Spelling of My Name (l982) is anearthy account of a black woman’sexperience in the United States.Bebe Moore Campbell (l950- ),from Philadelphia, writes feistydomestic novels including YourBlues Ain’t Like Mine (l992). GloriaNaylor (l950- ), from New York City,explores different women’s lives inThe Women of Brewster Place(1982), the novel that made hername.Critically acclaimed John EdgarWideman (l941- ) grew up inHomewood, a black section ofPittsburgh, Pennsylvania. HisFaulknerian Homewood Trilogy —Hiding Place (1981), Damballah(1981), and Sent for You Yesterday(1983) — <strong>us</strong>es shifting viewpointsand linguistic play to render blackexperience. His best-known shortpiece, “Brothers and Keepers”(1984), concerns his relationshipwith his imprisoned brother. In TheCattle Killing (l996), Widemanreturns to the subject of hisfamo<strong>us</strong> early story “Fever” (l989).His novel Two Cities (l998) takesplace in Pittsburgh andPhiladelphia.David Bradley (1950- ), also fromPennsylvania, set his historicalnovel The Chaneysville Incident(l981) on the “underground railroad,”a network of citizens whoprovided opportunity and assistancefor southern black slaves tofind freedom in the North at thetime of the U.S. Civil War.Trey Ellis (1962 - ) has writtenthe novels Platitudes (1988), HomeRepairs (1993), and Right Here,ANNE TYLERPhoto: Diana Walker /Getty ImagesRight Now (1999), screenplaysincluding “The T<strong>us</strong>kegee Airmen”(1995), and a l989 essay “The NewBlack Aesthetic” discerning a newmultiethnic sensibi<strong>lit</strong>y among theyounger generation.Writers from Washington, D.C.,four hours’ drive south from NewYork City, include Ann Beattie(1947- ), whose short stories werementioned earlier. Her slice-of-lifenovels include Picturing Will(1989), Another You (l995), and MyLife, Starring Dara Falcon (1997).America’s capital city is home tomany po<strong>lit</strong>ical novelists. Ward J<strong>us</strong>t(1935- ) sets his novels inWashington’s swirling mi<strong>lit</strong>ary,po<strong>lit</strong>ical, and intellectual circles.Christopher Buckley (1952- )spikes his humoro<strong>us</strong> po<strong>lit</strong>ical satirewith local details; his Little GreenMen (1999) is a spoof about officialresponses to aliens from outerspace. Michael Chabon (1963- ),who grew up in the Washingtonsuburbs but later moved toCalifornia, depicts youths on thedazzling brink of adulthood in TheMysteries of Pittsburgh (1988); hisnovel inspired by a comic book, TheAmazing Adventures of Kavalierand Clay (2000), mixes glamourand craft in the manner of F. ScottFitzgerald.The SouthThe South comprises disparateregions in the southeastern UnitedStates, from the cool AppalachianMountain chain and the broadMississippi River valley to thesteamy cypress bayo<strong>us</strong> of the Gulf143
Coast. Cotton and the plantationculture of slavery made the Souththe richest section in the countrybefore the U.S. Civil War (1860-1865). But after the war, the regionsank into poverty and isolation thatlasted a century. Today, the South ispart of what is called the Sun Belt,the fastest growing part of theUnited States.The most traditional of theregions, the South is proud of itsdistinctive heritage. Enduringthemes include family, land, history,religion, and race. Much southernwriting has a depth and humanityarising from the devastatinglosses of the Civil War and soulsearching over the region’s legacyof