Getting Real 5 - Media Development Corporation

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VOLUME ($ 200 100 0 2 0 0 1 / 0 2 2 0 0 2 / 0 3 2 0 0 3 / 0 4 2 0 0 4 / 0 5 2 0 0 5 / 0 6 2 0 0 6 / 0 6 2 0 0 6 / 0 7 2 0 0 7 / 0 8 2 0 0 8 / 0 9 2 0 10 / 11 English-language Documentary TV Production Volume by Sub-genre English-language documentary production volume is dominated by television series, which represents 73% of total documentary production. Even series production suffered a decline of 27% since 2008/09. Mini-series and single-episode productions fluctuated over the past 10 years, but were at the low end of the range by 2010/11, declining significantly from the previous year. Exhibit 2-3: English-language TV Production Volume by Sub-genre ($M) 350 TOTAL VOLUME ($M) 300 250 200 150 100 50 0 01/02 02/03 03/04 04/05 05/06 06/07 07/08 08/09 09/10 10/11 Series Single-episode Mini-series Source: CAVCO and CRTC 36 GETTING REAL • VOLUME 5
English-language Documentary, Single-episode and Series There were too few projects to break down documentary mini-series by region, so the following analysis focuses on documentary single-episode and series production where the vast majority of TV production volume occurs. Exhibit 2-4: Five-year Summary—English-language Single-episode and TV Series by Region Single-episode 2006/07 2007/08 2008/09 2009/10 2010/11 $M % $M % $M % $M % $M % Ontario 27 44.5% 29 49.1% 33 58.0% 23 31.9% 30 51.3% Quebec 11 17.2% 9 15.2% 5 9.2% 26 35.0% 12 20.9% BC and Territories 12 20.2% 13 21.4% 10 17.2% 13 18.0% 10 16.5% Prairie Provinces 8 12.7% 6 9.4% 7 12.4% 9 12.1% 5 8.9% Atlantic Canada 3 5.4% 3 5.0% 2 3.3% 2 2.9% 1 2.4% Total 62 100.0% 59 100.0% 58 100.0% 73 100.0% 58 100.0% SERIES 2006/07 2007/08 2008/09 2009/10 2010/11 $M % $M % $M % $M % $M % Ontario 83 50.3% 115 51.3% 168 68.3% 121 69.5% 114 63.7% BC and Territories 22 13.3% 20 8.9% 27 11.0% 24 13.8% 40 22.3% Quebec 37 22.4% 52 23.2% 21 8.5% 3 1.7% 12 6.7% Atlantic Canada* 8 4.8% 11 4.9% 9 3.7% 4 2.3% n/a* n/a* Manitoba & Saskatchewan 12 7.3% 15 6.7% 8 3.3% 10 5.7% 3 1.7% Alberta 3 1.8% 11 4.9% 13 5.3% 12 6.9% 10 5.6% Total 165 100.0% 224 100.0% 246 100.0% 174 100.0% 179 100.0% Source: CAVCO and CRTC *Too few projects available to track separately by sub-genre in particular years English-language single-episode documentary production volume peaked in 2009/10 at $73 million. It then began decreasing by 21%, falling to $58 million by 2010/11. With the exception of Ontario, every region experienced a reduction in production volume in 2010/11, most notably Quebec. Previous years indicate that 2009/10 was an exceptional year for English-language documentary production in Quebec. Across the five years of data, Ontario stands out in terms of the growth in its percentage of English-language single-episode documentary production volume. Ontario grew from 44.5% of single-episode production volume in 2006/07 to 51.3% in 2010/11, albeit with a dip in 2009/10. For English-language documentary series, production volume has been decreasing since the high of $246 million reached in 2008/09, down by 27% to $179 million by 2010/11. Once again, across the five years, Ontario’s percentage of production volume increased from 50% AN ECONOMIC PROFILE OF THE CANADIAN DOCUMENTARY PRODUCTION INDUSTRY 37
Page 1 and 2: GETTING REAL An Economic Profile of
Page 3 and 4: Table of Contents List of Exhibits
Page 5 and 6: List of Exhibits Exhibit 1-1 Total
Page 7 and 8: Exhibit 3-44 Long-form Documentary
Page 9 and 10: Executive Summary Overview Since th
Page 11 and 12: It should be noted that although Fr
Page 13 and 14: Based on the data, Canadian broadca
Page 15 and 16: Case Studies Documentaries are well
Page 17 and 18: Industry Overview Introduction The
Page 19 and 20: schedules, the type of Canadian pro
Page 21 and 22: Canada Media Fund (CMF) The Canada
Page 23 and 24: The Standing Committee found that
Page 25 and 26: Notes on Methodology Introduction G
Page 27 and 28: ECONOMIC IMPACT 600 500 Introductio
Page 29 and 30: Exhibit 1-3: Documentary Production
Page 31 and 32: Exhibit 1-6: Export Value of Canadi
Page 33 and 34: PRODUCTION Introduction This sectio
Page 35: Exhibit 2-2: Total Independent Docu
Page 39 and 40: Treaty Co-Production— English-lan
Page 41 and 42: French-language Documentary TV Prod
Page 43 and 44: Feature Documentaries— French-lan
Page 45 and 46: BUDGETS & FINANCING BUDGETS Trends
Page 47 and 48: The trend in per-hour budgets for d
Page 49 and 50: Exhibit 3-7: Average per-hour Budge
Page 51 and 52: French-language Treaty Co-productio
Page 53 and 54: FINANCING Introduction The overall
Page 55 and 56: English-language Single-episode Tot
Page 57 and 58: English-language Feature Total prod
Page 59 and 60: Documentary series and mini-series
Page 61 and 62: French-language Financing French-la
Page 63 and 64: French-language Series and Mini-ser
Page 65 and 66: French-language Treaty Co-productio
Page 67 and 68: With some fluctuations, by 2010/11
Page 69 and 70: Trends in Broadcaster Licence Fees
Page 71 and 72: Trends in Broadcaster Licence Fees
Page 73 and 74: The distribution of per-hour licenc
Page 75 and 76: Direct Public Funding Public fundin
Page 77 and 78: Over the past five years, CMF fundi
Page 79 and 80: From a regional perspective, in 201
Page 81 and 82: Exhibit 3-45: Number and Volume of
Page 83 and 84: Exhibit 3-49: Documentary Share of
Page 85 and 86: Exhibit 3-52: Telefilm Theatrical D
Page 87 and 88:
While not a primary source of fundi
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Based on OMDC data, 27% of the tota
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Exhibit 3-62: Bell Fund, Documentar
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AUDIENCES Introduction This section
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French-language Market Proportional
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Viewing of Canadian Long-form Docum
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Documentary Programming during Peak
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Exhibit 4-8: Top Ten Documentary Fi
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Exhibit 4-10: Top Ten Canadian Docu
Page 105 and 106:
Exhibit 4-13: Annual Attendance—R
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CASE STUDIES Introduction Documenta
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Production Budget The initial produ
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Case Study: Ballet Girls Original P
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are confident they can re-purpose a
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Initial Exploitation The film was r
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Case Study: Inside Disaster Haiti O
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Training Videos: The producers used
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Appendix A: Glossary of Terms Affil
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International treaty co-production
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Appendix B: Definitions of “Docum
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A large part of the data used to pr
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support are more likely to be from
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affected by the co-mingling of fact
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II. Employment Film and television
Page 135 and 136:
We obtain this multiplier from Stat
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Acknowledgements DOC gratefully ack
Page 140:
WWW.DOCORG.CA
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Getting Real 5 - Media Development Corporation

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