Manoni - Vanemuine

Marika Aidla lõpetas 1987. aastal Tallinna Balletikooli.
Samast aastast töötab Vanemuise teatris balletiartistina. Lisaks tantsulavastustele
on osalenud ooperi-, opereti-, muusikali- ja sõnalavastustes. On teinud
tantsuseadeid ja liikumisi lavastustele „Päkapikutajad ja kolekoll”, „Hamlet”,
„Daamide õnn”, „Lõoke taeva all”, „Hercules”, „Pühak”, „Ruja“.
Rollid Vanemuises: tädi Pruun (Tšaikovski „Pähklipureja“), Åse (Griegi „Peer
Gynt”), Bertha (Adami „Giselle”), Minna Berneis (Pepeljajevi „Sigmund
& Freud”), Valge Nõid (Lewise „Lõvi, nõid ja riidekapp”), Constanze
(Mozarti „Don Juan”), Kütt (Volkonski/Tommingase „Väike prints”), Naine
(Orffi „Carmina Burana”, lav. Tommingas), Madame Capuletti (Prokofjevi
„Romeo ja Julia”), Lumekuninganna, Rooside kuninganna (Tšaikovski „Pähklipureja“),
Bamby ema (Austeri „Bamby”), Linda („Exitus”, lav. Hartšenko),
Mercedes (Minkuse „Quiteria pulm”, lav. Jansons), Bertalda („Undiin”, lav.
Hartšenko), Prostituut (Piazzolla „Armastuse tango“, lav. Murdmaa) jpt.
Marika Aidla graduated from the Tallinn Ballet School in 1987.
Ever since she works in the Vanemuine Theatre as ballet artist. In addition to
dance productions she has participated in opera, operetta, musical and drama
productions. She has made parts of choreography to productions „Päkapikutajad
ja kolekoll”, „Hamlet”, „Ladies’ Paradise”, „Lark in the Sky”, „Hercules”,
„The Saint”, „Ruja“.
Roles in Vanemuine: Aunt Brown (Tchaikovsky’s „Nutcracker“), Mother Ase
(Grieg’s „Peer Gynt”, Bertha (Adam’s „Giselle”), Minna Berneis (Pepelyayev’s
„Sigmund & Freud”), White Witch (Lewis´s „The Lion, the Witch and the
Wardrobe”), Constanze (Mozarts “Don Juan”), Hunter (Volkonski/Tommingas
„The Little Prince”), Woman (Orff’s „Carmina Burana”), Madame Capuletti
(Prokofjev’s „Romeo and Juliet”), Snow Queen, Queen of Roses (Tchaikovsky’s
„Nutcracker“), Bamby’s Mother (Auster’s „Bamby”), Linda („Exitus”,
dir. Harchenko), Mercedes (Minkus’s „Quiteria’s Wedding”), Bertalda
(„Ondine”, dir. Harchenko), (Piazzolla’s „Tango of Love“, dir. Murdmaa) etc.
Alla Popova lõpetas 2002. aastal Eesti Muusikaakadeemia prof Taru
Valjakka ja prof Tamara Novitsenko klassis ning 2003. aastal kaitses ta sealsamas
magistrikraadi. Aastatel 2000−2002 oli ta Vanemuise külalissolist ja
alates 2002. aastast töötab Vanemuises koosseisulise ooperisolistina. 1997.
aastal pälvis Alla Popova esimese koha Tiit Kuusiku nimelisel lauluvõistlusel.
2002. aasta suvel osales ta maestro Lino Puglisi meistrikursustel Itaalias
Allerona linnas ja 2007 kevadel Ingrid Kremlingi meistrikursustel.
