CHAPTER5THE RISE OF REALISM:1860-1914The U.S. Civil War (1861-1865) between theind<strong>us</strong>trial North and the agricultural,slave-owning South was a watershed inAmerican history. The innocent optimism of theyoung democratic nation gave way, after the war,to a period of exha<strong>us</strong>tion. American idealismremained but was rechanneled. Before the war,idealists championed human rights, especiallythe abo<strong>lit</strong>ion of slavery; after the war, Americansincreasingly idealized progress and the selfmademan. This was the era of the millionairemanufacturer and the speculator, whenDarwinian evolution and the “survival of thefittest” seemed to sanction the sometimesunethical methods of the successful b<strong>us</strong>inesstycoon.B<strong>us</strong>iness boomed after the war. War productionhad boosted ind<strong>us</strong>try in the North and givenit prestige and po<strong>lit</strong>ical clout. It also gave ind<strong>us</strong>trialleaders valuable experience in the managementof men and machines. The enormo<strong>us</strong> naturalresources — iron, coal, oil, gold, and silver— of the American land benefitted b<strong>us</strong>iness.The new intercontinental rail system, inauguratedin 1869, and the transcontinental telegraph,which began operating in 1861, gave ind<strong>us</strong>tryaccess to materials, markets, and communications.The constant influx of immigrants provideda seemingly endless supply of inexpensive laboras well. Over 23 million foreigners — German,Scandinavian, and Irish in the early years, andincreasingly Central and Southern Europeansthereafter — flowed into the United Statesbetween 1860 and 1910. Chinese, Japanese, andFilipino contract laborers were imported byHawaiian plantation owners, railroad companies,and other American b<strong>us</strong>iness interests on theWest Coast.In 1860, most Americans lived on farms or insmall villages, but by 1919 half of the populationwas concentrated in about 12 cities. Problemsof urbanization and ind<strong>us</strong>trialization appeared:poor and overcrowded ho<strong>us</strong>ing, unsanitary conditions,low pay (called “wage slavery”), difficultworking conditions, and inadequate restraints onb<strong>us</strong>iness. Labor unions grew, and strikes broughtthe plight of working people to national awareness.Farmers, too, saw themselves strugglingagainst the “money interests” of the East, theso-called robber barons like J.P. Morgan and JohnD. Rockefeller. Their eastern banks tightly controlledmortgages and credit so vital to westerndevelopment and agriculture, while railroadcompanies charged high prices to transport farmproducts to the cities. The farmer graduallybecame an object of ridicule, lampooned as anunsophisticated “hick” or “rube.” The idealAmerican of the post-Civil War period becamethe millionaire. In 1860, there were fewer than100 millionaires; by 1875, there were more than1,000.From 1860 to 1914, the United States was transformedfrom a small, young, agricultural excolonyto a huge, modern, ind<strong>us</strong>trial nation. Adebtor nation in 1860, by 1914 it had become theworld’s wealthiest state, with a population thathad more than doubled, rising from 31 million in1860 to 76 million in 1900. By World War I, theUnited States had become a major world power.As ind<strong>us</strong>trialization grew, so did alienation.Characteristic American novels of the period —Stephen Crane’s Maggie: A Girl of the Streets,Jack London’s Martin Eden, and later TheodoreDreiser’s An American Tragedy — depict thedamage of economic forces and alienation on47
the weak or vulnerable individual.Survivors, like Twain’s Huck Finn,Humphrey Vanderveyden in London’sThe Sea-Wolf, and Dreiser’sopportunistic Sister Carrie, endurethrough inner strength involvingkindness, flexibi<strong>lit</strong>y, and, above all,individua<strong>lit</strong>y.SAMUEL CLEMENS(MARK TWAIN) (1835-1910)Samuel Clemens, better knownby his pen name of MarkTwain, grew up in theMississippi River frontier town ofHannibal, Missouri. ErnestHemingway’s famo<strong>us</strong> statementthat all of American <strong>lit</strong>eraturecomes from one great book,Twain’s Adventures of HuckleberryFinn, indicates this author’s toweringplace in the tradition. Early19th-century American writerstended to be too flowery, sentimental,or ostentatio<strong>us</strong> — partiallybeca<strong>us</strong>e they were still trying toprove that they could write as elegantlyas the English. Twain’s style,based on vigoro<strong>us</strong>, realistic, colloquialAmerican speech, gaveAmerican writers a new appreciationof their national voice. Twainwas the first major author to comefrom the interior of the country,and he captured its distinctive,humoro<strong>us</strong> slang and iconoclasm.For Twain and other Americanwriters of the late 19th century,realism was not merely a <strong>lit</strong>erarytechnique: It was a way of speakingtruth and exploding worn-out