Morrison has said that she was creatingher own sense of identity as awriter through this novel: “I wasPecola, Claudia, everybody.”Sula (1973) describes the strongfriendship of two women. Morrisonpaints African-American women asunique, fully individual charactersrather than as stereotypes.Morrison’s Song of Solomon (1977)has won several awards. It follows ablack man, Milkman Dead, and hiscomplex relations with his familyand community. In Tar Baby (1981)Morrison deals with black andwhite relations. Beloved (1987) isthe wrenching story of a womanwho murders her children ratherthan allow them to live as slaves. Itemploys the dreamlike techniquesof magical realism in depicting amysterio<strong>us</strong> figure, Beloved, whoreturns to live with the mother whohas s<strong>lit</strong> her throat.Jazz (1992), set in 1920s Harlem,is a story of love and murder; inParadise (1998), males of the allblackOklahoma town of Ruby killneighbors from an all-women’s settlement.Morrison reveals thatexcl<strong>us</strong>ion, whether by sex or race,however appealing it may seem,leads ultimately not to paradise butto a hell of human devising.In her accessible nonfiction bookPlaying in the Dark: Whiteness andthe Literary Imagination (1992),Morrison discerns a defining currentof racial conscio<strong>us</strong>ness inAmerican <strong>lit</strong>erature. Morrison hassuggested that though her novelsare consummate works of art, theycontain po<strong>lit</strong>ical meanings: “I amMorrison’srichly wovenfiction has gainedher internationalacclaim. Incompelling,large-spiritednovels, she treatsthe complexidentities of blackpeople in auniversal manner.not interested in indulging myselfin some private exercise of myimagination...yes, the work m<strong>us</strong>t bepo<strong>lit</strong>ical.” In 1993, Morrison wonthe Nobel Prize for Literature.Alice Walker (1944- )Alice Walker, an African-American and the child of a sharecropperfamily in rural Georgia,graduated from Sarah LawrenceCollege, where one of her teacherswas the po<strong>lit</strong>ically committedfemale poet Muriel Rukeyser.Other influences on her work havebeen Flannery O’Connor and ZoraNeale Hurston.A “womanist” writer, as Walkercalls herself, she has long beenassociated with feminism, presentingblack existence from the femaleperspective. Like Toni Morrison,Jamaica Kincaid, the late Toni CadeBambara, and other accomplishedcontemporary black novelists,Walker <strong>us</strong>es heightened, lyricalrealism to center on the dreamsand failures of accessible, crediblepeople. Her work underscores thequest for dignity in human life. Afine stylist, particularly in her epistolarydialect novel The ColorPurple, her work seeks to educate.In this she resembles the blackAmerican novelist Ishmael Reed,whose satires expose social problemsand racial issues.Walker’s The Color Purple is thestory of the love between two poorblack sisters that survives a separationover years, interwoven with thestory of how, during that same period,the shy, ugly, and uneducated115
sister discovers her inner strength through thesupport of a female friend. The theme of thesupport women give each other recalls MayaAngelou’s autobiography, I Know Why the CagedBird Sings, which celebrates the mother-daughterconnection, and the work of white feministssuch as Adrienne Rich. The Color Purple portraysmen as basically unaware of the needs and rea<strong>lit</strong>yof women.Although many critics find Walker’s work toodidactic or ideological, a large general readershipappreciates her bold explorations ofAfrican-American womanhood. Her novels shedlight on festering issues such as the harsh legacyof sharecropping (The Third Life of GrangeCopeland, 1970) and female circumcision(Possessing the Secret Joy, 1992).THE RISE OF MULTIETHNIC FICTIONJewish-American writers like Saul Bellow,Bernard Malamud, Isaac Bashevis Singer,Arthur Miller, Philip Roth, and NormanMailer were the first since the 19th-century abo<strong>lit</strong>ionistsand African-American writers of slavenarratives to address ethnic prejudice and theplight of the outsider. They explored new ways ofprojecting an awareness that was both Americanand specific to a subculture. In this, they openedthe door for the flowering of multiethnic writingin the decades to come.The close of the 1980s and the beginnings ofthe 1990s saw minority writing become a majorfixture on the American <strong>lit</strong>erary landscape. Thisis true in drama as well as in prose. The lateAug<strong>us</strong>t Wilson (1945-2005) wrote an acclaimedcycle of plays about the 20th-century black experiencethat stands alongside the work of novelistsAlice Walker, John Edgar Wideman, and ToniMorrison. Scholars such as Lawrence Levine(The Opening of the American Mind: Canons,Culture and History, 1996) and Ronald Takaki (ADifferent Mirror: A History of MulticulturalAmerica, 1993) provide invaluable context forunderstanding multiethnic <strong>lit</strong>erature and itsmeanings.Asian Americans also took their place on thescene. Maxine Hong Kingston, author of TheWoman Warrior (1976), carved out a place forher fellow Asian Americans. Among them is AmyTan (1952- ), whose lumino<strong>us</strong> novels of Chineselife transposed to post-World War II America(The Joy Luck Club, 1989, and The Kitchen God’sWife, 1991) captivated readers. David HenryHwang (1957- ), a California-born son of Chineseimmigrants, made his mark in drama, with playssuch as F.O.B. (1981) and M. Butterfly (1986).A relatively new group on the <strong>lit</strong>erary horizonwere the Latino-American writers, including thePu<strong>lit</strong>zer Prize-winning novelist Oscar Hijuelos,the Cuban-born author of The Mambo Kings PlaySongs of Love (1989). Leading writers ofMexican-American descent include SandraCisneros (Woman Hollering Creek and OtherStories, 1991); and Rudolfo Anaya, author of thepoetic novel Bless Me, Ultima (1972).Native-American fiction flowered. Most oftenthe authors evoked the loss of traditional lifebased in nature, the stressful attempt to adapt tomodern life, and their struggles with poverty,unemployment, and alcoholism. The Pu<strong>lit</strong>zerPrize-winning Ho<strong>us</strong>e Made of Dawn (1968), by N.Scott Momaday (1934- ), and his poetic The Wayto Rainy Mountain (1969) evoke the beauty anddespair of Kiowa Indian life. Of mixed Pueblodescent, Leslie Marmon Silko wrote the criticallyesteemed novel Ceremony (1977), whichgained a large general audience. Like Momaday’sworks, hers is a “chant novel” structured onNative-American healing rituals.Blackfoot poet and novelist James Welch(1940-2003) detailed the struggles of NativeAmericans in his slender, nearly flawless novelsWinter in the Blood (1974), The Death of JimLoney (1979), Fools Crow (1986), and The IndianLawyer (1990). Louise Erdrich, part Chippewa,has written a powerful series of novels inaugu-116
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special songs for children’s game
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Painting courtesy Smithsonian Insti
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he accepted his lifelong job as a m
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solo trip in 1704 from Boston to Ne
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mon, “Sinners in the Hands of an
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CHAPTER2DEMOCRATIC ORIGINSAND REVOL
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should look out for themselves.Bad
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of a Horse the Rider was lost, bein
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translate Homer. Dwight’s epic wa
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Charles Brockden Brown (1771-1810)A
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ness, and they became legends inthe
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CHAPTER3THE ROMANTIC PERIOD,1820-18
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physical self-discovery. For the Ro
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great detail, is a concrete metapho
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Whitman’s voice electrifies evenm
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anti-slavery poems such as“Ichabo
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CHAPTER4THE ROMANTIC PERIOD,1820-18
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cratic families: “The truth is, t
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emanates from the Book of Genesis i
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of ratiocination, or reasoning. The
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has become legendary:I have ploughe
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looked until recently. The same can
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the weak or vulnerable individual.S
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falling tree, and every lick makes
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Edel calls James’s first, or “i
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who had lived a century earlier. Pr
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the quiet poverty, loneliness, and
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TWO WOMENREGIONAL NOVELISTSNovelist
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CHAPTER6MODERNISM ANDEXPERIMENTATIO
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more technological, and more mechan
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INDEXCummings, Edward Estlin (e.e.
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INDEXGolden Apples, The (Eudora Wel
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INDEXKumin, Maxine 90, 130Kushner,
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INDEX“Negro Speaks of Rivers, The
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INDEXSeascape (Edward Albee) 117Sea
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INDEXWaiting (Ha Jin) 155Waiting fo
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U.S. DEPARTMENT OF STATE /BUREAU OF