Getting Real 5 - Media Development Corporation

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Similarly, the total number of projects declined since 2005/06, but levels did increase somewhat in 2008/09 and 2009/10. By 2010/11, the total number of documentary projects had decreased by 28% since 2005/06. Total hours of documentary production fluctuated from 2005/06-2009/10, peaking in 2008/09 but declining overall by 13% from 2005/06 to 2010/11. By 2010/11, both the total number of documentary projects and total hours dropped to a 10-year low. Since 2005/06, the total number of projects declined more significantly than the total volume of documentary production, indicating that fewer projects were being produced. At the same time, the total number of hours declined less dramatically than production volume, suggesting that French-language documentary producers were doing more hours per project, albeit with less financing. This data contrasts with that of the English-language market. In Ontario, English-language production in 2010/11 equaled 477 hours for 121 projects at budgets of $152 million. By contrast, Quebec French-language production equaled 502 hours for 121 projects with total budgets of $67 million. Exhibit 2-8: Total French-language Independent Documentary Production Activity by Region Total Volume ($M) 01/02 02/03 03/04 04/05 05/06 06/07 07/08 08/09 09/10 10/11 Atlantic Canada 3 4 3 x 3 4 5 4 6 5 Quebec 68 71 72 67 92 77 78 84 82 67 Ontario 3 4 3 7 5 5 2 3 5 9 West & Territories 5 0 6 x 2 4 5 5 4 4 Total 79 79 84 80 103 91 90 96 97 85 Number of Projects 01/02 02/03 03/04 04/05 05/06 06/07 07/08 08/09 09/10 10/11 Atlantic Canada 6 6 7 x 8 11 16 12 15 13 Quebec 138 145 166 161 184 153 150 175 170 121 Ontario 5 5 6 13 11 7 5 6 7 12 West & Territories 7 0 10 x 5 6 6 4 6 4 Total 156 155 188 191 208 176 177 196 198 149 Number of Hours 01/02 02/03 03/04 04/05 05/06 06/07 07/08 08/09 09/10 10/11 Atlantic Canada 12 13 17 x 13 16 21 15 42 41 Quebec 577 622 639 608 636 540 627 699 619 502 Ontario 13 34 24 53 41 36 11 18 34 43 West & Territories 22 0 21 x 6 21 32 23 16 23 Total 625 668 701 688 696 613 691 755 711 609 Source: CAVCO and CRTC Note: an ‘x’ in the charts denote that too few projects were available to track separately in particular years. 40 GETTING REAL • VOLUME 5
French-language Documentary TV Production Volume All the sub-genres of French-language documentary production declined between 2009/10 and 2010/11. Mini-series production volume fluctuated over the past several years, but dropped by 2010/11. Single-episode documentary volume maintained an average volume of almost $23 million over the previous five years before losing more than $6 million in production volume in 2010/11, in comparison to the previous year of 2009/10. Documentary series production volume peaked in 2008/09, but dropped more than $4 million or 7% by 2010/11. The overall 9% decline in the French-language market is less than the 25% decline experienced in the English-language market since 2008/09. Exhibit 2-9: French-language TV Production Volume by Sub-genre ($M) 100 80 75 75 82 77 86 81 77 81 87 74 TOTAL VOLUME ($M) 60 40 20 0 01/02 02/03 03/04 04/05 05/06 06/07 07/08 08/09 09/10 10/11 Series Single-episode Mini-series Source: CAVCO and CRTC AN ECONOMIC PROFILE OF THE CANADIAN DOCUMENTARY PRODUCTION INDUSTRY 41
Page 1 and 2: GETTING REAL An Economic Profile of
Page 3 and 4: Table of Contents List of Exhibits
Page 5 and 6: List of Exhibits Exhibit 1-1 Total
