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Autumn 2013

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element, wishes and fantasies deposited in<br />

the subconscious in childhood, feeds the<br />

men’s complexes and eats away at their<br />

respectable and conscious image of self.<br />

This is therefore clearly a novel of men:<br />

clinging to young women and intoxicated<br />

with new experiences, the analyses of<br />

emotional reflections from the partners’<br />

points of view are modest, except for the<br />

epistolary romance, which introduces the<br />

woman’s side as well. This relationship is the<br />

most clearly and compactly described.<br />

The author of the book, Mart Kadastik<br />

(born in 1955), has worked in journalism for<br />

a long time and is the head of one of the<br />

largest media corporations in Estonia.<br />

Kadastik’s style is occasionally highly<br />

baroque, and the novel has been accused of<br />

waffling. Still, the verbal vibrancy is captivating<br />

and is balanced by the journalistic<br />

neutrality, almost tepidness, with which the<br />

author describes the intimate reflections,<br />

erotic images and adventures of respectable<br />

men. The style reveals conscious swings<br />

between closeness to life and a literary<br />

touch: convincing sincerity is blended with<br />

prickling irony, which can even veer into the<br />

grotesque. In sum, Spring Arrives in <strong>Autumn</strong><br />

is a mature, pretentious, intellectual debut<br />

novel. BM<br />

Mihkel Mutt<br />

Kooparahvas läheb ajalukku<br />

(The Cavemen Go Down in History)<br />

Tallinn, Fabian, 2012. pp. 462<br />

ISBN: 9789949933600<br />

Mihkel Mutt’s (b. 1953) latest novel,<br />

Kooparahvas läheb ajalukku (The Cavemen<br />

Go Down in History), reflects the life of the<br />

Estonian cultural elite from 1960 to 2010. It<br />

describes how the position of Estonian<br />

culture changed with the restoration of<br />

Estonian independence and what exactly<br />

happened to our society during that process.<br />

The creative intelligentsia – writers, artists,<br />

Mihkel Mutt (Photo by Scanpix)<br />

musicians, theatre people and humanitarians<br />

– played a vital role in resisting Soviet<br />

rule. After the change of power, it soon<br />

became clear that the desired freedom had<br />

brought with it a great deal of uncertainty<br />

for cultural figures. Most of them failed to<br />

adapt to the new situation, and that led to<br />

scepticism and disappointment. How did<br />

those who managed to fit into the new<br />

system find a balance between the values<br />

they used to live by and the values they<br />

now had to follow? Why did everything end<br />

up the way it did?<br />

As the pages fly by we meet dozens of<br />

colorful characters, all members of the<br />

Estonian cultural elite. The central meeting<br />

point of these characters is a pub located in<br />

the heart of Tallinn. The pub is called The<br />

Cave, and readers will recognize this as the<br />

famous Kuku Club. Fictionalising prominent<br />

people always creates a desire to recognize

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