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‘GODDESS KUAN YIN’ (Fig. 34)<br />
Writing in 1973 P. D. Pryce and S.H. Williams refer to <strong>the</strong> main female<br />
figure as possibly that of <strong>the</strong> Goddess Kuan Yin. They also point out <strong>the</strong><br />
similarity of some features and style in common with <strong>the</strong> ‘Precarious<br />
Chinaman’ pattern. Since that time we, along with some o<strong>the</strong>rs, have<br />
always regarded <strong>the</strong> pattern as ‘Goddess Kuan Yin’, although, recently it is<br />
found given <strong>the</strong> name ‘Bell and Toy’. The Caughley factory produced a<br />
pattern in porcelain named ‘Bell and Toy’.<br />
We prefer to stay with ‘Goddess Kuan Yin’ as this clearly differentiates it<br />
from <strong>the</strong> porcelain examples of Caughley. In <strong>the</strong> same way ‘Pagoda/Two<br />
Temples’ has helped to clarify in writing, one pattern name being for<br />
porcelain and <strong>the</strong> o<strong>the</strong>r pattern name for pottery (pearlware).<br />
Fig. 34<br />
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