title is ironic: “Next year in Cuba” isa phrase of Cuban exiles clinging totheir vision of a triumphant return.The Pérez Family (1990), byChristine Bell (1951- ), warmly portraysconf<strong>us</strong>ed Cuban families —at least half of them named Pérez— in exile in Miami. Recent worksof novelist Oscar Hijuelos (1951- )include The Fourteen Sisters ofEmilio Montez O’Brien (1993),about Cuban Irish Americans, andMr. Ives’ Christmas (1995), thestory of a man whose son has died.Writers with Puerto Rican rootsinclude Nicholasa Mohr (1938- ),whose Rituals of Survival: AWoman’s Portfolio (1985) presentsthe lives of six Puerto Ricanwomen, and Rosario Ferré (1938- ),author of The Youngest Doll (1991).Among the younger writers isJudith Ortiz Cofer (1952- ), authorof Silent Dancing: A PartialRemembrance of a Puerto RicanChildhood (1990) and The LatinDeli (1993), which combines poetrywith stories. Poet and essayistAurora Levins Morales (1954- )writes of Puerto Rico from a cosmopo<strong>lit</strong>anJewish viewpoint.The best-known writer withroots in the Dominican Republic isJulia Alvarez (1950- ). In How theGarcía Girls Lost Their Accents(1991), upper-class Dominicanwomen struggle to adapt to NewYork City. ¡Yo! (1997) returns to theGarcía sisters, exploring identitythrough the stories of 16 characters.Junot Diaz (1948- ) offers amuch harsher vision in the storycollection Drown (1996), aboutJAMAICA KINCAIDPhoto © Nancy Cramptonyoung men in the slums of NewJersey and the Dominican Republic.Major Latin American writerswho first became prominent in theUnited States in the 1960s —Argentina’s Jorge Luis Borges,Colombia’s Gabriel GarcíaMárquez, Chile’s Pablo Neruda, andBrazil’s Jorge Amado — introducedU.S. authors to magical realism,surrealism, a hemispheric sensibi<strong>lit</strong>y,and an appreciation of indigeno<strong>us</strong>cultures. Since that first waveof popularity, women and writers ofcolor have found audiences, amongthem Chilean-born novelist IsabelAllende (1942- ). The niece ofChilean president Salvador Allende,who was assassinated in 1973,Isabel Allende memorialized hercountry’s bloody history in La casade los espírit<strong>us</strong> (l982), translated asThe Ho<strong>us</strong>e of the Spirits (1985).Later novels (written and publishedfirst in Spanish) include EvaLuna (1987) and Daughter ofFortune (1999), set in the Californiagold r<strong>us</strong>h of 1849. Allende’s evocativestyle and woman-centeredvision have gained her a wide readershipin the United States.GLOBAL AUTHORS: VOICESFROM ASIA AND THEMIDDLE EASTMany writers from the Indiansubcontinent have madetheir home in the UnitedStates in recent years. BharatiMukherjee (1940- ) has written anacclaimed story collection, TheMiddleman and Other Stories(1988); her novel Jasmine (1989)153
tells the story of an illegal immigrantwoman. Mukherjee wasraised in Calcutta; her novel TheHolder of the World (1993) imaginespassionate adventures in 17th-centuryIndia for characters inNathaniel Hawthorne’s The ScarletLetter. Leave It to Me (1997) followsthe nomadic struggles of a girlabandoned in India who seeks herroots. Mukherjee’s haunting story“The Management of Grief” (1988),about the aftermath of a terroristbombing of a plane, has taken onnew resonance since September11, 2001.Indian-born Meena Alexander(1951- ), of Syrian heritage, wasraised in North Africa; she reflectson her experience in her memoirFault Lines (1993). Poet and storywriter Chitra Banerjee Divakaruni(1956- ), born in India, has writtenthe sensuo<strong>us</strong>, women-centerednovels The Mistress of Spices (1997)and Sister of My Heart (1999), aswell as story collections includingThe Unknown Errors of Our Lives(2001).Jhumpa Lahiri (1967- ) foc<strong>us</strong>eson the younger generation’s conflictsand assimilation in Interpreterof Maladies: Stories of Bengal,Boston, and Beyond (1999) and hernovel The Namesake (2003). Lahiridraws on her experience: HerBengali parents were raised inIndia, and she was born in Londonbut raised in the United States.Southeast Asian-American authors,especially those from Koreaand the Philippines, have foundstrong voices in the last decade.BHARATI MUKHERJEEPhoto © Miriam BerkleyAmong recent Korean-Americanwriters, pre-eminent is Chang-raeLee (1965- ). Born in Seoul, Korea,Lee’s remarkable novel NativeSpeaker (1995) interweaves publicideals, betrayal, and private despair.His moving second novel, AGesture Life (1999), explores thelong shadow of a wartime atrocity— the Japanese <strong>us</strong>e of Korean“comfort women.”Theresa Hak Kyung Cha (1951-1982), born in Korea, blends photographs,videos, and historicaldocuments in her experimentalDictee (l982) to memorialize thesuffering of Koreans underJapanese occupying forces.Malaysian-American poet ShirleyGeok-lin Lim, of ethnic Chinesedescent, has written a challengingmemoir, Among the White MoonFaces (l996). Her autobiographicalnovel is Joss and Gold (2001), whileher stories are collected in TwoDreams (l997).Philippine-born writers includeBienvenido Santos (1911-1996),author of the poetic novel Scent ofApples (1979), and JessicaHagedorn (l949- ), whose surrealisticpop culture novels areDogeaters (l990) and The Gangsterof Love (1996). In very differentways, they both are responding tothe poignant autobiographicalnovel of Filipino-American migrantlaborer Carlos Bulosan (1913–1956),America Is in the Heart (1946).Noted Vietnamese-Americanfilmmaker and social theorist TrinhMinh-Ha (1952- ) combines storytellingand theory in her feminist154
