ehind; the new, innovative force isthe center of attention.THE ROMANCEThe Romance form is dark andforbidding, indicating howdifficult it is to create anidentity without a stable society.Most of the Romantic heroes die inthe end: All the sailors exceptIshmael are drowned in Moby-Dick, and the sensitive but sinfulminister Arthur Dimmesdale diesat the end of The Scarlet Letter.The self-divided, tragic note inAmerican <strong>lit</strong>erature becomes dominantin the novels, even before theCivil War of the 1860s manifestedthe greater social tragedy of a societyat war with itself.NATHANIEL HAWTHORNEPhoto courtesy OWINathaniel Hawthorne(1804-1864)Nathaniel Hawthorne, a fifthgenerationAmerican of Englishdescent, was born in Salem, Massach<strong>us</strong>etts,a wealthy seaport northof Boston that specialized in EastIndia trade. One of his ancestorshad been a judge in an earlier century,during trials in Salem ofwomen acc<strong>us</strong>ed of being witches.Hawthorne <strong>us</strong>ed the idea of a curseon the family of an evil judge in hisnovel The Ho<strong>us</strong>e of the SevenGables.Many of Hawthorne’s stories areset in Puritan New England, and hisgreatest novel, The Scarlet Letter(1850), has become the classicportrayal of Puritan America. Ittells of the passionate, forbiddenlove affair linking a sensitive, religio<strong>us</strong>young man, the ReverendArthur Dimmesdale, and the sensuo<strong>us</strong>,beautiful townsperson, HesterPrynne. Set in Boston around 1650during early Puritan colonization,the novel highlights the Calvinisticobsession with mora<strong>lit</strong>y, sexualrepression, guilt and confession,and spiritual salvation.For its time, The Scarlet Letterwas a daring and even subversivebook. Hawthorne’s gentle style, remotehistorical setting, and ambiguitysoftened his grim themes andcontented the general public, butsophisticated writers such as RalphWaldo Emerson and Herman Melvillerecognized the book’s “hellish”power. It treated issues thatwere <strong>us</strong>ually suppressed in 19thcenturyAmerica, such as the impactof the new, liberating democraticexperience on individual behavior,especially on sexual and religio<strong>us</strong>freedom.The book is superbly organizedand beautifully written. Appropriately,it <strong>us</strong>es allegory, a techniquethe early Puritan colonists themselvespracticed.Hawthorne’s reputation rests onhis other novels and tales as well.In The Ho<strong>us</strong>e of the Seven Gables(1851), he again returns to NewEngland’s history. The crumbling ofthe “ho<strong>us</strong>e” refers to a family inSalem as well as to the actual structure.The theme concerns an inheritedcurse and its resolutionthrough love. As one critic hasnoted, the idealistic protagonistHolgrave voices Hawthorne’s owndemocratic distr<strong>us</strong>t of old aristo-37
cratic families: “The truth is, that once in everyhalf-century, at least, a family should be mergedinto the great, obscure mass of humanity, andforget about its ancestors.”Hawthorne’s last two novels were less successful.Both <strong>us</strong>e modern settings, whichhamper the magic of romance. TheB<strong>lit</strong>hedale Romance (1852) is interesting for itsportrait of the socialist, utopian Brook Farmcommunity. In the book, Hawthorne criticizesegotistical, power-hungry social reformerswhose deepest instincts are not genuinely democratic.The Marble Faun (1860), though set inRome, dwells on the Puritan themes of sin, isolation,expiation, and salvation.These themes, and his characteristic settingsin Puritan colonial New England, are trademarksof many of Hawthorne’s best-known shorterstories: “The Minister’s Black Veil,” “YoungGoodman Brown,” and “My Kinsman, MajorMolineux.” In the last of these, a naïve young manfrom the country comes to the city — a commonroute in urbanizing 19th-century America — toseek help from his powerful relative, whom hehas never met. Robin has great difficulty findingthe major, and finally joins in a strange night riotin which a man who seems to be a disgracedcriminal is comically and cruelly driven out oftown. Robin laughs loudest of all until he realizesthat this “criminal” is none other than the manhe sought — a representative of the British whohas j<strong>us</strong>t been overthrown by a revolutionaryAmerican mob. The story confirms the bond ofsin and suffering shared by all humanity. It alsostresses the theme of the self-made man: Robinm<strong>us</strong>t learn, like every democratic American, toprosper from his own hard work, not from specialfavors from wealthy relatives.