Alla Popova rolle: Fatime (Weberi „Abu Hassan”), Tatjana (Tšaikovski „Jevgeni
Onegin”), Mimi (Puccini „Boheem”), Butterfly (Puccini „Madame Butterfly”),
Amelia (Verdi „Maskiball”), Violetta (Verdi „La Traviata”), Lisa (Bellini
„La Sonnambula”), Pamina (Mozarti „Võluflööt”), krahvinna Mariza (Kálmáni
„Krahvinna Mariza”), Rosalinde (Straussi ”Nahkhiir”), Antonia (Offenbachi
„Hoffmanni lood”), Gilda (Verdi ”Rigoletto”), Inez (Verdi ”Trubaduur”),
Manon (Massenet’ ”Manon”) jt. Alla Popova on osalenud suurvormide ettekannetel:
Orffi „Carmina Burana” ja Honeggeri „Jeanne d’Arc tuleriidal” (Neitsi)
(2005, Vanemuine; 2007, Birgitta Festival) ning andnud mitmeid soolokontserte.
Alla Popova graduated from the Estonian Academy of Music in 2002 in
the class of Professors Taru Valjakka and Tamara Novitsenko and completed
her master’s degree studies there in 2003. From 2000-2002 she was a guest
soloist in the Vanemuine and since 2002 has been an opera soloist here. In
1997 Popova was awarded first prize in the Tiit Kuusik Song Contest. In summer
2002 she participated in the master classes of maestro Lino Puglisi in
Allerona, Italy and in spring 2007 in the master classes of Ingrid Kremling.
Popova’s roles have included Fatime (Weber’s “Abu Hassan”), Tatjana
(Tchaikovsky’s “Eugene Onegin”), Mimi (Puccini’s “La Bohème”), Butterfly
(Puccini’s “Madame Butterfly”), Amelia (Verdi’s “A Masked Ball”), Violetta
(Verdi’s “La Traviata”), Lisa (Bellini’s “La Sonnambula”), Pamina (Mozart`s
“The Magic Flute”), Antonia (Offenbach`s “The Tales of Hoffmann”), Gilda
(Verdi’s “Rigoletto”), Inez (Verdi’s “The Troubadour”), Rosalinde (Strauss’s
“The Bat”) and Countess Mariza (Kalman’s “Countess Mariza”). She has also
participated in the performances of other major works, Orff’s “Carmina Burana”
and Honegger’s “Joan of Arc at the Stake” (the Virgin) (2005, Vanemuine; 2007,
Birgitta Festival) and given several solo concerts.
Svetlana Trifonova lõpetas 1998. aastal Moskva Riikliku Tšaikovski nimelise
Konservatooriumi soololaulu erialal prof E. Šumilova ja prof L. Kovaleva klassis.
1998−2000 täiendas ta end samas prof B. Rudenko juures. 1997−1999 töötas ta
solistina Moskva Suures Teatris, aastast 1999 Peterburi Maria Teatris.
Tema rolle: Gilda (Verdi “Rigoletto”), Öökuninganna (Mozarti “Võluflööt”),
Lucia (Donizetti “Lucia di Lammermoor”), Ninetta (Prokofjevi ”Armastus
kolme apelsini vastu”), Olympia (Offenbachi “Hoffmanni lood”), Cleopatra
(Cimarosa “Cleopatra”), Norina (Donizetti “Don Pasquale”), Marfa, Lumivalgeke
ja Tsaarinna (Rimski-Korsakovi “Tsaari mõrsja”, “Lumivalgeke” ja “Kuldne
kikas”). On esinenud Wagneri “Parcifali” kontsertettekandel Washingtonis ning
laulnud Oscari rolli (Verdi “Maskiball”) Londoni Covent Gardenis. Eestis on ta
varem laulnud Amina rolli (Bellini “La Sonnambula”). Rollid Vanemuise teatris:
Violetta (Verdi „La Traviata”), Öökuninganna (Mozarti „Võluflööt”), Olympia
(Offenbachi „Hoffmanni lood“), Manon (Massenet „Manon“).
Svetlana Trifonova graduated from the Moscow P.I Tchaikovsky Conservatoire
in the field of solo singing in the class of E. Shumilova and Professor L. Kovaleva
in 1998. In 1998-2000 he continued her studies there in the class of Professor
B. Rudenko. In 1997-1999 she worked as a soloist in Moscow Bolshoi Theatre,
from 1999 in St. Peterburg Mariinsky Theatre.