Page 7 and 8: Exhibit 3-44 Long-form Documentary
Page 9 and 10: Executive Summary Overview Since th
Page 11 and 12: It should be noted that although Fr
Page 13 and 14: Based on the data, Canadian broadca
Page 15 and 16: Case Studies Documentaries are well
Page 17 and 18: Industry Overview Introduction The
Page 19 and 20: schedules, the type of Canadian pro
Page 21 and 22: Canada Media Fund (CMF) The Canada
Page 23 and 24: The Standing Committee found that
Page 25 and 26: Notes on Methodology Introduction G
Page 27 and 28: ECONOMIC IMPACT 600 500 Introductio
Page 29 and 30: Exhibit 1-3: Documentary Production
Page 31 and 32: Exhibit 1-6: Export Value of Canadi
Page 33 and 34: PRODUCTION Introduction This sectio
Page 35 and 36: Exhibit 2-2: Total Independent Docu
Page 37 and 38: English-language Documentary, Singl
Page 39: Treaty Co-Production— English-lan
Page 43 and 44: Feature Documentaries— French-lan
Page 45 and 46: BUDGETS & FINANCING BUDGETS Trends
Page 47 and 48: The trend in per-hour budgets for d
Page 49 and 50: Exhibit 3-7: Average per-hour Budge
Page 51 and 52: French-language Treaty Co-productio
Page 53 and 54: FINANCING Introduction The overall
Page 55 and 56: English-language Single-episode Tot
Page 57 and 58: English-language Feature Total prod
Page 59 and 60: Documentary series and mini-series
Page 61 and 62: French-language Financing French-la
Page 63 and 64: French-language Series and Mini-ser
Page 65 and 66: French-language Treaty Co-productio
Page 67 and 68: With some fluctuations, by 2010/11
Page 69 and 70: Trends in Broadcaster Licence Fees
Page 71 and 72: Trends in Broadcaster Licence Fees
Page 73 and 74: The distribution of per-hour licenc
Page 75 and 76: Direct Public Funding Public fundin
Page 77 and 78: Over the past five years, CMF fundi
Page 79 and 80: From a regional perspective, in 201
Page 81 and 82: Exhibit 3-45: Number and Volume of
Page 83 and 84: Exhibit 3-49: Documentary Share of
Page 85 and 86: Exhibit 3-52: Telefilm Theatrical D
Page 87 and 88: While not a primary source of fundi
Page 89 and 90: Based on OMDC data, 27% of the tota
Page 91 and 92:
Exhibit 3-62: Bell Fund, Documentar
Page 93 and 94:
AUDIENCES Introduction This section
Page 95 and 96:
French-language Market Proportional
Page 97 and 98:
Viewing of Canadian Long-form Docum
Page 99 and 100:
Documentary Programming during Peak
Page 101 and 102:
Exhibit 4-8: Top Ten Documentary Fi
Page 103 and 104:
Exhibit 4-10: Top Ten Canadian Docu
Page 105 and 106:
Exhibit 4-13: Annual Attendance—R
Page 107 and 108:
CASE STUDIES Introduction Documenta
Page 109 and 110:
Production Budget The initial produ
Page 111 and 112:
Case Study: Ballet Girls Original P
Page 113 and 114:
are confident they can re-purpose a
Page 115 and 116:
Initial Exploitation The film was r
Page 117 and 118:
Case Study: Inside Disaster Haiti O
Page 119 and 120:
Training Videos: The producers used
Page 121 and 122:
Appendix A: Glossary of Terms Affil
Page 123 and 124:
International treaty co-production
Page 125 and 126:
Appendix B: Definitions of “Docum
Page 127 and 128:
A large part of the data used to pr
Page 129 and 130:
support are more likely to be from
Page 131 and 132:
affected by the co-mingling of fact
Page 133 and 134:
II. Employment Film and television
Page 135 and 136:
We obtain this multiplier from Stat
Page 137 and 138:
Acknowledgements DOC gratefully ack
Page 140:
WWW.DOCORG.CA
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