“My Kinsman, Major Molineux” casts light onone of the most striking elements in Hawthorne’sfiction: the lack of functioning familiesin his works. Although Cooper’s Leather-StockingTales manage to introduce families into the leastlikely wilderness places, Hawthorne’s storiesand novels repeatedly show broken, cursed, orartificial families and the sufferings of the isolatedindividual.The ideology of revolution, too, may haveplayed a part in glorifying a sense of proud yetalienated freedom. The American Revolution,from a psychohistorical viewpoint, parallels anadolescent rebellion away from the parent-figureof England and the larger family of the BritishEmpire. Americans won their independence andwere then faced with the bewildering dilemma ofdiscovering their identity apart from old authorities.This scenario was played out countlesstimes on the frontier, to the extent that, in fiction,isolation often seems the basic Americancondition of life. Puritanism and its Protestantoffshoots may have further weakened the familyby preaching that the individual’s first responsibi<strong>lit</strong>ywas to save his or her own soul.Herman Melville (1819-1891)Herman Melville, like Nathaniel Hawthorne,was a descendant of an old, wealthy family thatfell abruptly into poverty upon the death of thefather. Despite his patrician upbringing, proudfamily traditions, and hard work, Melville foundhimself in poverty with no college education. At19 he went to sea. His interest in sailors’ livesgrew naturally out of his own experiences, andmost of his early novels grew out of his voyages.In these we see the young Melville’s wide, democraticexperience and hatred of tyranny and inj<strong>us</strong>tice.His first book, Typee, was based on histime spent among the supposedly cannibalisticbut hospitable tribe of the Taipis in theMarquesas Islands of the South Pacific. The bookpraises the islanders and their natural, harmonio<strong>us</strong>life, and criticizes the Christian missionaries,who Melville found less genuinely civilizedthan the people they came to convert.Moby-Dick; or, The Whale, Melville’s masterpiece,is the epic story of the whaling ship38
- Page 5 and 6: special songs for children’s game
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his example and influence.Beat poet
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acial differences have shaped their
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Acoma, New Mexico.A central text in
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Americans, from Harper (a collegepr
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At the opposite end of the theoreti
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Robert Penn Warren(1905-1989)Robert
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was set in Mexico during the revolu
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ful people whose inner faultsand di
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veiled account of the life ofBellow
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(1964), Bullet Park (1969), andFalc
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eing reported. In The Electric Kool
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own phrase) in negotiating thechaot
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the sweep of time from the end of t
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vivid, and often comic novel is asu
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sister discovers her inner strength
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paths of life in his early years,fl
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acism and adopted the surname ofhis
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Bishop, generally considered the fi
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moments of spiritual insight rescue
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the city in which I love you.And I
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loads up steep hills on the Greekis
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Billy Collins (1941- )The most infl
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in a musicians’ “jam session.
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with private lives.Influenced by Th
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ecognition for her Crimes of the He
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Kennedy as an explosion of frustrat
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Coast. Cotton and the plantationcul
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tle, open-ended fiction; recent vol
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nature essayist Rick Bass (1958- ),
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AMY TANPhoto: Associated Press /Gra
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Sherman Alexie (1966- ), aSpokane/C
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tells the story of an illegal immig
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GLOSSARYFaust: A literary character
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GLOSSARYPoet Laureate: An individua
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INDEXBabbitt (Sinclair Lewis) 60, 7
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INDEXCummings, Edward Estlin (e.e.
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INDEXGolden Apples, The (Eudora Wel
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INDEXKumin, Maxine 90, 130Kushner,
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INDEX“Negro Speaks of Rivers, The
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INDEXSeascape (Edward Albee) 117Sea
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INDEXWaiting (Ha Jin) 155Waiting fo
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U.S. DEPARTMENT OF STATE /BUREAU OF