Her roles include: Gilda (Verdi’s “Rigoletto”), The Queen of the Night (Mozart’s
“The Magic Flute”), Lucia (Donizetti’s “Lucia di Lammermoor”), Ninetta
(Prokofiev’s “The Love for Three Oranges”), Olympia (Offenbach’s “The
Tales of Hoffmann”), Cleopatra (Cimarosa’s “Cleopatra”), Norina (Donizetti’s
“Don Pasquale”), Marfa, Snowmaiden and The Queen (Rimski-Korsakov’s
“The Tsar’s Bride”, “The Snow Maiden” and “The Golden Cockerel”). She has
also performed at the concert production of Wagner’s “Parsifal” in Washington
and sung the role of Oscar (Verdi’s “Un Ballo in Maschera”) in London Covent
Garden. In Estonia Svetlana Trifonova has sung the part of Amina (Bellini’s
“La Sonnambula”).
His roles in Vanemuine include: Violetta (Verdi’s “La Traviata”), Olympia
(Offenbach’s “The Tales of Hoffmann”), The Queen of the Night (Mozart’s
“The Magic Flute”), Manon (Massenet’ “Manon”).
Kädy Plaas on lõpetanud 2007. aastal Eesti Muusika– ja Teatriakadeemia klassikalise
laulu erialal. Hetkel jätkab õpinguid Eesti Muusika- ja Teatriakadeemia
magistrantuuris dotsent Nadja Kuremi lauluklassis. 2006/2007 oli vahetusüliõpilane
Hamburgi Muusika- ja Teatriakadeemias prof Ingrid Kremlingi lauluklassis.
On osalenud C. Sadolini, I. Kremlingi ja S. Ghazariani meistrikursustel.
Aastatel 2002−2004 oli Kädy Plaas Eesti Filharmoonia Kammerkoori
laulja. Alates 2004. aasta sügisest on ta solist projektiteatris “Nargen Opera”,
kus on laulnud J. Haydni õukonnaooperites: Silvya – „Üksik saar”, Flaminia
– „Elu kuu peal”, Zelmira – „Armida” ning Marzelline rolli Beethoveni ooperis
„Fidelio“. Kädy Plaas on esinenud solistina paljudes vokaalsuurvormides ja mitmete
uudisteoste esmaettekannetel. 2007-2008 debüteeris Kädy Plaas Vanemuise
teatris Pamina rollis Mozarti ooperis „Võluflööt“ ning Hamburgi Riigiooperis
Frasquitana Bizet’ „Carmenis“ ja Öökuningannana Mozarti „Võluflöödis“.
Talle on omistatud Eesti Kultuurkapitali Helikunsti Sihtkapitali aastapreemia
(2007).
Kädy Plaas graduated from the Estonian Academy of Music and Theatre in
2007 with a BA in opera singing. She is currently obtaining her Master’s degree
at the Estonian Academy of Music and Theatre in the singing class of Assist.
Prof. Nadja Kurem. In 2006/2007 she was an exchange student at the Hamburg
University of Music and Theatre in the singing class of Ingrid Kremling. She has
participated in the masterclasses of C. Sadolin, I. Kremling and S. Ghazarian.
In 2002–2004 Kädy Plaas was a singer of the Estonian Philharmonic Chamber
Choir. Since autumn 2004 she is a soloist of the project theatre “Nargen Opera”,
where she has performed in J. Haydn’s operas “L’isola disabitata”- Silvya,
“Il mondo della luna” - Flaminia, “Armida” - Zelmira and Beethoven´s “Fidelio” -
Marzelline. In 2007-2008 Kädy Plaas made her debut at the Vanemuine Theatre
as Pamina in Mozart’s “The Magic Flute” and at the Hamburg Staatsoper as
Frasquita in Bizet’s “Carmen” as well as the Queen of the Night in Mozart’s
“The Magic Flute”. Kädy Plaas has also soloed in several oratorical works and
contemporary works.She was awarded the annual music award by the Cultural
Endowment of Estonia (2007).