BLiterature-Apratim
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24<br />
He tells us in another poem –<br />
“If I<br />
Don’t see in the eye,<br />
Then I do in my mind,<br />
Chandidas says he wears the touch-jewel<br />
Around his neck.”<br />
(Translated by the author)<br />
Then it seems he is telling of an unearthly love.<br />
He exposes his dangling heart in such lines –<br />
“Goes the blue sari wringing out along with my mind.”<br />
(Translated by the author)<br />
He professes his firm conviction of love in these two lines –<br />
“I’ll live in Love Town, will build a house with love,<br />
Tracing love I’ll make neighbors, except which all are far ones.”<br />
(Translated by the author)<br />
Again –<br />
“Pi-ri-ti : these three syllables are the three worlds’ all substance,<br />
Taking it in mind I think day and night, without it nothing remains.”<br />
(Translated by the author)<br />
Here the poet expresses the mystic sense of his love for the beloved –<br />
“My outer door is closed, my inner door is wide open,<br />
Come sweet-hearts, come silently, passing darkness, to the light.”<br />
(Translated by the author)<br />
Chandidas inwardly tells us of godly love when outwardly he just says of<br />
human love. His poems are free of all kinds of so-called ‘vulgarism’ that are evident<br />
in many other medieval poets’ works. He does have a journey of transition from the<br />
bodily flesh to an enlightened soul. And the arc of this mission of the poet is his<br />
immortal mystic songs.<br />
Mukunda Chakraborty (16 th Century)<br />
‘Kabikankan’ Mukunda Chakrabarty is the greatest poet of Mangal-Kabya. His<br />
Avayamangal (which is commonly known as Chandimangal) can be accepted as a<br />
verse-novel and it is the masterpiece of medieval literature.<br />
Mangal-Kabya is a genre of medieval poetry that was intended to glorify a<br />
deity. The story of such a poem would be how the puja of that deity was commenced<br />
in the world.<br />
The story of Avayamangal is concerned with how the puja of Goddess Chandi<br />
was initiated through sacrifice and sufferings made by two outcastes: a hunter<br />
named Kalketu and a merchant named Dhanpati.<br />
Avayamangal is a remarkably unique work in respect of medieval poetical<br />
standard. This work encompasses at the same time, the worlds of both the earth and<br />
‘paradise’ where the deities dwell. The gods and goddesses cast their curses and<br />
blessings upon the mortals. Such themes of the poem remind us of the Homeric<br />
epics.