Bertolt Brecht - Education Scotland
Bertolt Brecht - Education Scotland
Bertolt Brecht - Education Scotland
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16<br />
WORKS BY BERTOLT BRECHT<br />
The other Methuen Student Editions are:<br />
The Caucasian Chalk Circle, Methuen Student Edition, trans. J & T Stern<br />
with W H Auden, with commentary and notes by Hugh Rorrison, London:<br />
Methuen, 1984<br />
This has an excellent series of photographs from <strong>Brecht</strong>’s Berliner Ensemble<br />
production, designed by Karl von Appen. The introductory notes and<br />
commentary are superb.<br />
The Life of Galileo, Methuen Student Edition, trans. J Willett, with notes and<br />
commentary by Hugh Rorrison, London: Methuen, 1986<br />
Another excellent edition.<br />
The many Methuen Modern Plays editions are all edited by John Willett and<br />
Ralph Manheim:<br />
The Threepenny Opera, trans. R Manheim and J Willett, 1979<br />
Excellent notes and texts, including one by Kurt Weill, a public letter<br />
responding to requests for his theoretical views.<br />
The Good Person of Szechwan, trans. J Willett, 1985<br />
Another good edition, which also contains the variant Santa Monica version<br />
and notes on the Zurich production.<br />
The Resistible Rise of Arturo Ui, trans. R Manheim, 1981<br />
Fear and Misery of the Third Reich, trans. J Willett, 1983<br />
The Caucasian Chalk Circle, trans. J & T Stern with W H Auden, 1963<br />
For alternatives, you might want to look at the following:<br />
The Good Person of Sichuan, trans. M Hofmann, London: Methuen, 1989<br />
Hofmann’s translation for the National Theatre in 1989 is based on the Santa<br />
Monica version of the play (the original version is from a Zurich production).<br />
It is shorter than the original, substitutes opium for tobacco and the<br />
translator’s Preface makes some pithy observations on <strong>Brecht</strong>’s use of<br />
language.<br />
Mother Courage and Her Children, adapted David Hare, London: Methuen,<br />
1995<br />
David Hare’s adaptation was used for Diana Rigg’s performance at the National<br />
Theatre in 1995.<br />
DRAMA