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BLiterature-Apratim

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24<br />

He tells us in another poem –<br />

“If I<br />

Don’t see in the eye,<br />

Then I do in my mind,<br />

Chandidas says he wears the touch-jewel<br />

Around his neck.”<br />

(Translated by the author)<br />

Then it seems he is telling of an unearthly love.<br />

He exposes his dangling heart in such lines –<br />

“Goes the blue sari wringing out along with my mind.”<br />

(Translated by the author)<br />

He professes his firm conviction of love in these two lines –<br />

“I’ll live in Love Town, will build a house with love,<br />

Tracing love I’ll make neighbors, except which all are far ones.”<br />

(Translated by the author)<br />

Again –<br />

“Pi-ri-ti : these three syllables are the three worlds’ all substance,<br />

Taking it in mind I think day and night, without it nothing remains.”<br />

(Translated by the author)<br />

Here the poet expresses the mystic sense of his love for the beloved –<br />

“My outer door is closed, my inner door is wide open,<br />

Come sweet-hearts, come silently, passing darkness, to the light.”<br />

(Translated by the author)<br />

Chandidas inwardly tells us of godly love when outwardly he just says of<br />

human love. His poems are free of all kinds of so-called ‘vulgarism’ that are evident<br />

in many other medieval poets’ works. He does have a journey of transition from the<br />

bodily flesh to an enlightened soul. And the arc of this mission of the poet is his<br />

immortal mystic songs.<br />

Mukunda Chakraborty (16 th Century)<br />

‘Kabikankan’ Mukunda Chakrabarty is the greatest poet of Mangal-Kabya. His<br />

Avayamangal (which is commonly known as Chandimangal) can be accepted as a<br />

verse-novel and it is the masterpiece of medieval literature.<br />

Mangal-Kabya is a genre of medieval poetry that was intended to glorify a<br />

deity. The story of such a poem would be how the puja of that deity was commenced<br />

in the world.<br />

The story of Avayamangal is concerned with how the puja of Goddess Chandi<br />

was initiated through sacrifice and sufferings made by two outcastes: a hunter<br />

named Kalketu and a merchant named Dhanpati.<br />

Avayamangal is a remarkably unique work in respect of medieval poetical<br />

standard. This work encompasses at the same time, the worlds of both the earth and<br />

‘paradise’ where the deities dwell. The gods and goddesses cast their curses and<br />

blessings upon the mortals. Such themes of the poem remind us of the Homeric<br />

epics.

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