250260270280were cutting each other’s flesh, from which the blood flowed liberally. Finallythey paused for a moment, resting on their shields.“Worthy knight,” said Sir Tarquine, “pray hold your hand for a while and, ifyou will, answer my question.”“Sir, speak on.”“You are the most powerful knight I have fought yet, but I fear you may bethe one whom in the whole world I most hate. If you are not, for the love ofyou I will release all my prisoners and swear eternal friendship.”“What is the name of the knight you hate above all others?”“Sir Launcelot du Lake; for it was he who slew my brother, Sir Caradosof the Dolorous Tower, and it is because of him that I have killed a hundredknights and maimed as many more, apart from the sixty-four I still holdprisoner. And so, if you are Sir Launcelot, speak up, for we must then fightto the death.”“Sir, I see now that I might go in peace and good fellowship or otherwisefight to the death; but being the knight I am, I must tell you: I am SirLauncelot du Lake, son of King Ban of Benwick, of Arthur’s court, and aknight of the Round Table. So defend yourself!”“Ah! this is most welcome.”Now the two knights hurled themselves at each other like two wild bulls;swords and shields clashed together, and often their swords drove into theflesh. Then sometimes one, sometimes the other, would stagger and fall, onlyto recover immediately and resume the contest. At last, however, Sir Tarquinegrew faint and unwittingly lowered his shield. Sir Launcelot was swift tofollow up his advantage and, dragging the other down to his knees, unlaced hishelmet and beheaded him. nSir Launcelot then strode over to the young noblewoman: “My lady, now Iam at your service, but first I must find a horse.”Then the wounded Sir Gaheris spoke up: “Sir, please take my horse. Todayyou have overcome the most formidable knight, excepting only yourself, andby so doing have saved us all. But before leaving, please tell me your name.”“Sir Launcelot du Lake. Today I have fought to vindicate the honor of theknights of the Round Table, and I know that among Sir Tarquine’s prisonersare two of my brethren, Sir Lyonel and Sir Ector, also your own brother, SirGawain. According to the shields there are also Sir Brandiles, Sir Galyhuddis, 37Sir Kay, Sir Alydukis, 38 Sir Marhaus, and many others. Please release theprisoners and ask them to help themselves to the castle treasure. Give them allmy greetings and say I will see them at the next Pentecost. And please requestSir Ector and Sir Lyonel to go straight to the court and await me there.” nMEDIEVAL ROMANCEReread lines 246–274.Which details suggestthat the clash betweenSir Tarquine and SirLauncelot is exaggeratedor larger than life?37. Galyhuddis (gBlPG-hMdQEs).38. Alydukis (BlPG-dLQkEs).1026 unit 10: greek tragedy and medieval romance
Reading for InformationHISTORICAL ACCOUNT In A Distant Mirror, the historian Barbara Tuchman offers aglimpse of the actual conditions medieval knights faced in battle.fromA Distant Mirror:The Calamitous 14th CenturyBarbara TuchmanTo fight on horseback or foot wearing55 pounds of plate armor, to crashin collision with an opponent at fullgallop while holding horizontal aneighteen-foot lance half the length ofan average telephone pole, to give andreceive blows with sword or battle-axthat could cleave a skull or slice off alimb at a stroke, to spend half of lifein the saddle through all weathers andfor days at a time, was not a weakling’swork. Hardship and fear were part ofit. “Knights who are at the wars . . . areforever swallowing their fear,” wrotethe companion and biographer of DonPero Niño, the “Unconquered Knight”of the late 14th century. “They exposethemselves to every peril; they giveup their bodies to the adventure of lifein death. Moldy bread or biscuit, meatcooked or uncooked; today enough to eatThe knight (1400s). Livre des eschecs moralisés, translated byJean Ferron from the Latin of Jacques de Cessoles. MS 3066,fol. 21. Bibliothèque Municipale, Rouen, France.Photo © Giraudon/Art Resource, New York.and tomorrow nothing, little or no wine, water from a pond or a butt, 1 bad quarters, theshelter of a tent or branches, a bad bed, poor sleep with their armor still on their backs,burdened with iron, the enemy an arrow-shot off. ‘Ware! Who goes there? To arms! Toarms!’ With the first drowsiness, an alarm; at dawn, the trumpet. ‘To horse! To horse!Muster! Muster!’ As lookouts, as sentinels, keeping watch by day and by night, fightingwithout cover, as foragers, as scouts, guard after guard, duty after duty. ‘Here they come!Here! They are so many—No, not as many as that—This way—that—Come this side—Press them there—News! News! They come back hurt, they have prisoners—no, theybring none back. Let us go! Let us go! Give no ground! On!’ Such is their calling.”1. butt: water cask.reading for information 1027
- Page 7 and 8: Literary Analysis WorkshopThis exce
- Page 9 and 10: literary analysis: medieval romance
- Page 12 and 13: 30405060“Sire,” said Sir Ulfius
- Page 14 and 15: 110In the morning, when all the nob
- Page 16: from Le Morte d’ArthurSirLauncelo
- Page 19 and 20: 708090100While Sir Launcelot still
- Page 21 and 22: Combat between Lancelot and Gawain
- Page 23: 210220230240mouth. Sir Gahalantyne
- Page 27 and 28: Vocabulary in Contextvocabulary pra
- Page 29 and 30: literary analysis: styleIn his intr
- Page 32 and 33: 30405060continued for many hours. L
- Page 34 and 35: Queen Guinevere’s Maying, John Co
- Page 36 and 37: 150160170180and gave my knightly co
- Page 38 and 39: 190200210220own skin. And as she pa
- Page 40 and 41: GREEKHEROESSTRENGTH -GLORY-IMMORTAL
- Page 42 and 43: *Nearlyallhavesomesortofsupernatura
- Page 44 and 45: TheEpic
- Page 46 and 47: homer’sworldThe acropolis of Athe
- Page 48 and 49: Homer: The Epic PoetShadowy Figure
- Page 50 and 51: The Odyssey in ArtArtists have been
- Page 52: part one: the wanderings of odysseu
- Page 55: ook 9:New Coasts and Poseidon’s S
- Page 58 and 59: 6065nor sow by hand, nor till the g
- Page 60 and 61: 135140145150155We lit a fire, burnt
- Page 62 and 63: 215220225230235240245250255putting
- Page 64 and 65: 295300305310315deep in his crater e
- Page 66 and 67: 370375380385390395400405Oh, had you
- Page 68 and 69: 445450455460465470475480‘O hear m
- Page 70 and 71: y that craft known to the goddesses
- Page 72 and 73: 30Ulysses Descending into the Under
- Page 74 and 75:
859095100105110115in rancor for the
- Page 77 and 78:
3035404550556065Ahead are beetling
- Page 79 and 80:
110115120125130135140Rough years th
- Page 81 and 82:
180185190The shot spumesoared to th
- Page 83 and 84:
After ReadingComprehension1. Recall
- Page 85 and 86:
Before ReadingThe Homecomingfrom th
- Page 87:
part two: the homecomingbook 16:Fat
- Page 90 and 91:
556065The swineherd, when the quiet
- Page 92 and 93:
uncomprehending, wildwith increduli
- Page 94 and 95:
Ulysses and His Dog (about 1900).
- Page 97 and 98:
she paused, her shining veil across
- Page 99 and 100:
Odysseus the beggar asks the suitor
- Page 101:
ook 22:Death in the Great HallANALY
- Page 104 and 105:
65“Not for the whole treasure of
- Page 106 and 107:
above the hall. The suitors, recogn
- Page 109 and 110:
30Make up his bed for him, Euryclei