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special songs for children’s game
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Painting courtesy Smithsonian Insti
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he accepted his lifelong job as a m
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solo trip in 1704 from Boston to Ne
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mon, “Sinners in the Hands of an
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CHAPTER2DEMOCRATIC ORIGINSAND REVOL
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should look out for themselves.Bad
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of a Horse the Rider was lost, bein
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translate Homer. Dwight’s epic wa
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Charles Brockden Brown (1771-1810)A
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ness, and they became legends inthe
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CHAPTER3THE ROMANTIC PERIOD,1820-18
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physical self-discovery. For the Ro
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great detail, is a concrete metapho
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Whitman’s voice electrifies evenm
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anti-slavery poems such as“Ichabo
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CHAPTER4THE ROMANTIC PERIOD,1820-18
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cratic families: “The truth is, t
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emanates from the Book of Genesis i
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of ratiocination, or reasoning. The
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has become legendary:I have ploughe
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looked until recently. The same can
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the weak or vulnerable individual.S
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falling tree, and every lick makes
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Edel calls James’s first, or “i
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who had lived a century earlier. Pr
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the quiet poverty, loneliness, and
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TWO WOMENREGIONAL NOVELISTSNovelist
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CHAPTER6MODERNISM ANDEXPERIMENTATIO
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more technological, and more mechan
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erary and social traditions for the
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(1935), and Parts of a World (1942)
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themes of Greek tragedy set in ther
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F. Scott Fitzgerald(1896-1940)Franc
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where he lived most of his life.Fau
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John Steinbeck (1902-1968)Like Sinc
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ZORA NEALE HURSTONPhoto © Carl Van
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(1928), a winner of the Pulitzer Pr
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TRADITIONALISMTraditional writers i
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ground melody. It was experimentalp
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John Berryman (1914-1972)John Berry
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poetry writing, for women, as a dan
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his example and influence.Beat poet
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acial differences have shaped their
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Acoma, New Mexico.A central text in
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Americans, from Harper (a collegepr
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At the opposite end of the theoreti
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Robert Penn Warren(1905-1989)Robert
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was set in Mexico during the revolu
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- Page 159 and 160: GLOSSARYFaust: A literary character
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