conventions.Th<strong>us</strong> it was profoundlyliberating and potentially at oddsSAMUEL CLEMENS(MARK TWAIN)Ill<strong>us</strong>tration byThadde<strong>us</strong> A. Miksinski, Jr.with society. The most well-knownexample is Huck Finn, a poor boywho decides to follow the voice ofhis conscience and help a Negroslave escape to freedom, eventhough Huck thinks this means thathe will be damned to hell for breakingthe law.Twain’s masterpiece, which appearedin 1884, is set in the MississippiRiver village of St. Petersburg.The son of an alcoholic bum,Huck has j<strong>us</strong>t been adopted by arespectable family when his father,in a drunken stupor, threatens tokill him. Fearing for his life, Huckescapes, feigning his own death. Heis joined in his escape by anotheroutcast, the slave Jim, whoseowner, Miss Watson, is thinking ofselling him down the river to theharsher slavery of the deep South.Huck and Jim float on a raft downthe majestic Mississippi, but aresunk by a steamboat, separated,and later reunited. They go throughmany comical and dangero<strong>us</strong> shoreadventures that show the variety,generosity, and sometimes cruel irrationa<strong>lit</strong>yof society. In the end, itis discovered that Miss Watson hadalready freed Jim, and a respectablefamily is taking care of thewild boy Huck. But Huck growsimpatient with civilized society andplans to escape to “the territories”— Indian lands. The ending givesthe reader the counter-version ofthe classic American success myth:the open road leading to the pristinewilderness, away from themorally corrupting influences of“civilization.” James Fenimore48
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Robert Penn Warren(1905-1989)Robert
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was set in Mexico during the revolu
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ful people whose inner faultsand di
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veiled account of the life ofBellow
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(1964), Bullet Park (1969), andFalc
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eing reported. In The Electric Kool
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own phrase) in negotiating thechaot
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the sweep of time from the end of t
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vivid, and often comic novel is asu
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sister discovers her inner strength
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paths of life in his early years,fl
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acism and adopted the surname ofhis
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Bishop, generally considered the fi
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moments of spiritual insight rescue
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the city in which I love you.And I
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loads up steep hills on the Greekis
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Billy Collins (1941- )The most infl
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in a musicians’ “jam session.
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CHAPTER10CONTEMPORARYAMERICANLITERA
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with private lives.Influenced by Th
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ecognition for her Crimes of the He
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Kennedy as an explosion of frustrat
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Coast. Cotton and the plantationcul
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tle, open-ended fiction; recent vol
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nature essayist Rick Bass (1958- ),
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AMY TANPhoto: Associated Press /Gra
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Sherman Alexie (1966- ), aSpokane/C
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tells the story of an illegal immig
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GLOSSARYFaust: A literary character
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GLOSSARYPoet Laureate: An individua
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INDEXBabbitt (Sinclair Lewis) 60, 7
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INDEXCummings, Edward Estlin (e.e.
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INDEXGolden Apples, The (Eudora Wel
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INDEXKumin, Maxine 90, 130Kushner,
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INDEX“Negro Speaks of Rivers, The
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INDEXSeascape (Edward Albee) 117Sea
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INDEXWaiting (Ha Jin) 155Waiting fo
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U.S. DEPARTMENT OF STATE /BUREAU OF