slavery.The South, with its rich oraltradition, has nourished manywomen storytellers. In theupper South, Bobbie Ann Mason(1940- ) from Kentucky, writes ofthe changes wrought by mass culture.In her most famo<strong>us</strong> story,“Shiloh” (1982), a couple m<strong>us</strong>tchange their relationship or separateas ho<strong>us</strong>ing subdivisionsspread “across western Kentuckylike an oil slick.” Mason’sacclaimed short novel In Country(1985) depicts the effects of theVietnam War by foc<strong>us</strong>ing on aninnocent young girl whose fatherdied in the conflict.Lee Smith (1944- ) brings thepeople of the AppalachianMountains into poignant foc<strong>us</strong>,drawing on the well of Americanfolk m<strong>us</strong>ic in her novel The Devil’sDream (l992). Jayne Anne PhillipsBOBBIE ANN MASONPhoto: Jymi Bolden /CityBeat(1952- ) writes stories of misfits —Black Tickets (1979) — and anovel, Machine Dreams (1984), setin the hardscrabble mountains ofWest Virginia.The novels of Jill McCorkle(1958- ) capture her North Carolinabackground. Her mystery-enshroudedlove story Carolina Moon(1996) explores a years-old suicidein a coastal village where relentlesswaves erode the foundations fromderelict beach ho<strong>us</strong>es. The l<strong>us</strong>hnative South Carolina of DorothyAllison (1949- ) features in hertough autobiographical novelBastard Out of Carolina (1992),seen through the eyes of adirt-poor, illegitimate 12-year-oldtomboy nicknamed Bone. MississippianEllen Gilchrist (1935- ) setsmost of her colloquial CollectedStories (2000) in small hamletsalong the Mississippi River and inNew Orleans, Louisiana.Southern novelists mining maleexperience include the acclaimedCormac McCarthy (l933- ), whoseearly novels such as Suttree (1979)are archetypically southern tales ofdark emotional depths, ignorance,and poverty, set against the greenhills and valleys of easternTennessee. In l974, McCarthymoved to El Paso, Texas, and beganto plumb western landscapes andtraditions. Blood Meridian: Or theEvening of Redness in the West(1985) is an unsparing vision of TheKid, a 14-year-old from Tennesseewho becomes a cold-hearted killerin Mexico in the 1840s. McCarthy’sbest-selling epic Border Trilogy —144
- Page 5 and 6:
special songs for children’s game
- Page 7 and 8:
Painting courtesy Smithsonian Insti
- Page 9 and 10:
he accepted his lifelong job as a m
- Page 11 and 12:
solo trip in 1704 from Boston to Ne
- Page 13 and 14:
mon, “Sinners in the Hands of an
- Page 15 and 16:
CHAPTER2DEMOCRATIC ORIGINSAND REVOL
- Page 17 and 18:
should look out for themselves.Bad
- Page 19 and 20:
of a Horse the Rider was lost, bein
- Page 21 and 22:
translate Homer. Dwight’s epic wa
- Page 23 and 24:
Charles Brockden Brown (1771-1810)A
- Page 25 and 26:
ness, and they became legends inthe
- Page 27 and 28:
CHAPTER3THE ROMANTIC PERIOD,1820-18
- Page 29 and 30:
physical self-discovery. For the Ro
- Page 31 and 32:
great detail, is a concrete metapho
- Page 33 and 34:
Whitman’s voice electrifies evenm
- Page 35 and 36:
anti-slavery poems such as“Ichabo
- Page 37 and 38:
CHAPTER4THE ROMANTIC PERIOD,1820-18
- Page 39 and 40:
cratic families: “The truth is, t
- Page 41 and 42:
emanates from the Book of Genesis i
- Page 43 and 44:
of ratiocination, or reasoning. The
- Page 45 and 46:
has become legendary:I have ploughe
- Page 47 and 48:
looked until recently. The same can
- Page 49 and 50:
the weak or vulnerable individual.S
