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to write against Pakistani atrocities. However, their exposition was sheltered under<br />

myths and symbols.<br />

Finally East Bengal torn out of Pakistani rule in 1971 but in 1975, a<br />

reactionary military insurrection brought the country back to a revival of the<br />

ideological darkness that the nation witnessed during its Pakistani regime. So the<br />

struggle for liberation continued till the 1990s in this ‘liberated’ Bangladesh. As a<br />

result the literature of independence movement lasted since 1960 till 1990 before it<br />

was overshadowed by the latest artistic concept - Postmodernism.<br />

East Bengal and its capital Dhaka became the centre of Bangla literature. The<br />

writers of West Bengal, who were influenced by the leftist Nakshal movement, were<br />

undermined. We can trace the beginning of the period with Shamsur Rahman’s<br />

poetic collection Prothom Gan Dwitio Mrityur Aagey (1960). Showkat Osman’s<br />

Kritadasher Hashi (1962) was a milestone in this time’s fictional literature. Also his<br />

Janani (1958) is a widely acclaimed novel.<br />

Shamsur Rahman, Shankha Ghosh (b. 1932), Samir Roy Chowdhury (b.<br />

1933), Sakti Chattopadhyay (1933-’95), Sunil Gangopadhyay (1934-2012), Binoy<br />

Mazumder (1934-2006), Al Mahmud (b. 1936), Shaheed Kadori, Sikder Aminul Haq<br />

(1942-2003), Amitabha Gupta (b. 1947), Khandakar Ashraf Hossain (1950-2013),<br />

Joy Goswami (b. 1954) are chief poets of the age. Among them, Rahman and Kadori<br />

have written brilliant political poems. And Mahmud has created a new diction of<br />

modern poetry. His poems have rural setting, are rich in rural words and also uphold<br />

modern consciousness. Unfortunately since the 1980s he leaned toward<br />

fundamentalism and thus brought an untimely death to his poetic prospect.<br />

The war of 1971 has also been portrayed in contemporary fiction-writers’<br />

works. Some of these writers are Abu Zafar Shamsuddin (1911-’88), Showkat<br />

Osman, Rashid Karim (1925-2011), Alauddin Al Azad (1932-2009), Syed Shamsul<br />

Haq (b. 1935), Hasan Azizul Haq (b. 1939), Mahmudul Haq (1941-2008),<br />

Akhtaruzzaman Elias (1943-’97), Humayun Azad (1947-2004), Selina Hossain (b.<br />

1947), Humayun Ahmed (1948-2012) and Imdadul Haq Milon (b. 1955). Among<br />

them, Mahmudul Haq was a master of language and epitomized the war and<br />

contemporary life in diction of modern poetry. His Anur Pathshala (1973), Nirapad<br />

Tandra (1974), Jiban Amar Bone (1976), Khelaghar (1988), Kalo Baraf (1992) are<br />

great novels. But in fact Elias occupies the top position of the age with his two<br />

outstanding novels Chilekothar Sepai (1986) and Khoabnama (1996).<br />

It was not only an age of political liberation but also of a cultural war for<br />

achieving freedom from rigid conventions of Bengali society, especially in its attitude<br />

toward sex; for example – the avant-garde Hungryalist movement took place in the<br />

1960s, with which Samir Roy Chowdhury, his brother Malay Roy Chowdhury (b.<br />

1939), Sakti Chattopadhyay and some other writers were involved. This period also<br />

witnessed the rise of homosexuality in fiction; for example – in Buddhadev Guha’s<br />

(b. 1936) works.<br />

It was accompanied with a great struggle against the emerging<br />

fundamentalism in Pakistan-ruled East Bengal. Especially Syed Waliullah (1922-<br />

’71) will be remembered for his critical views about fundamentalist ideologies. His<br />

Lalshalu (1948) achieved worldly acclaim. Showkat Osman was his ideological<br />

comrade.

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