Getting Real 5 - Media Development Corporation

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Treaty Co-Production– French-language French-language treaty co-productions for television documentaries seem to vary greatly depending on the year, with only four projects being produced in 2010, but nine projects the year before. The following treaty co-production data was provided directly by Telefilm Canada; therefore, these totals are not included in the previous charts. Exhibit 2-12: Total French-language Treaty Co-production Television Documentary Activity 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 Canadian participation ($M) 5.8 11.6 2.0 3.2 5.6 4.1 2.7 1.6 7.3 2.5 Foreign participation ($M) 5.2 13.0 2.7 6.5 7.5 3.4 1.2 1.5 6.5 1.9 Total budget ($M) 11.0 24.6 4.7 9.7 13.1 7.5 4.0 3.0 12.8 4.2 Number of projects 8 19 8 11 8 7 4 4 9 4 Number of hours 23 39 8 35 13 9 5 4 36 6 Source: Telefilm Canada Note: there was no data for French-language feature documentary treaty co-productions reported by Telefilm. Independent Documentary Production in Languages Other than English and French Documentary production in languages other than English and French has been in serious decline since 2005/06. The high of $21 million in production volume in 2005/06 has dwindled to $2 million by 2010/11. Similarly, the number of projects and total hours declined radically, with only five projects being produced for a total of seven hours of production in 2010/11—the lowest level for this documentary production across the 10 years of data. Exhibit 2-13: Total Independent Documentary Production Activity—Other Languages 01/02 02/03 03/04 04/05 05/06 06/07 07/08 08/09 09/10 10/11 Total volume ($) 13 20 20 20 21 17 8 6 4 2 Number of projects 20 31 38 31 15 26 14 11 11 5 Number of hours 54 58 92 94 75 61 27 38 24 7 Source: CAVCO and CRTC 44 GETTING REAL • VOLUME 5
BUDGETS & FINANCING BUDGETS Trends in Average Budgets—English-language Documentaries The average budgets for English-language documentary productions in 2010/11 varied from lower per-hour budgets of approximately $240,000 for mini-series to a high of $421,000 for single-episode productions. Average per-hour budgets for mini-series dropped significantly in 2010/11 to its lowest level since 2002/03. The average budget for documentary series, however, increased over the past several years, reaching a high of just over $306,000 in 2010/11—an 11% increase over the previous year. The average per-hour budget for singleepisode documentaries dropped in 2010/11 in comparison to 2009/10, when it had reached a high of approximately $537,000. However, the per-hour average budget for single-episode productions of $421,000 in 2010/11 was still significantly higher than it had been prior to 2009/10. Thus, while documentary production volume was decreasing by 2010/11, average production budgets for both single episodes and series were generally increasing over the same span of time. Historically, features had higher average per-hour budgets than other sub-genres, but this trend changed noticeably in the last two years of data. Average per-hour budgets for features dropped to $371,000 in 2010/11. Exhibit 3-1: Average per-hour Budgets, All Formats, English-language ($) 600 AVERAGE PER-HOUR BUDGET ($000's) 500 400 300 200 100 01/02 02/03 03/04 04/05 05/06 06/07 07/08 08/09 09/10 Single-episode Series Mini-series Feature-length Source: CAVCO AN ECONOMIC PROFILE OF THE CANADIAN DOCUMENTARY PRODUCTION INDUSTRY 45
Page 1 and 2: GETTING REAL An Economic Profile of
Page 3 and 4: Table of Contents List of Exhibits
Page 5 and 6: List of Exhibits Exhibit 1-1 Total
Page 7 and 8: Exhibit 3-44 Long-form Documentary
Page 9 and 10: Executive Summary Overview Since th
Page 11 and 12: It should be noted that although Fr
Page 13 and 14: Based on the data, Canadian broadca
Page 15 and 16: Case Studies Documentaries are well
Page 17 and 18: Industry Overview Introduction The
Page 19 and 20: schedules, the type of Canadian pro
Page 21 and 22: Canada Media Fund (CMF) The Canada
Page 23 and 24: The Standing Committee found that
Page 25 and 26: Notes on Methodology Introduction G
Page 27 and 28: ECONOMIC IMPACT 600 500 Introductio
Page 29 and 30: Exhibit 1-3: Documentary Production
Page 31 and 32: Exhibit 1-6: Export Value of Canadi
Page 33 and 34: PRODUCTION Introduction This sectio
Page 35 and 36: Exhibit 2-2: Total Independent Docu
Page 37 and 38: English-language Documentary, Singl
Page 39 and 40: Treaty Co-Production— English-lan
Page 41 and 42: French-language Documentary TV Prod
Page 43: Feature Documentaries— French-lan
Page 47 and 48: The trend in per-hour budgets for d
Page 49 and 50: Exhibit 3-7: Average per-hour Budge
Page 51 and 52: French-language Treaty Co-productio
Page 53 and 54: FINANCING Introduction The overall
Page 55 and 56: English-language Single-episode Tot
Page 57 and 58: English-language Feature Total prod
Page 59 and 60: Documentary series and mini-series
Page 61 and 62: French-language Financing French-la
Page 63 and 64: French-language Series and Mini-ser
Page 65 and 66: French-language Treaty Co-productio
Page 67 and 68: With some fluctuations, by 2010/11
Page 69 and 70: Trends in Broadcaster Licence Fees
Page 71 and 72: Trends in Broadcaster Licence Fees
Page 73 and 74: The distribution of per-hour licenc
Page 75 and 76: Direct Public Funding Public fundin
Page 77 and 78: Over the past five years, CMF fundi
Page 79 and 80: From a regional perspective, in 201
Page 81 and 82: Exhibit 3-45: Number and Volume of
Page 83 and 84: Exhibit 3-49: Documentary Share of
Page 85 and 86: Exhibit 3-52: Telefilm Theatrical D
Page 87 and 88: While not a primary source of fundi
Page 89 and 90: Based on OMDC data, 27% of the tota
Page 91 and 92: Exhibit 3-62: Bell Fund, Documentar
Page 93 and 94: AUDIENCES Introduction This section
Page 95 and 96:
French-language Market Proportional
Page 97 and 98:
Viewing of Canadian Long-form Docum
Page 99 and 100:
Documentary Programming during Peak
Page 101 and 102:
Exhibit 4-8: Top Ten Documentary Fi
Page 103 and 104:
Exhibit 4-10: Top Ten Canadian Docu
Page 105 and 106:
Exhibit 4-13: Annual Attendance—R
Page 107 and 108:
CASE STUDIES Introduction Documenta
Page 109 and 110:
Production Budget The initial produ
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Case Study: Ballet Girls Original P
Page 113 and 114:
are confident they can re-purpose a
Page 115 and 116:
Initial Exploitation The film was r
Page 117 and 118:
Case Study: Inside Disaster Haiti O
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Training Videos: The producers used
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Appendix A: Glossary of Terms Affil
Page 123 and 124:
International treaty co-production
Page 125 and 126:
Appendix B: Definitions of “Docum
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A large part of the data used to pr
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support are more likely to be from
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affected by the co-mingling of fact
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II. Employment Film and television
Page 135 and 136:
We obtain this multiplier from Stat
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Acknowledgements DOC gratefully ack
Page 140:
WWW.DOCORG.CA
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Getting Real 5 - Media Development Corporation

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