- Page 51 and 52:
falling tree, and every lick makes
- Page 53 and 54:
Edel calls James’s first, or “i
- Page 55 and 56:
who had lived a century earlier. Pr
- Page 57 and 58:
the quiet poverty, loneliness, and
- Page 59 and 60:
TWO WOMENREGIONAL NOVELISTSNovelist
- Page 61 and 62:
CHAPTER6MODERNISM ANDEXPERIMENTATIO
- Page 63 and 64:
more technological, and more mechan
- Page 65 and 66:
erary and social traditions for the
- Page 67 and 68:
(1935), and Parts of a World (1942)
- Page 69 and 70:
themes of Greek tragedy set in ther
- Page 71 and 72:
F. Scott Fitzgerald(1896-1940)Franc
- Page 73 and 74:
where he lived most of his life.Fau
- Page 75 and 76:
John Steinbeck (1902-1968)Like Sinc
- Page 77 and 78:
ZORA NEALE HURSTONPhoto © Carl Van
- Page 79 and 80:
(1928), a winner of the Pulitzer Pr
- Page 81 and 82:
TRADITIONALISMTraditional writers i
- Page 83 and 84:
ground melody. It was experimentalp
- Page 85 and 86:
John Berryman (1914-1972)John Berry
- Page 87 and 88:
poetry writing, for women, as a dan
- Page 89 and 90:
his example and influence.Beat poet
- Page 91 and 92:
acial differences have shaped their
- Page 93 and 94: Acoma, New Mexico.A central text in
- Page 95 and 96: Americans, from Harper (a collegepr
- Page 97 and 98: At the opposite end of the theoreti
- Page 99 and 100: Robert Penn Warren(1905-1989)Robert
- Page 101 and 102: was set in Mexico during the revolu
- Page 103 and 104: ful people whose inner faultsand di
- Page 105 and 106: veiled account of the life ofBellow
- Page 107 and 108: (1964), Bullet Park (1969), andFalc
- Page 109 and 110: eing reported. In The Electric Kool
- Page 111 and 112: own phrase) in negotiating thechaot
- Page 113 and 114: the sweep of time from the end of t
- Page 115 and 116: vivid, and often comic novel is asu
- Page 117 and 118: sister discovers her inner strength
- Page 119 and 120: paths of life in his early years,fl
- Page 121 and 122: acism and adopted the surname ofhis
- Page 123 and 124: Bishop, generally considered the fi
- Page 125 and 126: arate vantage point. As in a film
- Page 127 and 128: moments of spiritual insight rescue
- Page 129 and 130: the city in which I love you.And I
- Page 131 and 132: loads up steep hills on the Greekis
- Page 133 and 134: Billy Collins (1941- )The most infl
- Page 135 and 136: in a musicians’ “jam session.
- Page 137 and 138: CHAPTER10CONTEMPORARYAMERICANLITERA
- Page 139 and 140: with private lives.Influenced by Th
- Page 141 and 142: ecognition for her Crimes of the He
- Page 143: Kennedy as an explosion of frustrat
- Page 147 and 148: tle, open-ended fiction; recent vol
- Page 149 and 150: nature essayist Rick Bass (1958- ),
- Page 151 and 152: AMY TANPhoto: Associated Press /Gra
- Page 153 and 154: Sherman Alexie (1966- ), aSpokane/C
- Page 155 and 156: tells the story of an illegal immig
- Page 157 and 158: 156
- Page 159 and 160: GLOSSARYFaust: A literary character
- Page 161 and 162: GLOSSARYPoet Laureate: An individua
- Page 163 and 164: 162
- Page 165 and 166: INDEXBabbitt (Sinclair Lewis) 60, 7
- Page 167 and 168: INDEXCummings, Edward Estlin (e.e.
- Page 169 and 170: INDEXGolden Apples, The (Eudora Wel
- Page 171 and 172: INDEXKumin, Maxine 90, 130Kushner,
- Page 173 and 174: INDEX“Negro Speaks of Rivers, The
- Page 175 and 176: INDEXSeascape (Edward Albee) 117Sea
- Page 177 and 178: INDEXWaiting (Ha Jin) 155Waiting fo
- Page 179: U.S. DEPARTMENT OF STATE /BUREAU OF