze blue dots in a triangular form. The borders on both jugs were<br />
<strong>the</strong> ‘Corn and Husk’, a very early border, although <strong>the</strong> ‘Betsey Berriman’<br />
jug is dated 1804.<br />
We believe <strong>the</strong> border engravings and first coppers of ‘Rural Lovers’ were<br />
made by Thomas Rothwell much earlier than 1804 so perhaps <strong>the</strong><br />
popularity of <strong>the</strong> pattern resulted in it being remade by ano<strong>the</strong>r engraver in<br />
<strong>the</strong> style of Thomas Rothwell and used in 1804 and perhaps even later.<br />
Fig. 14<br />
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