Jasmine Trice (University of California, Los Angeles), "Projectors, Floods, and Generators: The Materiality of theCinema Theater in Colonial Manila"Carolyn Condon (Columbia University), "Spectators in Transit, Citizens in Transition: Film Screenings onTransatlantic Voyages in the Late Silent Era"Lawrence Zi-Qiao Yang (University of California, Berkeley), "Splicing an Amorous State: Nymph, Cut-pieces, andthe Trans-Asian Porn of the 1970s"B24: States of ConsciousnessRoom: 24Chair: Carol Vernallis (Stanford University)Kevin Chabot (University of Toronto), "Psychedelic Cinema: Form and Affect"Tanya Twombly (Oklahoma State University), "Personal Apocalypse: Isolation and Mental Illness in Take Shelterand Melancholia"Katarzyna Paszkiewicz (University of Barcelona), "Touch is Discreet, or It Is Nothing: Proximate Distance and theCinema of Isabel Coixet"Carol Vernallis (Stanford University), "Toward the Limit: Michael Bay's Transformer's 4: Age of Extinction"Wednesday, March 25, 2015 02:00PM-03:45PM (Session C)C1: The Spoilage of America: Garbage, Junk, and Audiovisual Noise in US Film and TVRoom: 1Chair: Allison Rittmayer (Northwestern State University of Louisiana)Michael Rowin (University of Florida), "Noise and Spectatorship in Lynch's Films"Tania Darlington (Santa Fe College), "From Hill Street to Farmington: The Station House as Symbol of UrbanNeglect in Television Police Procedurals"Jacob Agner (University of Mississippi), "Salvaging The Counselor: Watching Cormac McCarthy’s Really TrashyMovie"Allison Rittmayer (Northwestern State University of Louisiana), “‘Deswamped and Denuded, and Derivered’:Some Aspects of the Southern Gothic in Rural Noir Landscapes"C2: Ephemeral, Invisible: Animation Out of SightRoom: 2Chair: Paul Ward (Arts University Bournemouth)Paul Ward (Arts University Bournemouth), "Hiding in Plain View: The In/visibility of Animated Interstitials"Bella Honess Roe (University of Surrey), "Visualizing the Invisible: Animating the Inside of the Human Body inPopular Film and Television"Aylish Wood (University of Kent), "Seeing the Invisible: Excavating Animation Software Algorithms"Respondent: Karen Beckman (University of Pennsylvania)C3: Mediated MemoriesRoom: 3Chair: Roger Hallas (Syracuse University)
Laliv Melamed (New York University), "Family Matters: Home Movies and the Militarization of Family Memories"Michael Richardson (Ithaca College), "Hipsters, Cats, and other Memes: Hitler's Digital Afterlife"Sheenagh Pietrobruno (St. Paul University/University of Ottawa), "Archiving Heritage on YouTube: Intersectionsbetween Digital Intangible Heritage and Media Studies"Roger Hallas (Syracuse University), "Filming the Photographic Object: New Historiographies of Photography inRecent Documentary Film"C4: Re-Reconstructing the Gendered BodyRoom: 4Chair: Adam Knee (University of Nottingham Ningbo China)Anna Peppard (York University, Toronto), "'We Have to Get Her Right, We *Have* To' Conflicts of Desire,Fantasy, and Profit in the Casting of Gal Gadot as Wonder Woman"Elizabeth Nathanson (Muhlenberg College), "A Grandma on the Red Carpet: Joan Rivers and NegotiatingCelebrity"Pamela Krayenbuhl (Northwestern University), "Body Control/Mind Control: The Female Dancing Body inScience Fiction"Adam Knee (University of Nottingham Ningbo China), "Robocop Remade: Putting Masculinity Back TogetherAgain"C5: Theory's UnthoughtsRoom: 5Chair: Bhaskar Sarkar (University of California, Santa Barbara)Anustup Basu (University of Illinois, Urbana-Champaign), "Realism and the Graphic in the Age of the Digital"Joshua Neves (Concordia University), "Southern Effects"Bhaskar Sarkar (University of California, Santa Barbara), "At the Taj, or, Plasticity and the Global"Kay Dickinson (Concordia University), "At What Cost Theory? An Economics and Poetics of Citation"C6: Celebrity: Performances and PersonaRoom: 6Chair: Tracy Cox-Stanton (Savannah College of Art and Design)Kara Fagan (University of Iowa), "Dancing on Ice, Falling Out of the Gender Script: Sonja Henie’s TwentiethCentury-Fox Musicals and the Feminization of Figure Skating"Spring-Serenity Duvall (Salem College), "When Gen X Icons Grow Up: Celebrity, Ageing, and (Trans)NationalCanadian Identity in the Careers of Alanis Morissette and Sarah McLachlan"Steven Rybin (Georgia Gwinnett College), "Wooing Bogie, Courting Bacall: The Performance of Love in ClassicalNoir"Michael Rennett (University of Texas, Austin), "No More Mr. Nice Guy: Joseph Gordon-Levitt's FeministDeconstruction of the ‘Nice Guy’ Character"C7: Bright, Shiny, New! Visual Style and Technological ChangeRoom: 7Chair: Peter Collopy (University of Pennsylvania)
- Page 1 and 2: SCMS 2015 CONFERENCE PROGRAMPRELIMI
- Page 3: Frederik Byrn Kohlert (University o
- Page 6 and 7: A16: Television and National Identi
- Page 11 and 12: Feng-Mei Heberer (University of Sou
