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people’s obedience, and some others confront him (including his second wife<br />

Jamila), and he seems to overcome all difficulties through his shrewd tactics. It is the<br />

story of a religion-monger’s power-hunger, cruelty, ambition for riches and<br />

unrestricted lust. The novel is also celebrated for its poetic language.<br />

His second novel Chander Amabashya (The Darkness of the Moon) is a good<br />

example of existentialist fiction. It tells us the story of a school-teacher who comes<br />

close to a murder and does have a dilemma whether he will inform the police or keep<br />

it a secret, because he cannot be sure whether it was a murder and if was so, then<br />

who committed it. At last he becomes confirm of the crime and finds it his own<br />

responsibility to expose it. And doing so, he himself is charged with murder. The<br />

world, which is dominated by exploiters and persecutors, always backs its powerful<br />

patrons. Even the school-teacher’s local guardians, who simulate as `pious’ persons,<br />

are engaged in this hypocritical act. As a result, it is a story of a person’s inner<br />

dilemma, his prolonged decision to carry out his own duty toward the society and<br />

naked power politics of village people.<br />

His third novel Kando Nodi Kando (Cry River Cry) can be acclaimed a<br />

masterpiece of existentialism. A girl commits suicide for her cousin whom she loved.<br />

The man apparently has no sympathy for her, but inwardly he suffers from confusion<br />

and repentance. At last that man too kills himself. A more surprising incident is that<br />

the people of the small town, where such incidents take place, hear the nearby river<br />

cry. That ghostly happening symbolizes the woe of nature for moral decadence and<br />

behavioral flaws of people of the town. Thus personal fall signifies the ethical<br />

disaster of all the people living there. Man’s social role and its conflict with his inner<br />

world are drawn in the novel with mastery. Besides, this novel is a good example of<br />

the ‘stream of consciousness’ technique; it bears a tinge of ‘magic realism’ too. And<br />

Waliullah’s poetic language too reaches a new height here.<br />

Waliullah began to write in English during his exile in Europe, which we regard<br />

as an unwise decision; his English writings have little contribution to either western<br />

or oriental literature. However, Ugly Asians and How Does One Cook Beans are his<br />

two remarkable English novels; these are satires of the Western civilization.<br />

Waliullah’s novels have lucid vision. The dark inner psyche of man is<br />

presented in his works with secular philosophies. His novels aim at some delicate<br />

consciousness of humanity. He had a progressive mind and he never compromised<br />

on it. His novels are a significant addition to 200 years’ fictional art. His language is<br />

poetic; and in this respect, he sometimes seems to be the predecessor of Mahmudul<br />

Haq. He would certainly give much more to literature if he lived longer, as he is a<br />

great artist of rare qualities which makes him immortal in the world of letters.<br />

Sunil Gangopadhyay (1934-2012)<br />

Sunil is the most successful ambassador of the American Beat Generation in<br />

Bangla novel and poetry. He can also be called the true shape-maker of the<br />

Hungryalist movement of the 1960s.

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