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The topography of <strong>the</strong> ‘Two Kilns’ pattern fits precisely <strong>the</strong> siting of <strong>the</strong><br />
Cambrian Pottery as do <strong>the</strong> waterways involved.<br />
We speak of Rothwell’s patterns and engravings and, although we are<br />
convinced that it is a Rothwell engraving on <strong>the</strong> fluted saucer, <strong>the</strong><br />
engravings of <strong>the</strong> ‘Two Kilns’ pattern on <strong>the</strong> jug and <strong>the</strong> punchbowl are<br />
clearly <strong>the</strong> work of ano<strong>the</strong>r hand also working at <strong>the</strong> pottery but clearly not<br />
as experienced or as adept as <strong>the</strong> master, Thomas Rothwell, himself.<br />
Fig. 19<br />
An additional note to make is that shards of a twin of this saucer also with<br />
<strong>the</strong> ‘Two Kilns’pattern (Fig. 17) were unear<strong>the</strong>d at a site in Philadelphia.<br />
George Haynes of <strong>the</strong> Swansea pottery paid for <strong>the</strong> redevelopment of <strong>the</strong><br />
Cambrian Pottery using funds from Philadelphia where he had family.<br />
Jonathan Gray indicates that Haynes was shipping quantities of ceramics<br />
through his family in Philadelphia. He states that between 1790 and 1807<br />
“products of <strong>the</strong> Cambrian Pottery during that period” were “destined for<br />
<strong>the</strong> American market”.*<br />
These dates fit precisely <strong>the</strong> date of <strong>the</strong> ‘Two Kilns’ shards found in<br />
Philadelphia. We have not seen all <strong>the</strong> shards found in Philadelphia, so<br />
perhaps <strong>the</strong>re may be more Swansea examples among <strong>the</strong>m.<br />
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