- Page 13: Sheila Murphy (University of Michig
- Page 17 and 18: Dolores McElroy (University of Cali
- Page 19 and 20: T.L. Cowan (The New School for Soci
- Page 21 and 22: Room: 3Chair: Sylvie Bissonnette (I
- Page 23: Room: 11Chair: Charlotte Howell (Un
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- Page 28 and 29: Kimberly Owczarski (Texas Christian
- Page 30 and 31: Morgan O'Brien (University of Texas
- Page 32 and 33: E23: Cut-scenes Reloaded: Making a
- Page 34 and 35: Denise Mok (University of British C
- Page 36: F16: Constructing Otherness, Decons
- Page 39 and 40: Kyle Stine (McGill University), "Ci
- Page 41 and 42: Carl Laamanen (The Ohio State Unive
- Page 43 and 44: Linda Mizejewski (Ohio State Univer
- Page 45 and 46: Angelica Lawson (University of Minn
- Page 47 and 48: Roy Grundmann (Boston University),
- Page 49 and 50: Myles McNutt (University of Wiscons
- Page 51 and 52: Camilla Sears (Thompson Rivers Univ
- Page 53 and 54: Johnny Walker (Northumbria Universi
- Page 55 and 56: I22: Data Drives: Encoded Subjects
- Page 57 and 58: J7: Intermediality in Industry Hist
- Page 59 and 60: Douglas Kern (University of Marylan
- Page 61 and 62: J24: Inhuman BodiesRoom: 24Chair:He
- Page 63 and 64: Room: 8Chair: Justus Nieland (Michi
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Room: 16Chair: Chantal Nadeau (Univ
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Mary Desjardins (Dartmouth College)
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L9: The Body at Risk: War Cinema in
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Room: 17Chair: Sara Saljoughi (Univ
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Room: 3Chair: Matthew Stoddard (Uni
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Room: 11Chair: Chuck Maland (Univer
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Friday, March 27, 2015 04:15PM-05:3
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Russell Meeuf (University of Idaho)
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Room: 13Chair: Sarah Barkin (Syracu
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N21: WORKSHOP Outside the Film and
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O5: Women's Narratives in Wartime M
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Respondent: Jon Haynes (Long Island
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Jonathan Cohn (University of Albert
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Janet Walker (University of Califor
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Bryn Kelly (Independent Scholar)Ale
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Respondent: Fenwick McKelvey (Conco
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Andrew Ritchey (University of Iowa)
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Room: 12Chair: Alison Griffiths (Ci
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*This workshop will be streamed*Q20
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Kosuke Fujiki (King's College Londo
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Charles O'Brien (Carleton Universit
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Workshop Participants:Peter Aliluna
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Norman McLaren: Animated Musician,
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Ryan Linkof (Los Angeles County Mus
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Room: 16Chair: Matthew Perkins (Uni
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Room: 1Chair: Ryan Friedman (Ohio S
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Katherine Rennebohm (Harvard Univer
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Room: 18Chair: Simone Becque (South
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U3: WORKSHOP What Can Disability St
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Room: 11Chair: Eileen McEwan (Muhle
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U19: Television and IdentityRoom: 1
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Banerjee, Sandeep S10Banerji, Sushm
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Condon, Carolyn B23Connolly, Matthe
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Gadassik, Alla S23Gagnon, Jean Q4Ga
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Ivakhiv, Adrian J12, K7Iversen, Gun
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Losh, Elizabeth B17, N19Lothian, Al
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Nochimson, Martha H11Nony, Anais P2
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Ross, Steven M11Rossie, Amanda R5Ro
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Swanson, Alexander Q14Swanson, Dwig
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Zemel, Dustin P24Zeng, Li U23Zhang,